LONDON.- Asia Week at Design Centre, Chelsea Harbour, in association with Asian Art in London, is a multi-dimensional exhibition that runs from 5 until 9 November 2018. Attracting top designers, architects, international collectors, art-lovers and style-seekers, it celebrates the influence of Asian art, culture and creativity from across the region.

Featuring seven galleries showcasing the work of artists from China, Korea, Japan, The Philippines and Nepal, Asia Week at Design Centre, Chelsea Harbour explores the enduring appeal of the Asian aesthetic and why it resonates today. Artistic interpretations of the history, philosophy and culture of individual countries offer a unique perspective to the work on show.

Design Centre, Chelsea Harbour’s famous architecture provides a dazzling space for an impressive rollcall of emerging and established names. Work by Japanese artists are represented by Kamal Bakhshi. These include those by the grande dame of Japanese printmaking Toko Shinoda; painter, printmaker and multi-media artist Daniel Kelly (his work can be found in permanent collections of the Museum of Modern Art New York, the Metropolitan Museum of Art and the British Museum) and renowned printmakers Morimura Rei and Yoshitoshi Mori who specialized in ‘kappazuri’ stencil prints.

ArtChina, which represents Chinese printmakers and contemporary artists, is showing a selection of artworks, prints and ceramics that combine traditional techniques with a modern aesthetic. They include woodblock prints by Wang Chao, screenprints by emerging artist, actor and producer Kelly Mi and lithographic prints by Wei Jia, a representative of artists born in the 1970s. From Korea are ceramic pieces from The Han Collection including those by pottery painter Oh Man-Chu.

The selling exhibition includes work by South East Asian artists, represented by Singapore Art Garret Gallery (SAGG), such as those by Singaporean watercolourists Ng Woon Lam and Don Low, renowned glass sculptor Ramon Orlina from The Philippines and Indonesian painters Indra Dodi and Hari Gita. The October Gallery showcases contemporary work by Nepalese artist Govinda Sah, Chinese artist Tian Wei and celebrated Japanese artist Kenji Yoshida. Genrokuart explores female beauty and the history of pre-modern Japan.

Previously unseen in the UK, visitors can also view the Hugentobler Collection of Modern Vietnamese Art, featuring paintings and drawings by two Vietnamese modernist masters, Bùi Xuân Phái and Nguyễn Tư Nghiêm. It belongs to a private collector who discovered Hanoi’s hidden art scene when he travelled to Vietnam in the early 1990s as the country was opening up. The work is not for sale but has come from its current home in Switzerland, especially for the exhibition.

Generating a deeper understanding of design from both cultures is at the heart of the events programme, bringing a connection in an increasingly cosmopolitan world. From talks, workshops ad masterclasses and discovery tours, they will explore the crossover between East and West.