Carnegie Museum of Art launches new Bradford Young installation
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Carnegie Museum of Art launches new Bradford Young installation
Still from Bradford Young, “REkOGNIZE,” 2017, Three-channel video (color, sound), Courtesy of the Artist. “REkOGNIZE” is commissioned by the Hillman Photography Initiative, Carnegie Museum of Art, Pittsburgh.



PITTSBURGH, PA.- Carnegie Museum of Art announces REkOGNIZE, a new multichannel video work by artist and Academy Award-nominated cinematographer Bradford Young (Selma, Arrival). Part of the Hillman Photography Initiative’s LIGHTIME, the work has been installed in CMOA’s Scaife Galleries of contemporary art.

REkOGNIZE is a meditation on photography, memory, and movement. Young finds inspiration in Pittsburgh’s Hill District neighborhood, a site of the early 20th-century Great Migration. During this time, millions of African Americans moved from the rural southern United States to cities in the north and west. The Hill District saw a flourishing of culture during these years and was a site of artistic development for luminaries such as August Wilson, Charles “Teenie” Harris, Errol Garner, and many others. REkOGNIZE takes its visual cues from the Pittsburgh landscape, especially the city’s tunnels, which serve not only as literal entry points into the city, but also as metaphors for this movement of people and culture.

The work is three-channel video featuring Young’s footage of the Hill District, shots of Pittsburgh’s tunnels, and a translation of several Teenie Harris photographs into matrices of metadata. This digital code is also the basis for the work’s musical score by jazz pianist and composer Jason Moran. Young is a constant collaborator across artistic disciplines, working with Creative Time, artist Leslie Hewitt, and director Ava DuVernay, as well as musicians Common and Gingger Shankar, among others. For REkOGNIZE, Moran picks up on the patterns and visual rhythms found within the code, creating music that enters into conversation with Young’s imagery. Young and Moran’s interdisciplinary approach to Harris’s images asks us to reflect on the power of photographs from the past to inspire work today. In doing so, they blur the boundaries between still and moving image, analog and digital, and visual and auditory experiences.

The work is part of LIGHTIME, a year of programming from the Hillman Photography Initiative. At its essence—and since its beginnings—photography measures light and time. The four artist projects unfolding in 2017 expand upon this notion, using it as a springboard to investigate contemporary social issues.










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