Ancient sites turned refugee camps as millions fled Partition

The First Art Newspaper on the Net    Established in 1996 Friday, May 17, 2024


Ancient sites turned refugee camps as millions fled Partition
In this photograph taken on August 8, 2017, Pakistan railway employees look on as they make final alterations to a train carriage displaying images from the time of Partition as part of the 'Azadi Train' decorated ahead of the forthcoming Independence Day celebrations at the railway carriage factory in Islamabad. Pakistan Railways is marking the 70 years since the country's creation with an Azadi, or 'freedom', Train that will run across the nation for 15 days, featuring regionally-themed floats galleries. The train will formally start its journey in Peshawar on August 13, finishing in Karachi, and will be accompanied by singers, musicians and puppeteers. In August 1947 India gained independence from Britain and the state of Pakistan was newly formed. Independence Day is marked on August 14. FAROOQ NAEEM / AFP.

by Nick Perry



NEW DELHI (AFP).- The Partition of India sparked one of the greatest mass migrations in modern history, with millions seeking sanctuary from the violence inside ancient tombs and forts -- transforming them into sprawling refugee camps.

More than 15 million people were displaced following India's independence from Britain in 1947, with Muslims embarking for the newly formed Pakistan as Hindus and Sikhs moved in the opposite direction.

At least a million died along the journey, the rest pouring into fetid camps erected in cities already pushed to the brink by violence, looting and food shortages.

In New Delhi, where law and order had almost completely broken down, tens of thousands of Muslims sheltered behind the 16th-century walls of Humayan's Tomb waiting for safe passage to Pakistan.

Tents were erected in the fine gardens surrounding the spectacular mausoleum -- the inspiration for the Taj Mahal -- and spilled over to encircle the smaller tombs dotting the Mughal-era complex.

As space became scarce whole families huddled together with their life's possessions on the exposed upper levels of the grand courtyard of the enormous domed monument itself.

The regal fountains at Humayan's Tomb "became so fouled with human dirt that they had to be filled in with sand", wrote historian Yasmin Khan in her book 'The Great Partition'.

The influx continued unabated until refugees made up almost one-third of the population of Delhi.

Those arriving by foot, train and tonga -- horse-drawn carts -- slept in marketplaces, under lean-tos or searched for space in vast tent cities that sprung over all over the capital.

One of the largest was at the ancient fort of Purana Qila where refugees from all walks of life camped "with their camels and tongas and ponies, battered old taxis and luxury limousines", wrote eyewitness Richard Symonds as quoted in Khan's book.

"The Delhi forts are landmarks for the Partition," said Guneeta Singh Balla, founder and executive director of the 1947 Partition Archive.

"The images of the refugee camps there are still very dramatic."

In parts of Punjab, the desert region split between India and Pakistan, rationing was reduced to a single chapatti a day as food shortages bit and begging and starvation were widespread.

Amritsar -- less than 30 kilometres from the new border -- endured horrific rioting, with areas like Katra Jaimal Singh and Chowk Bijli Wala all but destroyed amid looting and arson.

Sikhs fleeing persecution sought refuge at Khalsa College, a prestigious and picturesque Victorian-era university built in the late 19th-century, that staged as a relief camp.

A new museum in Amritsar is helping record and digitise Partition history.

But in Delhi there is no memorial at the landmarks that housed countless refugees to mark this dark chapter in their centuries-old existence.


© Agence France-Presse










Today's News

August 12, 2017

Willem de Kooning's 'Woman-Ochre' returns to University of Arizona Museum of Art

Fossil teeth suggest earlier entry of modern humans into SE Asia

Dallas Museum of Art launches enhanced online collection on DMA.org

Carved bone reveals rituals of prehistoric cannibals

Rock legend's private collection on view at Peabody Essex Museum

'A Century of Japanese Prints' includes recent acquisitions of modern and contemporary Japanese art

Susan Dackerman appointed director of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University

Akron Art Museum presents the sometimes weighty, sometimes lighthearted Heavy Metal

Tampa Museum of Art presents "Photorealism: 50 Years of Hyperralistic Paintings"

RM Sotheby's gathers seven decades of Ferrari's finest for Maranello sale

Cosmoscow announces artists and exhibitors for the 5th edition

PAFA opens "A Collaborative Language: Selections from the Experimental Printmaking Institute"

Knoxville Museum of Art opens American Impressionism exhibition

Avoiding a Greek tragedy for Athens' modernist architecture

Ancient sites turned refugee camps as millions fled Partition

Russia's devout royalists protest racy biopic of tsar

Winner announced for John Fries Award 2017

Art Stage Jakarta announces winners of the inaugural Indonesia Art Award

Solo exhibition of work by Rashaad Newsome opens at the Madison Museum of Contemporary Art

Celebrity designer Lana Marks offers Princess Diana handbag in Heritage Luxury Accessories Auction

Part 1 auction of a lifetime art glass and antique collection to be held Sept. 9th

Exhibition presents a selection of over 50 works by Yale University's 2017 MFA Photography graduates




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful