BERKELEY, CA.- This summer, the UC Berkeley Art Museum and Pacific Film Archive presents a new exhibition of paintings that encompasses five hundred years of Indian art-making traditions. ​Divine Visions, Earthly Pleasures: Five Hundred Years of Indian Painting draws on the institution’s extensive holdings of Asian art, in particular a renowned collection of more than three hundred works donated to BAMPFA in 1998. Guest curated by the distinguished Indian art scholar Robert J. Del Bontà, the exhibition is on view from June 28 through September 10, 2017.

Divine Visions, Earthly Pleasures comprises more than sixty paintings from BAMPFA’s collection, representing a vast range of Indian art and cultural history from the early fifteenth through twentieth centuries. Reflecting the distinctive collecting interests of Jean and Francis Marshall—whose gift forms the core of BAMPFA’s Indian art holdings—the works display a diverse array of subject matter, ranging from early religious traditions and aristocratic portraiture to romantic narratives and musical performances. By presenting some early extant examples of Indian painting alongside more recent works, the exhibition illuminates common aesthetic conventions—in particular a subtle interplay between realistic and abstract forms that emerges as a persistent theme across centuries of artistic practice.

“Since Jean and Francis Marshall’s transformative gift in 1998, BAMPFA’s Asian art holdings have grown to be one of the defining strengths of our encyclopedic collection—and we’re thrilled to highlight that strength with a show that brings some of most exceptional of these works together for the first time in years,” said Lawrence Rinder, director and chief curator of BAMPFA. “We are especially grateful to our friend and colleague Robert J. Del Bontà for providing a fresh scholarly perspective on these paintings that will allow our visitors to rediscover them in a new and illuminating context.”

“For more than five hundred years, the Indian subcontinent has nurtured some of the world’s most vibrant and distinctive painting traditions, which are richly encapsulated in BAMFPA’s remarkable collection,” said ​Del Bontà, who previously served as research associate and guest curator at the Asian Art Museum of San Francisco. “The works in this exhibition present subtle interplays between representational and abstract aesthetics and between sacred and secular subject matter—often in a single painting. It’s a pleasure to partner with BAMPFA in sharing these breathtaking works with the public.”