Underground in Jerusalem, a rare look at an ancient tomb
The First Art Newspaper on the Net    Established in 1996 Thursday, November 7, 2024


Underground in Jerusalem, a rare look at an ancient tomb
The facade of the Tombs of the Kings, owned and administered by the French Consulate of Jerusalem, is pictured on December 28, 2018 in East Jerusalem. The ancient site, which is considered the grandest burial compound in the holy city and has been closed for years, includes a sophisticated burial cave that has a mechanism for sealing the entrance by means of a stone that rotates on a hinge. THOMAS COEX / AFP.

by Mike Smith



JERUSALEM (AFP).- Flashlight beams pierce the darkness and reveal an archaeological gem in underground Jerusalem few have had the chance to glimpse in recent years.

The elaborate, 2,000-year-old tomb's stone shelves once held sarcophagi, and its steps are hewn from rock connecting its chambers.

It serves as a remarkable example of a Roman-era tomb -- considered among the largest in the region -- but it remains closed for now and largely forgotten in a corner of east Jerusalem.

Talks are ongoing between France, which owns the site known as the Tomb of the Kings, and Israel to reopen it, and AFP was recently given an exclusive tour.

"We are talking about probably the most important, fascinating and large monument in Jerusalem outside the Old City," said Yuval Baruch, Jerusalem regional archaeologist for the Israel Antiquities Authority.

The tomb has been closed since 2010 due to renovations costing around a million euros ($1.1 million).

But its unique status, Jewish veneration of the burial site and its location in the disputed city have added to complications in reopening it.

Archaeological sites in east Jerusalem are often freighted with religious significance and questions linked to the Israeli-Palestinian conflict.

The Tomb of the Kings is no exception, though with international involvement since France owns it.

Israel occupied mainly Palestinian east Jerusalem in the 1967 Six-Day War and later annexed it in a move never recognised by the international community.

It sees the entire city as its capital, while the Palestinians view the eastern sector as the capital of their future state.

France wants guarantees
Groups of ultra-Orthodox Jews have gathered at the tomb's gate to press for its reopening so that they can pray there. They describe it as a holy burial site of ancient ancestors.

"All we ask is to enter, make a prayer and leave," said Natanel Snir, who was part of a group of around 12 ultra-Orthodox Jews who briefly gathered outside the gate Thursday.

There has also been a challenge at Israel's rabbinical court -- which rules on matters related to Jewish law and holy sites -- over access to the tomb and France's ownership.

A concert at the site organised with a Palestinian group around a decade ago also led to criticism.

The court case has been abandoned for now at the request of Israel's foreign ministry, but there are discussions about whether to resume it, said Rachel Shakargy of the Israeli rabbinical courts.

Before reopening the site, France wants guarantees it will not face legal challenges and is asking for commitments on how visits will be managed.

French officials declined to comment, while Israel's foreign ministry said negotiations are continuing, without elaborating.

Both states are concerned it could become more of a religious than archaeological site after its reopening.

In the meantime, an iron gate leading to ancient steps, ritual baths and the expansive tomb further below remains locked.

Queen's tomb?
Both the history of the site and how France came to own it are complex.

An excavation in the 1860s, when the Ottoman Empire ruled the region, is thought to be the first modern archaeological dig in the Holy Land, said Jean-Baptiste Humbert, a French archaeologist who has carried out excavations at the tomb.

Felicien de Saulcy of France took on the project in 1863 and sought to confirm it was the tomb of biblical figures King David and Solomon, giving rise to the site's name.

That theory has been ruled out, but the name has endured.

Several sarcophagi were found inside and are now in the Louvre museum in Paris, including one with an Aramaic inscription.

According to the most commonly accepted theory, it refers to Queen Helena of Adiabene, in today's Iraqi Kurdistan, and she may have built the tomb for her dynasty.

She is thought to have converted to Judaism and her remains may well have been buried there.

Whether or not that is the case, the site is also believed to have been reused over the years.

After de Saulcy's excavation, the tomb was purchased by the Pereire brothers, a Jewish banking family in Paris that would later hand the property over to France.

'Much too big'
The site is set around 700 metres (yards) from Jerusalem's Old City.

Stone stairs lead down to two ritual baths and a courtyard in front of the tomb itself, with the remains of an ancient frieze above its entry.

The underground tomb spreads over some 250 square metres, slightly smaller than a doubles tennis court.

For Humbert, the site's grandeur and other factors mean it could not have been built for Helena's dynasty.

He theorises it could have been built by Herod Agrippa, grandson of Herod the Great.

"It is a tomb much too big for her," he said.

No matter why it was built, it captured visitors' imaginations before fading from public consciousness.

There are pictures of German Kaiser Wilhelm II visiting in 1898.

For Baruch, the site should be open -- and the artefacts at the Louvre returned.

"In my perspective, it must stay or exist as a archaeological cultural site, and of course if you want as an individual to go there and to pray, you can do it," he said.


© Agence France-Presse










Today's News

January 27, 2019

The Royal Academy of Arts brings together the work of Bill Viola and Michelangelo

Banksy work stolen from Paris terror attack venue

'Discriminating Thieves: Nazi-Looted Art and Restitution' opens at Nelson-Atkins

Bob Dodge to debut Jan. 28 as guest appraiser on HISTORY Channel's 'Pawn Stars'

Oscar-winning French composer Michel Legrand dies aged 86

Journalist, screenwriter donates his papers to the Harry Ransom Center

Exhibition provides a comprehensive overview of American artist Jacob Lawrence's printmaking oeuvre

Underground in Jerusalem, a rare look at an ancient tomb

A complete archive of Supreme skate decks sells for $800,000

Phoenix Art Museum presents global exhibition on art and Islam spanning a millennium

Medieval Africa as a cultural force is subject of major exhibition at Block Museum

Kamel Mennour opens its third solo exhibition of the work of Liam Everett

Exhibition features works from the Museum of Contemporary Art Chicago Collection with a focus on new acquisitions

HOME opens a new solo exhibition by British artist David Bethell

Exhibition features huge canvases, expansive, room-filling installations and exceptionally large drawings

Exhibition brings together works by 6 artists who trace their origins to India, Pakistan and Iran

Kunsthaus Centre d'art Pasquart opens an exhibition of works by Zara Idelson

Gosport Gallery opens exhibition of works by Martin Snape

Exhibition revisits the controversial 1968 showing at the de Young Museum of 'Black Panthers'

Lunds konsthall opens 'Remembering What Is: Chile's Recent History in Film and Art'

The Grand Rapids Art Museum exhibits works of art acquired in the past five years

Ponti Art Gallery presents Italian masterpieces from 18th century to 20th century

New York-based painter Richard Tinkler opens exhibition at Team (gallery, inc.)

Focus Iran 3 offers views into the lives of contemporary Iranian youth through photography and video

Driving in UAE: Travel safety & road rules




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful