Blank Forms opens first institutional survey of Henning Christiansen's work in America
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Blank Forms opens first institutional survey of Henning Christiansen's work in America
Left to right: Monitor displaying Fargo (The Slump Film), 1969 and Eftersøgningn (The Search), 1970. / Seelenhaus for Robert Gilliou, made with Robert Filliou, 1989. Plexiglas, wood, and acrylic. / Untitled 1 (Music is Green), 1970. Mixed media on paper.



NEW YORK, NY.- Blank Forms presents Freedom Is Around the Corner, a Henning Christiansen retrospective marking the first institutional survey of his work in America. Henning Christiansen (1932-2008) was a Danish composer, musician, and artist best known as a pivotal member of the Nordic avant-garde. Enamored with, but not beholden to, the Fluxus movement he helped shape, Christiansen’s simple conception of music as sound organized in time continues to provide a model for moving beyond the degree zero polemics of the ‘60s avant-garde. His radical oeuvre consists of over 200 opuses that interpenetrate the categories of performance, ritual, happenings, sculpture, painting, tape music, text-sound composition, song, and instrumental music, all marked by the perennial acuity of his green-painted ear.

Occupying 55 Walker Street in Tribeca, from October 11th through November 2nd, the full retrospective of Christiansen’s visual work includes objects, works on paper, self-published magazines, and other materials made across the artist’s 50-year career. Going beyond a traditional exhibition, the experimental retrospective explores how Christiansen’s compositions and performance practices can be recontextualized within a contemporary framework, and features 5 nights of performances at 55 Walker by an international assembly of contemporary composers and musicians who deal with Christiansen’s legacy including Werner Durand, Mark Harwood, Ute Wassermann, Thorbjørn Reuter Christiansen, Lucy Railton, James Rushford, Stíne Janvin, Graham Lambkin, Áine O’Dwyer, Lau Nau, and Apartment House.

Organized by Lawrence Kumpf, Artistic Director of Blank Forms, in collaboration with the Henning Christiansen Archive, with support from Nordic Culture Point, the Nordic Culture Fund, Snyk, the Danish Arts Foundation, the Royal Norwegian Consulate, Goethe-Institut, the Danish Consulate General, Music Norway, and Ultima Contemporary Music Festival.

Blank Forms is a non-profit organization dedicated to supporting emerging and underrepresented artists working in a range of time-based and interdisciplinary art practices, including experimental music, performance, dance, and sound art. We aim to establish new frameworks to preserve, nurture, and present to broad audiences the work of historic and emerging artists. Blank Forms provides artists with curatorial support, residencies, commissions, and publications to help document, disseminate, and advance their practices.










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