First U.S. museum survey of New York-based sculptor B. Wurtz on view at The Institute of Contemporary Art, Los Angeles

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First U.S. museum survey of New York-based sculptor B. Wurtz on view at The Institute of Contemporary Art, Los Angeles
B. Wurtz, Untitled (March 2), 1998. Acrylic on canvas, buttons, 33.5 × 36 × 0.5 in. (85.09 × 91.44 × 1.27 cm). Courtesy the artist and Kate MacGarry, London and East Sussex.



LOS ANGELES, CA.- The Institute of Contemporary Art, Los Angeles opened new exhibition in the main gallery: This Has No Name, the first U.S. museum survey of New York-based sculptor B. Wurtz.

This Has No Name is the first U.S. museum survey of New York-based sculptor B. Wurtz (b. 1948). For over forty-years, Wurtz has developed a visual language that subverts the industrial austerity of Minimalism and centers the minutiae from daily life in ways poetic and whimsical. B. Wurtz’s idiosyncratic work in sculpture and assemblage revolves around the use of objects that refer, directly or indirectly, to the “acts of eating, sleeping, and keeping warm,” inspired by an early drawing.

Food tins, clothing, plastic bags, mesh produce bags, and yogurt containers are transformed into elegant meditations on form and line while simultaneously underscoring the artist’s commitment to the ethics of reuse. The exhibition at ICA LA will focus on Wurtz’s work after 1980, when he completed his studies at CalArts, beginning with his “object portraits,” a series of photographs of some materials that would later become major building blocks for his sculptures, like green plastic fruit baskets or twist-ties. These works serve as an important framework for Wurtz’s later explorations, which include drawings, paintings, and sculptures made with clothing, socks, shoestrings, household items, and post-consumer packaging materials. By incorporating recognizable, everyday materials he has personally handled, Wurtz creates self-portraits through materials, and peels away some of the mystery of artistic production to establish more intimacy between artist and viewer.

B. Wurtz was born in 1948 in Pasadena, California, and lives and works in New York. He received his MFA from the California Institute of the Arts in 1980. In 2015 he was the subject of a retrospective exhibition at BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, which traveled to La Casa Encendida, Madrid. He has had additional solo exhibitions at Kunstverein Freiburg; White Flag Projects, St. Louis; Gallery 400, University of Illinois at Chicago; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; and Lulu, Mexico City. His work has been included in group exhibitions at MoMA PS1, New York; Tang Museum at Skidmore College, Saratoga Springs, New York; Moderna Museet, Stockholm; Museum of Contemporary Art, Chicago; and Musée d’Art Contemporain de Lyon, among others. His first public art commission Kitchen Trees, organized by Public Art Fund, opens on August 7 in New York’s City Hall Park.

B. Wurtz: This Has No Name is organized by Jamillah James, Curator, ICA LA.










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