Medieval Africa as a cultural force is subject of major exhibition at Block Museum
The First Art Newspaper on the Net    Established in 1996 Thursday, November 7, 2024


Medieval Africa as a cultural force is subject of major exhibition at Block Museum
Researcher inspects Dinar of al-Mustans ̇ir Billaˉh (r. 1036–1094 ce), issued AH 461, struck at Mis ̇r (Cairo). Gold, diameter 22 mm. Bank al-Maghrib, Rabat, Morocco, 521508.



EVANSTON, ILL.- The Block Museum of Art at Northwestern University invites audiences to travel to a time when West African gold fueled expansive trade and drove the movement of people, culture and beliefs.

On view now, “Caravans of Gold, Fragments in Time: Art, Culture and Exchange across Medieval Saharan Africa” is a first-of-its-kind exhibition that celebrates West Africa’s historic and underrecognized global significance and showcases the objects and ideas that were exchanged at the crossroads of West Africa, the Middle East, North Africa and Europe from the 8th to 16th centuries.

The opening celebration includes an open house event with hands-on artmaking, West African music and a program featuring Gus Casely-Hayford, director of the Smithsonian National Museum of African Art, “Caravans of Gold” curator Kathleen Bickford Berzock and Nigerian-born author and Northwestern English professor Chris Abani. Reservations and more information are available online.

“Caravans of Gold” continues through July 21, 2019 at The Block Museum, 40 Arts Circle Drive on the Evanston campus.

Supported in part by the National Endowment for the Humanities and the Buffett Center for Global Studies, among many funding organizations, the groundbreaking exhibition will travel to Toronto’s Aga Khan Museum in Fall 2019 and the Smithsonian’s National Museum of African Art in Spring 2020.

American literary scholar and cultural critic Henry Louis Gates Jr., host of the PBS series “Africa’s Great Civilizations,” said The Block Museum exhibition is significant and timely.

“This is a project that cannot be pigeon-holed as an ‘African exhibition,’” Gates said. “It reaches across boundaries and challenges conventional ideas about Africa, Islam and Medieval.

“The exhibition upends conventional historical narratives of the period by placing the Sahara and West Africa at the center,” he said. “It foregrounds how recent scholarship is compiling these points of reference to build a fuller and more nuanced picture of the period than we’ve ever had before. In doing so it disrupts the usual colonial narrative that begins with the onset of the Black Atlantic slave trade.”

“Caravans of Gold” draws on recent archaeological discoveries, including rare fragments from major medieval African trading centers like Sijilmasa in Morocco, and Gao and Tadmekka in Mali. These “fragments in time” are shown alongside works of art that invite audiences to imagine them as they once were. They are the starting point for a new understanding of the medieval past and for seeing the present in a new light.

Treasures of the Medieval Period
“Caravans of Gold” presents more than 250 artworks and fragments spanning types, styles and religious practices, representing more than five centuries and a vast geographic expanse. The works, both European and African, convey a story of the global networks and multi-directional trade at play in the medieval world.

To tell this little-known history, The Block Museum has secured rare and important loans from partner institutions in Mali, Morocco and Nigeria. Many of these objects have never traveled outside of their home countries. Some are among the greatest treasures of the medieval period in West Africa, including several rare manuscripts from libraries in Timbuktu.

The loans from Nigeria include iconic artworks -- such as a near life-size copper seated figure from Tada and a rope-entwined vessel from Igbo Ukwu -- that stand alongside the greatest works of art from any region or culture.

“Archaeologists’ site reports are full of enticing descriptions of material fragments uncovered in towns around the Sahara that were once thriving centers of trade; fragments of lusterware, glass vessels, glass beads, cast copperwork, iron work, terracotta and, occasionally, even goldwork have all been found at these sites,” said exhibition curator Kathleen Bickford Berzock, The Block Museum of Art’s associate director of curatorial affairs. “By placing these fragments alongside more familiar medieval works of art, ‘Caravans of Gold’ conjures an all but forgotten time and place.

“With the exhibition, we are inviting audiences to throw out their perceptions of medieval knights and castles and journey with us to a medieval world with Africa at its center,” Berzock said.










Today's News

January 27, 2019

The Royal Academy of Arts brings together the work of Bill Viola and Michelangelo

Banksy work stolen from Paris terror attack venue

'Discriminating Thieves: Nazi-Looted Art and Restitution' opens at Nelson-Atkins

Bob Dodge to debut Jan. 28 as guest appraiser on HISTORY Channel's 'Pawn Stars'

Oscar-winning French composer Michel Legrand dies aged 86

Journalist, screenwriter donates his papers to the Harry Ransom Center

Exhibition provides a comprehensive overview of American artist Jacob Lawrence's printmaking oeuvre

Underground in Jerusalem, a rare look at an ancient tomb

A complete archive of Supreme skate decks sells for $800,000

Phoenix Art Museum presents global exhibition on art and Islam spanning a millennium

Medieval Africa as a cultural force is subject of major exhibition at Block Museum

Kamel Mennour opens its third solo exhibition of the work of Liam Everett

Exhibition features works from the Museum of Contemporary Art Chicago Collection with a focus on new acquisitions

HOME opens a new solo exhibition by British artist David Bethell

Exhibition features huge canvases, expansive, room-filling installations and exceptionally large drawings

Exhibition brings together works by 6 artists who trace their origins to India, Pakistan and Iran

Kunsthaus Centre d'art Pasquart opens an exhibition of works by Zara Idelson

Gosport Gallery opens exhibition of works by Martin Snape

Exhibition revisits the controversial 1968 showing at the de Young Museum of 'Black Panthers'

Lunds konsthall opens 'Remembering What Is: Chile's Recent History in Film and Art'

The Grand Rapids Art Museum exhibits works of art acquired in the past five years

Ponti Art Gallery presents Italian masterpieces from 18th century to 20th century

New York-based painter Richard Tinkler opens exhibition at Team (gallery, inc.)

Focus Iran 3 offers views into the lives of contemporary Iranian youth through photography and video

Driving in UAE: Travel safety & road rules




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful