TORONTO.- Four outstanding international artists have been shortlisted for this year’s Aimia | AGO Photography Prize, marking the 10th anniversary of Canada’s most significant award for photography. Co-presented by Aimia, the Canadian global leader in data-driven marketing and loyalty analytics, and the Art Gallery of Ontario, the Prize awards C$50,000 to one winner who is chosen by public vote. The four finalists will present their work in an exhibition opening on Sept. 6, 2017 at the AGO in Toronto. Voting begins in person at the AGO after the exhibition opens and on the Prize’s website beginning on Sept. 13, 2017.

The 2017 finalists are:

• Liz Johnson Artur (Ghana/Russia)
• Raymond Boisjoly (Haida Nation/Canada)
• Hank Willis Thomas (USA)
• Taisuke Koyama (Japan)

Thirteen international nominators selected a long list of 30 artists. From that list, a jury of three experts named the four finalists, each of whom have shown extraordinary potential. The jury was headed by Sophie Hackett, the AGO’s Curator of Photography and included Ken Lum, artist, professor and Chair of the Fine Arts Department at the University of Pennsylvania; and Eva Respini, the Barbara Lee Chief Curator at the ICA/Boston.

“The jury was struck by the distinctly compelling character of each nominee’s work,” said Hackett, who will also curate the 2017 exhibition. “Though they are working in very different ways, each artist aims to transform and transmit a new understanding of the world we live in, through variations of digital image capture, experiences of blackness, and the relationship between indigeneity, language (both visual and verbal) and colonialism. I look forward to putting the nominees and their work in dialogue in the exhibition and through the various programs related to this year’s prize.”

In celebration of the 10th year of the Prize, Aimia and the AGO present a symposium in partnership with Aperture Magazine. The symposium, which will be held at the AGO on Dec. 3 and 4, 2017, will feature curators, scholars, and artists (including past Prize winners and nominees) who will discuss the issues and ideas impacting the field of photography today. Details will be announced later this summer.

A commemorative publication will also be produced for the anniversary year, telling the story of the Aimia | AGO Photography Prize over the past decade. The book will showcase the extraordinary work of current and past nominees of the Prize, explore its scholarships and residencies, and celebrate the impact the Prize has had over 10 years. The book is scheduled to be released on Dec. 4, 2017, and will be available at the AGO.

Liz Johnson Artur (b. 1964) is a Russian-Ghanaian photographer based in London. For the last 28 years, Johnson Artur has been working on a photographic representation of people of African descent, capturing compelling nuances of blackness and highlighting family, love and friendships. Her monograph with Bierke Verlag was included in the New York Times’ Best Photo Books 2016 list. Johnson Artur works as a photojournalist and editorial photographer for various fashion magazines and record labels all over the world. She received her Master of Arts in Photography from the Royal College of Art in London and has taught at the London College of Communication.

Raymond Boisjoly (b. 1981) is an Indigenous artist of Haida and Québécois descent who lives and works in Vancouver. He has exhibited extensively across Canada and internationally in both solo and group exhibitions. Boisjoly investigates the ways images, objects, materials and language continue to define Indigenous art and artists, with particular attention to colonial contexts. In 2016, he was a recipient of the VIVA Award, presented by the Jack and Doris Shadbolt Foundation for the Visual Arts in Vancouver, and is one of five artists shortlisted for the 2017 Sobey Art Award. Boisjoly is an assistant professor of Interdisciplinary Studio in the Department of Visual Art and Material Practice at Emily Carr University of Art and Design. He is represented by Catriona Jeffries Gallery.

Taisuke Koyama (b. 1978) is a Japanese artist who explores the possibility of image making in the digital age. His abstract photographs and moving images employ experimental production methods to investigate the relationship between organic processes and phenomena and the technologies that facilitate their visual capture. He has exhibited extensively in Europe and Asia including Generated Images at the Daiwa Foundation Japan House Gallery, London, 2016 and at international art festivals: Aichi Trienniale (2016), Seotuchi Trienniale (2013), and Daegu Photo Biennale (2012). In 2010, he was selected as part of the annual roster of Foam Talent for Foam Magazine. Monographs of his work include VESSEL – XYZXY (RRose Editions + taisuke koyama projects, 2017) and RAINBOW VARIATIONS (artbeat publishers + Kodoji Press, 2015). Koyama currently lives and works in Amsterdam and is represented by G/P Gallery, Tokyo, Metronom, Italy and Sunday Gallery, Switzerland.

Hank Willis Thomas (b. 1976) is a multidisciplinary contemporary African-American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture. He has exhibited throughout the U.S. and internationally including the International Center of Photography, Public Art Fund and The Guggenheim Museum Bilbao. His work can be found in numerous public collections, including the Museum of Modern Art in New York and the Whitney Museum of American Art. Thomas’ monograph, Pitch Blackness, was published by Aperture in 2008. He received a MFA/MA in Photography and Visual Criticism from the California College of Arts. Thomas is represented by Jack Shainman Gallery in New York City and Goodman Gallery in South Africa.