NEW YORK, NY.- Petzel Gallery announces New York-based artist, Sarah Morriss ninth solo exhibition with the gallery, and her first at their Upper East Side location.
The year is 1993: Sarah Morris, mid twenties, rents a studio between Times Square and Port Authority Bus Terminal on 42nd Street, a place, she says, where urban decay and excess meet mainstream. Drawn to explore the coded relationship she witnesses between people and architecture at this nexus of pornography and the corporate world, Morris records, surveys, absorbs fragments and particles of visual information: a flâneurs view of the mapping of power. Embedded in New Yorks real estate, redolent with the artists trespassing eye, the Midtown paintings and Morriss first paradigmatic film, index the artists unique vision of the city and its future.
Fast forward twenty yearsthe Midtown paintings and the eponymous nine minute, 16mm film have become the visual distillation of Morriss practice: precise, glamorous, de-familiarizing; portentous of dystopic futurism. Midtown is a harbinger of Morris series to follow, as the artist situated herself and her subject matter in the cities of Washington D.C., Los Angeles, Beijing, Rio, Abu Dhabi among others. The Midtown paintings and film are also prescient of a world on the cusp of change and equally of the artists role in relation to that. Michael Tarantino, then Head of Exhibitions at Oxford Museum of Modern Art, England, in an interview with Morris in 1999 (for her first Institutional show), describes the deconstructive nature of her work, parallel to the city and vision itself:
Walking down 42nd Street, the notion of a singular, coherent image is all but invisibleeverything is multipliedthe lights, the shops, the roar of the traffic, the prostitutes, the dealers
Even the street banter seems multiplied, seems to be endlessly repeated, like a loop
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Seductive and alienating, trenchant and refined, the Midtown paintings unequivocally locate the inception of the arc of Morriss oeuvrein which she tracks the transient nature of the politics of place, beginning with this dynamic metropolis.
Sarah Morris lives and works in New York.
1 Tarantino, Michael. (1999). Sarah Morris Interviewed. Modern Worlds. Oxford, UK: MOMA, Oxford.