Outstanding final prices at the Spring Auction of Hermann Historica

The First Art Newspaper on the Net    Established in 1996 Tuesday, May 21, 2024


Outstanding final prices at the Spring Auction of Hermann Historica
German composite full armour, Augsburg type, 2nd half of the 16th century. HP: 38000 Euros. © Hermann Historica GmbH 2018.



MUNICH.- This year's Spring Auction at Hermann Historica GmbH took place from 1 to 11 May with the usual wide range of high quality precious objects from all periods of history and originating from all over the world. Approximately 6,500 lots from all specialist areas represented by the auction house came under the hammer – antiquities, arms and armour, works of art, hunting antiques, orders and collectibles from all fields of history and military history.

Antiquities
For many years, the demand for splendidly ornate early bronze helmets and ancient swords crafted by the highly skilled smiths of yesteryear has showed no signs of waning. Once again, the antiquities section did not disappoint, presenting several acknowledged rarities beyond compare and in impeccable condition, their provenance in prestigious collections fully documented over many years. A case in point was a late Illyrian bronze helmet embellished with a chased border of dots along the cheek pieces and face opening, which was forged in one piece during the fifth to the early fourth century B.C. Making an excellent impression by virtue of its preservation and confirmed provenance, the piece sold for its asking price of 12,000 euros. Among the moderately estimated edged weapons, the artworks cast in bronze enjoyed great popularity, such as a Bronze Age sword dating from the early Urnfield Period, the 12th century B.C., featuring a pronounced, offset medial rib with a flat, central ridge and almost parallel cutting edges. Open to bids from 4,000 euros, it now graces a new collection for 4,600 euros. Exceedingly uncommon and exquisitely forged in the northern Black Sea area during the eighth century, a Khazarian long sword with a silver-plated quillons and Late Antique ornamentation had been valued at 5,000 euros – precisely the sum for which the blade ultimately changed hands.

Works of art
According to tradition, the arms and armour catalogue opened with rare wunderkammer objects, hunting antiques and works of art. Produced in Nuremberg circa 1400, a Gothic interior door was evidence that masterpieces of exceptional craftsmanship were not reserved for the military field. The door was adorned with diagonally overlapping iron bands on the front, studded with raised rivet heads in the shape of petals. A comparable piece can be found at the Germanisches Nationalmuseum, in the town where it was produced. The lozenge-shaped interspaces were inlaid with metal sheets, alternately depicting the Nuremberg coat of arms and a heraldic eagle and lion. This imposing mediaeval work was snapped up for 12,500 euros in homage to its rarity and quality, its guide price of 9,000 euros notwithstanding. Next up, and a great deal more recent, circa 1520, a South German bakers' guild chest, still bearing the original iron mounts, lock and paintwork, duly fetched its estimate of 7,500 euros. The fire-gilt bronze busts of Hector and Achilles, fashioned circa 1860 in France, closed at a pleasing 6,900 euros, almost doubling their starting price of 3,600 euros. Skilfully carved with engraved and chased details and mounted on marble pedestals, the two sculptures portrayed the ancient warriors in full regalia, wearing helmets, their cloaks draped over their scale armour.

Arms and Armour
Attesting to a lifetime of experience in many cases, the works produced by mediaeval and early modern armourers and blacksmiths also exhibited the highest standards of functional reliability and aesthetics. Accordingly, this ambition was reflected in the composition of the highly ornate German full armour in Augsburg style, from the second half of the 16th century. The magnificent suit of armour certainly met with the approval of the international specialist buyers: spirited bidding resulted in the gratifying hammer price of 38,000 euros, considerably surpassing its limit of 25,000 euros. Every last detail of the elegant ensemble – the helmet forged in one piece its crowning glory – had been meticulously devised, accorded a specific function and splendidly worked to boot, making the most advantageous use of the material. Boasting a particularly sturdy, ridged breast plate and a screw-mounted, hinged lance rest on the side, the armour was clearly intended to afford the competitor optimal protection during the tournament. The roped flanges at the gussets and neck opening deflected onslaughts away from the body, while the shoulders, greaves and gauntlets granted the wearer the greatest possible freedom of movement by all sliding on several lames.

Equally worthy of note was a wonderful, even distinguished work: a significant morion in characteristic form. Profusely decorated with black stain etching, its exceptionally renowned provenance was documented as the prestigious Conan Doyle Collection. The graceful helmet found a new owner for its reserve of 12,500 euros. Trophies with a lion and dragon adorned the comb, while Fortune perched on the skull, flanked by two putti and trophy decoration. Continuous ornate rosettes provided the final flourish to the overall aesthetic appearance of the helmet, which was presumably made in Pisa, Italy, circa 1580. A hand-and-half stabbing sword (estoc), forged in South Germany circa 1520/30, also caused a stir. In excellent condition, of early date and measuring a majestic 137 cm, the extremely rare sword featured a large mushroom pommel and long, curving quillons, eventually chalking up 16,000 euros, almost twice its appraisal of 8,500 euros.

The elaborately worked edged weapons from the first decades of the 17th also achieved first-class results. The announcement at 12,500 euros of a silver-inlaid German rapier, circa 1600, with the Toledo acceptance mark under a crown and a tower mark, sparked a veritable bidding frenzy. The sale was completed for a very respectable 26,000 euros. Another collector parted with precisely this sum for an exclusive equestrian sword in impeccable condition, which had been listed at 14,000 euros. The blackened iron knuckle-bow hilt of the German sword was particularly arresting due to its fine décor of flower tendrils and cherubim, inlaid in silver. Similar weapons may be found in the well-known military museums of Stockholm and Paris. The sophisticated inlay technique – the marquetry of the artisan metalworker, which has all but vanished today – was only used for top-tier artefacts; it therefore elevated this particular piece, the eight ribs of the pommel also adorned with the precious metal silver, to a very special object. Bids had been invited from 8,500 euros for a left-hand dagger from the same period, lavishly embellished in gold, which now takes pride of place in a new collection for 20,000 euros. Every last part accentuated the exclusiveness of this inimitable Italian weapon, from the florally engraved, fire-gilt quillons to the engraved, gilt pommel and the scabbard, which was covered in ray skin and decorated with gilt iron mounts.

Asia, Orient and Africa
Moreover, the spectacular line-up of the lots from Africa, the Ottoman Empire, India, Japan and China left nothing to be desired. As ever, the awe-inspiring, sumptuously crafted edged weapons and firearms in this section were particularly sought-after. With very few bid steps, the price quickly jumped to 28,000 euros for a splendid, gold-inlaid karud from Turkestan, elaborately set with stones, dwarfing its minimum bid of 4,800 euros. Both walrus-tusk grip scales were lavishly studded with rubies and emeralds set in gold, while the wooden scabbard was completely covered in gilt silver and encrusted with corals, turquoises, emeralds and rubies. By contrast, a pesh kabz from Lucknow in India, wrought in the second half of the 18th century, also fired bidders' enthusiasm thanks to its opulent graphic patterns in blue and green enamel, the translucent effect of which was enhanced by the partially gilt background. With its massive silver grip, the exceptionally striking piece took a buyer's fancy and was acquired for its catalogue price of 10,000 euros.

The unusually keen interest in an extremely rare, 19th century, Malaysian matchlock gun proved to be one of the greatest surprises in this section. Listed at 1,200 euros, the lavishly gilt firearm, embellished with ornaments in high relief, coaxed an enthusiast into investing the sensational price of 29,000 euros. Likewise profusely decorated with gold inlays, the Caucasian miquelet-lock weapons were equally well received. One such was a pistol dating from circa 1830/40, its barrel, lock and stock covered in floral ornaments; although bidding started at 9,000 euros, the hammer only fell at 14,000 euros. Meanwhile, a religious object from China, a 16th century bronze bodhisattva sculpture with remnants of gilding, received a rapturous ovation. The 'enlightened being', represented in the preaching gesture, succeeded in captivating the audience and recorded a remarkable 26,000 euros, despite its asking price of just 3,000 euros.

Military history and historical objects
For many years, consignments from the personal possessions of European sovereigns have guaranteed tremendous demand, fantastic final prices and gratifying sales quotas, particularly when these treasures were originally the most intimate artefacts belonging to the crowned heads of the ruling houses of Austria or Bavaria. Venerated even during their lifetimes, the fascination with Empress Elisabeth of Austria (1837 - 1898) and King Ludwig II of Bavaria (1845 - 1886) remains unabated to this day, in every corner of the globe. No sooner were the mementos from the personal effects of Empress 'Sisi' and the fairy-tale king called than an exchange of bids flared, turning into a veritable onslaught. A torrent of international offers poured in – in the room, on the telephones and in the internet – with the coveted items achieving sensational record prices in a matter of minutes. Despite their enormous zeal, time and time again, the devotees from Austria had no choice but to bow to the pressure of non-European collectors and museums.

The opulent objects from the Empress' estate alone, some 19 lots in total, accounted for the impressive sum of over 315,000 euros, more than twelve times the catalogue prices of 25,000 euros. Among the artefacts very much in favour, all of which came from documented sources, were selected garments from her stylish wardrobe, such as a ceremonial Ottoman robe from the second half of the 19th century, a souvenir of her trip to the Near East. Decorated with sumptuous, gold floral embroidery on violet silk brocade, the blossoms and buds highlighted in green, blue and red, the gown inspired such fervour among collectors that the price soared from 1,000 euros to a record-breaking 42,000 euros. Equally sought after was a Russian suitcase from Castle Seisenegg, containing a vast array of shoes, lingerie, accessories, christening gowns and baby clothes, which tempted a connoisseur to pledge the very same sum, the limit of 1,500 euros notwithstanding. A large hatbox made by the packaging purveyor to the royal-imperial court, J. Chauvin in Paris, specially painted with the monogram 'E' beneath a crown, surrounded by pale pink roses and estimated at 4,500 euros, now delights a new owner for 40,000 euros, only slightly less. Starting at 4,000 euros, the hammer finally fell at 32,000 euros for three verses of a poignant, handwritten poem, composed by the Empress as a young girl in 1852.

Furthermore, a telescope belonging to King Ludwig II, engraved with his monogram, the royal crown and a laurel wreath, obviously appealed to the discerning audience. With a quintuple brass barrel and still in excellent condition, the telescope could be extended to a maximum length of 55 centimetres. Complete with its leather case, it was expected to fetch 7,500 euros, before changing hands for 17,000 euros. Hohenschwangau Palace houses a similar telescope, with which Ludwig II observed the progress on the construction of Neuschwanstein Palace until his death in 1886. In recognition of their achievements in the Seven Years' War, Frederick the Great (1712 - 1786) commissioned special snuffboxes circa 1760 as gifts for his most trusted generals. Covered in blue enamel and adorned with an ancient warrior, a guard eagle, trophy bundles and the crowned cipher 'FR' amidst the dates and places of the victorious battles, only four of these copper boxes were ever made. Now offered for auction from 5,000 euros, the catalogued piece is said to have belonged to General von Wrangel. The winning bid of 12,500 euros managed to secure the rare gem.

In the military history section, objects from mounted units all over the world proved particularly beguiling. Dated 1830 and embellished all over, a deluxe sabre had been presented to the commander of the Thuringian Hussar Regiment No. 12. Hardly was the lot called at 3,000 euros before it sold for 21,000 euros with very few bid steps. The auction of a silver-embroidered sabretache for an officer of the 12th French Hussar Regiment enjoyed similar success. Valued rather moderately at 500 euros, it went on to achieve 12,000 euros, a twenty-fourfold increase. From Bavaria, a presentation heavy cavalry sword for the Officers' Corps of the Royal Bavarian 1st Schwere Reiter regiment "Prinz Karl von Bayern", dating from 1907, did not escape buyers' notice; opening at 2,000 euros, the formidable blade was able to command its price of 12,000 euros. Next up, from Russia, and catalogued at 16,000 euros, a sabre M 1881/1909 awarded to officers of the Russian cavalry for valour, reverently known as the 'Golden Weapon', the point partly openworked and etched, with traces of gilding, found a taker for 17,000 euros.

An artefact from the turbulent history of Germany and France in the second half of the 18th century, the distinctive hunting hanger was presented on the occasion of the Treaty of Hubertusburg on 15 February 1763. Bids were welcome from 10,000 euros for the opulent edged weapon with its profuse silver and mother-of-pearl embellishments, which formed part of the collection amassed by Arthur Richard Dufty (1911 – 1993), Master of the Royal Armouries, for many years. It now graces a new collection for 11,500 euros.

Orders and Insignia
The approximately 340 lots in the orders and insignia section, some of which were unique and may be regarded as museum quality, included outstanding awards from Austria and Russia. Among them was the beautiful full decoration of the Order of the Golden Fleece, one of Europe's most prestigious house and knightly orders, made by Rothe & Neffe of Vienna in 1890. With bidding getting under way at 20,000 euros, a connoisseur finally parted with 28,000 euros for the piece, whose workmanship, partly sculpted and executed with ultimate attention to detail, underlined its high standing. Considered a veritable phaleristic sensation, the exceptionally decorative, magnificent set of the Order of the White Eagle, dated 1856, was presumably produced in the famous workshop of Johann Wilhelm Keibel (1788 - 1862), purveyor to the tsarist court. Highly unusual by virtue of the high-grade, 18 carat alloy, the set was acquired for its reserve of 20,000 euros. There was unexpectedly strong interest in the 1772 prize medal presented to the state councillor, Professor Carl Friedrich von Kielmeyer (1765 - 1844) of the Hohe Karlsschule Stuttgart, the military and art academy in the ducal residence of Castle Solitude. Of great significance to Württemberg's cultural history, the distinction awarded to the medical scientist, naturalist, chemist and biologist ultimately fetched 18,500 euros, eclipsing its appraisal of 1,200 euros. Moreover, an absolute rarity – the complete collection of decorations for the Military Order of Max Joseph from the estate of Major Dr. Günther Freiherr von Pechmann (1882 – 1962), the director of the New Collection in Munich of many years' standing – was snapped up for its guide price of 7,500 euros.

Fine antique and modern firearms
Once again, the antique firearms set bidders' pulses racing, with this section offering some extraordinary rarities. They included several genuine showstoppers, whose tremendous importance had been the subject of animated discussion among international experts during the run-up to the auction. It was no wonder, then, that a magnificent, South German deluxe grenade gun, featuring a formidable, cup-shaped bronze mortar barrel, prompted a seemingly never-ending barrage of bids that only petered out at a highly respectable 120,000 euros. Produced circa 1610/20 and listed at 18,000 euros, this extremely rare, museum-grade weapon also boasted superior quality and embellishment. The sculptured butt carved in the shape of a dragon's head, the engraved trophies and floral decoration on the barrel, combined with the rich inlays of engraved and blackened bone in the walnut stock, emphasised the particularly stunning elegance of this gunmaker's treasure. The minimum bid of 60,000 euros secured a superlative pair of deluxe flintlock pistols from the armoury of the Princes of Lobkowitz, whose quality and aesthetic appearance unquestionably brought glory on their owner and stressed his social status. Produced circa 1730 at the Prague workshop of the supremely talented Paul Ignazius Poser, the weapons had been finished with the most sophisticated chiselling work by that craftsman of equal renown, Franz Matzendorf. The locks presented extremely delicate, cut battle scenes, while the lock side plates showed skirmishes with Turks. Decorative tendrils trailed over the hammers and a procession of antique, mythological figures marched across the trigger guards and butt caps. Also very unusual – and hence seldom found on the market – was a four-barrelled flintlock pistol originating in the gunsmith's workshop of Peter Meesen in Utrecht. Manufactured circa 1660, the technical masterpiece ultimately cost its new owner 40,000 euros, more than double its catalogue price of 17,500 euros. The creator of the 18th century Sardinian flintlock rifle demonstrated the highest skill and expertise in iron chiselling. Approximately half the top of the barrel was richly decorated with figurative ornamentation inlaid with silver and the engraved snaphaunce lock painstakingly chiselled, the whole complemented by the eye-catching wooden shaft, completely overlaid with hammered and engraved iron. Open to bids from 3,500 euros, it finally sold for the princely sum of 24,000 euros.










Today's News

May 23, 2018

Pop artist Robert Indiana, best known for his "LOVE" sculpture, dies at age 89

Now's the time: Three bottles of 1774 vintage wine on sale in France

Bone trove in Denmark tells story of 'Barbarian' battle

Extraordinary rediscovery: Lost treasure of Imperial China found in an attic in France

Spectacular rare portrait of last Tsar of Russia, Nicholas II, is loaned to National Galleries of Scotland

Gloria Katz and Willard Huyck Collection of Japanese Photographs acquired by Smithsonian's Freer/Sackler

Sotheby's Sales of European Art and Master Paintings total $23.4 million in New York

Outstanding final prices at the Spring Auction of Hermann Historica

The Virginia Museum of Fine Arts acquires 34 artworks from Souls Grown Deep Foundation

Clark Art Institute acquires Guillaume Guillon Lethière's masterpiece 'Brutus Condemning His Sons to Death'

Exhibition reveals Dorothy Bohm's personal connections to the county of Sussex

Exhibition of new works by Peter Alexander on view at Brian Gross Fine Art

Margarita Cabrera and Cisco Jiménez exhibit at Ruiz-Healy Art

World record results fuel $4.2 million Heritage Sports Spring Memorabilia Catalog Auction

Ruby slippers return to view at the Smithsonian Oct. 19

Bowdoin Museum appoints scholar of the ancient world Sean Burrus as new Mellon fellow

A plus A gallery opens exhibition of works by Jochen Holz, M-L-XL and Richard Wheater

Historic coins & medals raise $5 million at Sotheby's New York

Phillips expands jewelry team in the Americas: Eva Violante joins New York team as Senior Specialist

Women lead at LA Modern Spring Auction

Exhibition of new drawings by Richard Serra opens at David Zwirner Hong Kong

Over the Influence opens Nightfall: Collected photographs and video by Huang Xiaoliang

Armin Linke exposes contemporary challenges facing our oceans through rare deep-sea footage

Dulwich Picture Gallery opens major retrospective of work by the British artist and designer Edward Bawden




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful