First major solo presentation by British artist Emily Mulenga opens at Firstsite, Colchester,

The First Art Newspaper on the Net    Established in 1996 Friday, July 5, 2024


First major solo presentation by British artist Emily Mulenga opens at Firstsite, Colchester,
Emily Mulenga, 4 Survival 4 Pleasure (still image), 1, 2017. Courtesy of the artist.



COLCHESTER.- Firstsite, Colchester, is presenting Taking Up Space, the first major solo presentation by British artist Emily Mulenga. The exhibition features a selection of dynamic moving image works alongside animated GIFs and personalised emojis, showcasing Mulenga’s use of digital language to investigate identity in the Internet age.

Using video, digital technology and online spaces, Mulenga explores how these platforms promote ideas of self through the body, race and sexuality. She questions the perceived democratic nature of these channels, particularly in relation to how the black feminine experience is presented online.

Mulenga uses her own image within her work. She asserts ownership over the different ways she is viewed by positioning her filmed self or animated avatar in virtual environments. In Orange Bikini (2015) Mulenga’s avatar is shown performing in a sequence of fantasy scenes, including taking a selfie, singing, pole dancing, twerking and swimming with a dolphin. By embodying confrontational stereotypes of how the black female body can be shown, she affirms her own independence and power to celebrate beauty without the influence of a male gaze.

A brand-new work entitled 4 Survival 4 Pleasure (2017), a sequel to Orange Bikini, follows the avatar on a journey through a succession of luxurious digital landscapes, claiming for herself a sense of absolute agency. The piece touches on aspects of cyborg theory, as well as the assertion that whether she is a concert pianist or dressed in jewels and feathers for carnival, a woman is equally valuable, important and justified. Mulenga’s central theme is the desire for those who are marginalised not only to survive, but to find happiness and empowerment.

The MulengaMoji series appropriates the popular vocabulary of emojis and GIFs – small digital images that are used to express an idea or emotion. Mulenga embeds her own face into familiar icons such as crying, winking or angry emojis: alongside symbols drawn from her own work including afro, selfie, and twerking emojis. These playful representations are part of her search for new ways to construct and reclaim identities to exist online in the future.

Emily Mulenga (b. 1991, Staffordshire) gained a BA Hons in Fine Art from Birmingham City University in 2013 and has since participated in shows across the UK, around the world and online. In 2016, she released a short film for Channel 4’s Random Acts programme which has toured the UK in the Playback Touring Exhibition.

Previous group shows include Short Circuit (Birmingham, Venice, Copenhagen), 2017; Abandoned Margins: Policing the Black Female Body, UICA, Grand Rapids and Woman Made Gallery, Chicago, 2016-2017; Futura Free: A Sensing, 198 Contemporary Arts & Learning, London, 2016; and Fierce Festival, Birmingham, 2014 and 2015 editions.










Today's News

September 30, 2017

Fondation Beyeler opens a major exhibition of the work of Paul Klee

Sotheby's to offer Basquiat painting from the collection of Yoko Ono

Spruth Magers opens exhibition of photographs by Bernd and Hilla Becher

National Gallery and the British public are rightful owners of Portrait of Greta Moll

Hauser & Wirth Somerset opens exhibition of new works by Rita Ackermann

Solo exhibition by American artist Jenny Holzer opens at Blenheim Palace

Kunsthaus Zürich presents an exhibition on 'Reformation'

Jenkins Johnson Projects opens its inaugural exhibitions

Baltimore Museum of Art opens new exhibition by Tomás Saraceno

Qatar Museums announces new Director of Museum of Islamic Art

Costs soar for renovating London's Big Ben

Concord Museum opens the most comprehensive exhibition created about Henry D. Thoreau

Record price for an item of jewellery at Piguet Auction House

Thomas Dane Gallery announces details of new Naples space opening January 2018

Fine jewelry surpasses $5.1 million at Heritage Auctions

Neave Brown wins Royal Gold Medal for architecture

Malmö Konsthall exhibits works by three artists from different generations

Exhibition at Pallant House Gallery presents Paula Rego's preparatory drawings for her paintings

Emily Liebert appointed Associate Curator of Contemporary Art at the Cleveland Museum of Art

Knight Foundation announces major gift to Akron Art Museum to engage more people in art

Art Deco images abound in Travel Poster Sale

First major solo presentation by British artist Emily Mulenga opens at Firstsite, Colchester,

Whatcom Museum showcases Western American art from Tacoma Art Museum's Haub Family Collection

Vancouver Art Gallery explores the story of Canadian painting in a major exhibition




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful