Art Gallery of South Australia welcomes over 1 million visitors off the back of record-breaking Impressionist exhibition
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


Art Gallery of South Australia welcomes over 1 million visitors off the back of record-breaking Impressionist exhibition
Installation view. Photo: Andre Castellucci.



ADELAIDE.- Colours of Impressionism: Masterpieces from the Musée d’Orsay has generated the largest exhibition attendance figures ever for a ticketed exhibition at the Art Gallery of South Australia. The exhibition closed on Sunday 29 July after its 123-day season and attracted 159,442 visitors with 35,449* from outside of South Australia.

These unprecedented figures round off a stellar year for the Art Gallery which welcomed 1,051,033 visitors to its exhibitions and associated events during the 2017/2018 financial year. With an increase of more than 200,000 from the previous year, the attendance composition includes 800,441 visitors to the North Terrace site and 250,592 to the Gallery’s offsite exhibitions including attendances from the Gallery’s flagship offerings – the Adelaide Biennial of Australian Art and TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.

Premier Steven Marshall commended the Art Gallery of South Australia on their most recent milestone, ‘Congratulations to the Art Gallery of South Australia for reaching record breaking numbers through their doors – one million visitors off the back of the historic Colours of Impressionism: Masterpieces from the Musée d’Orsay exhibition is exceptional.’

‘The Art Gallery of South Australia has an enviable track record when it comes to presenting international blockbuster exhibitions that attract visitors to our state in their thousands – and Colours of Impressionism has again demonstrated that’, Premier Marshall said.

Art Gallery of South Australia, Co-Acting Director Lisa Slade said, ‘Clearly the Art Gallery of South Australia offers both broad appeal and a depth of engagement, attracting significant audiences from South Australia and from further afield.’

‘Colours of Impressionism has attracted audiences of all ages and I am particularly encouraged to see large numbers of school visitors to the exhibition. It is extremely humbling that the Musée d’Orsay chose Adelaide as the Australian-only venue for this exhibition and this relationship places the Gallery and the state in an excellent position to advance future projects with International galleries and collections.’

In addition to record-breaking attendance figures for Colours of Impressionism, Art Gallery Membership saw a growth of 40% during the exhibition season, taking membership numbers to an all-time high. Demand for school visits of the exhibition was also unprecedented with the Art Gallery welcoming over 14,385 students and educators.

Dr Slade said, ’we owe the success of Colours of Impressionism to our audiences and specifically to South Australians who visited in droves and who drive us to be ambitious.’

The figures demonstrate the positive contribution that the Art Gallery is making to the growth of the economy, tourism and the cultural health of the state. The interstate reach of the exhibition was enhanced by the support of the South Australian Tourism Commission and exhibition partner Art Exhibitions Australia.

Now that the exhibition has drawn to a close the Gallery will undertake a detailed economic impact study to measure and report on the exhibition’s economic contribution. This will be released in coming months.


*based on 25.1% of total visitation excluding schools and private events where it is assumed visitors are based in South Australia










Today's News

July 31, 2018

Display at Tate Modern explores 'Magic Realism Art in Weimar Germany: 1919-1933'

The Schomburg Center for Research in Black Culture acquires coveted Malcolm X manuscripts and notes

Chile to restrict tourists and non-locals on Easter Island

MFA Boston receives gift of monumental Chinese scroll from Wan-go H.C. Weng

Eiffel Tower strike looms over long lines

Franklin, first black 'Peanuts' character, turns 50

Art Gallery of South Australia welcomes over 1 million visitors off the back of record-breaking Impressionist exhibition

Talbot Rice Gallery opens exhibition of works by Lucy Skaer

Krannert Art Museum strengthens collection of works by female artists at close of $10M initiative

Thiel College faculty members and student repair and document art of pop artist Corita Kent

Renowned tennis collection available ahead of US Open

Malaysia drops sedition case against political cartoonist

Photography exhibition examines visual culture of political demonstrations in the 1960s

Nasher Sculpture Center presents its first-ever sound sculpture

Jasmine Becket-Griffith juxtaposes fantasy & psychology in solo show at Corey Helford Gallery

Memories, metals and multisensory realms at Casula Powerhouse

ACMI + Artbank Commission: Innovative new artwork asks who killed trailblazing activist

MIT List Visual Arts Center's upcoming exhibition features Delia Gonzalez's most recent body of work

Hong Kong buskers take a bow in final show before shutdown

Holiday reads: Beachgoers check out French seaside libraries

Exact copy of car that made motor racing history in the 1960s for sale with Aguttes Auctions

New exhibition from Swiss artist Boris Rebetez opens at von Bartha

'Weronika Gęsicka: I remember my birth' on view at the Ujazdowski Castle Centre for Contemporary Art

UMMA announces new Deputy Director of Curatorial Affairs and Curator of Modern and Contemporary Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful