Ambition still burns in art star Soulages at 99

The First Art Newspaper on the Net    Established in 1996 Saturday, May 4, 2024


Ambition still burns in art star Soulages at 99
A visitor looks at works by French painter, engraver and sculptor, Pierre Soulages, at the museum of the « Outrenoir » master (« ultra-black »), on May 28, 2014 in the French southwestern city of Rodez. AFP PHOTO/ PASCAL PAVANI.

by Jean-Louis de la Vaissiere with Fiachra Gibbons in Paris



SÈTE (AGP).- He has been called "the world's greatest living artist" -- and he is still painting at 99.

Pierre Soulages attacks his blacker than black canvasses in his bare studio beneath his villa overlooking the Mediterranean in southern France every day his legs will carry him there.

His step has slowed but there is a real urgency these days about the old master.

For Soulages is preparing a massive retrospective at the Louvre in Paris in December to mark his 100th birthday.

"Pierre is working on a huge new canvass," he wife Colette, only a few months his junior, told AFP.

"He thinks it through at night. A space has been left free for it" on the walls of the great Paris museum.

Soulages is to black what the great French artist Yves Klein is to blue.

You get an idea of his sheer longevity when you realise that Klein, born nearly a decade after him down the coast at Nice, died in 1962.

Soulages' star rose shortly after World War II and he is venerated in France and much of Europe as the Rothko of black -- the "master of noir" -- even if his fame has faded in the English-speaking world.

Naturally, he and Colette are dressed head-to-toe in black when they welcomed AFP into their villa in Sete.

And he is much amused at the amazement that he is still painting. "But I have always worked," he said.

'I burn the mediocre'
Nor has his legendary perfectionism dimmed. If Soulages is not 100 percent happy with a painting "I burn the canvass outside. If it is mediocre, it goes," he told AFP.

He even still makes his own tools to get the precise effect of the paint on canvass he wants.

In Sete, a sun-soaked port with a long spit of beach, Soulages likes to cut himself off to plunge into the depths of his obsession with black.

For him no other colour can compete with its dark dazzle. "It's a very active colour. It lights up when you put it next to a dark colour... Black isn't the colour of mourning; white is," he insisted.

As a child obsessed by the dark sheen of ink, Soulages would make his mother laugh at his black "snow".

"But I was serious. I made the white of the paper even more white with my black. I loved winter trees without their leaves.

With all his "black marks on paper", his mother would tease him that he "was already mourning her death".

But what Soulages was doing was asking basic questions about art that go back to prehistory.

"Why did man need to make marks on a wall?" How did art start? "We hardly talk about it -- it is very badly taught," the painter said.

"What is extraordinary," said one of Soulages' friends who was visiting that day, "is not just that he is still painting but that he is continuing to search and to think. He sees things that we don't."

Into heart of blackness
Still a bear of a man despite his age standing 6ft 2ins (1.90 metres), Soulages likes to work in scrupulously empty spaces.

"My studio is bare while those of other artists are often overflowing. I have to detach myself from anything which could hold me back."

Soulages admitted that he "knows very little about contemporary artists".

Instead he prefers to explore the heart of blackness in Sete "behind a few ramparts".

He puts a stone from the beach wound with string outside the door when he wants to be "left in peace".

But it can be a struggle. Two months ago the painter "could not get up because of my back" but he shook the problem off, and intends to "return to my (bigger) Paris studio when I can," he said.

With a whole museum dedicated to his work in his home town of Rodez in south central France, his dealer Emmanuel Perrotin is planning "a crazy project for my 100th birthday" in the US.

"He wants to bring all my works at the Fabre Museum in Montpellier to his new gallery, which is magnificent, in New York," Soulages said.

"Financially it's madness. I don't know how he'll manage. I doubt if it will happen," said the man who former French president Francois Hollande called "the world's greatest living artist".

Another ex-president Jacques Chirac is also a fan and last year the current occupant of the Elysee Palace, Emmanuel Macron, and his wife Brigitte visited him.

"I was impressed by how cultured and open they were," said Soulages, "and how they knew how to make friends immediately."


© Agence France-Prese










Today's News

February 5, 2019

SCHUNCK opens exhibition of the early work and life of Jean-Michel Basquiat

Oklahoma City Museum of Art acquires portrait by Kehinde Wiley and still life by Jan van Kessel the Elder

Asia Week New York cites 10 honorees for their contributions to advancing the arts of Asia in North America

Shredder in partially destroyed Banksy 'disabled'

Ambition still burns in art star Soulages at 99

Tate Britain opens a major retrospective of the legendary British photographer Sir Don McCullin

Rare exhibition features drawings and paintings by Italian master Jacopo da Pontormo

Brook Hazelton, former Christie's President, Americas, named LiveAuctioneers Advisory Board Chairman

Sprüth Magers Berlin opens exhibition of works by Astrid Klein

Jessica Martinez named to lead Herbert F. Johnson Museum of Art

Ki Smith Gallery opens its inaugural exhibition with works by Sei Smith

The Gujral Foundation presents 'In the Absence of Writing' a solo exhibition by Astha Butail

It's About Time: The Robin Rice Gallery exhibits photographs by Robin Rice

Visitor favourite 'This variation' by Tino Sehgal on view once more at the Stedelijk Museum Amsterdam

London's longest running art and antiques fair adds extra days for 2019

i8 Gallery opens exhibition of works by Ragnar Kjartansson

Massimo De Carlo opens 'Albericus Belgioiosiae Auroborus', a new exhibition by Luigi Ontani

Heidrun Holzfeind develops a new video installation for exhibition at Vienna's Secession

Sue Schiepers announces three exhibitions for 2019

Rare copy of Federalist Papers in publisher's boards offered in Heritage Auctions' Rare Books Auction

ICA in Philadelphia opens three major exhibitions for its 2019 winter season

Frist Art Museum opens first North American museum exhibition of Italian artist Claudio Parmiggiani

With over 200 illustrations new book takes readers through the snowman's enigmatic past

Royal Ontario Museum announces appointment of Curator, Japanese Art & Culture




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful