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Phillips announces highlights from the first New York auction of 2019
Peter Halley, Three Prisons, 2009. Estimate: $60,000-80,000 © Peter Halley.



NEW YORK, NY.- Phillips announced highlights from the New Now sale on 27 February, the company’s first New York auction of 2019. The sale will feature over 170 works of art that span decades of artistic creativity. Among the artists being offered in the auction are Mary Weatherford, Jenny Holzer, Kehinde Wiley, Andy Warhol, and Sam Gilliam, among others.

“Phillips’ New Now auctions have become a staple of the auction season, with collectors all over the globe eager to acquire works by both established and emerging artists alike,” said Samuel Mansour, Head of New Now Sales, New York. “This season, we are thrilled to have the opportunity to present an exceptional group of works, with some examples that are are solidly and deservedly established within in the art historical canon, such as Jenny Holzer’s Truisms and Andy Warhol’s Toy Paintings, as well some that serve as a new and exciting opportunity for collectors. After Phillips introduced Awol Erizku to the secondary market in 2017 with his photography, this auction will mark the first time that one of his paintings is being offered at auction, along with other first timers, such as Caitlin Keogh and Louisa Gagliardi.”

Leading the auction is Mary Weatherford’s Truxtun. Arresting and color-driven, this work belongs to The Bakersfield Project, Weatherford’s most celebrated series of neon paintings inspired by her experiences within the uniqueness of city landscapes. Throughout this series, Weatherford utilized diluted Flashe paint to create a translucent effect that forms a gradient of richness in hue, integrating her mixed media to create a harmonization of color. Elevating this subdued aesthetic, two delicate bands of neon stretch across the canvas and beam above the color field with an eye-catching illumination that adds depth and vigor. Further highlighting this element, Weatherford showcases the transformer and power cords as an essential part of the piece. She rejects hiding these elements for aesthetic purposes and rather drapes them elegantly over the canvas as an intentional compositional element. Executed in 2012, Truxtun is one of the first to feature the neon rods that were a career-altering experimentation for the artist and have been featured in her work ever since.

Jenny Holzer’s Truisms: All things are delicately interconnected..., a stone bench from the artist’s provocative series, executed in 1987, will also be featured among the highlights. Standing authoritatively, this work expertly embodies Jenny Holzer’s artistic practice. Shortly after moving to New York City, Holzer worked nearly exclusively on her acclaimed Truisms series from 1977-1979, marking a turning point in the artist’s career. This body of work is a conglomeration of blunt stream-of-consciousness declarations that touch upon an array of themes such as feminism, violence, oppression, and vulnerability. Candidly professed from an anonymous and universal perspective, the artist’s Truisms poetically reveal one’s most intimate, and at times irreverent, thoughts. The present lot features a selection of Truisms that cover the entirety of the object allowing viewers to meander around and absorb the piece in its unique totality.

Andy Warhol’s Rollover Mouse from his series Toy Paintings is an outstanding example of the artist’s preoccupation with commercialism and animation, as well as his fascination with the universality of toys and their ability to transcend age and nationality. Created in 1983, this painting is part of the artist’s later body of work that witnessed a resurgence of his energetic and colorful canvases. Zurich gallerist Bruno Bischofberger, who hosted one of the most significant Pop-Art shows in Europe in 1965, later requested a series of work conducive for children and bought the resulting 100-work compilation with London gallerist Fabian Carlsson. These works were then displayed in Bischofberger’s gallery, hung at children’s eye level in an installation that resembled a shiny and whimsical toy store. Serving as a more child-oriented expression of Warhol’s acclaimed advertising motifs of Brillo and Mott’s boxes from the 1960s, his Toy Paintings series embodies the same consumerist spirit.

Untitled (The World Stage: Brazil), 2012, by Kehinde Wiley captures two subjects, wearing contemporary urban attire, rendered in a photo‐realistic style set against and contrasted with a decorative floral background. Wiley’s subjects typically derive, however, from “street casting” people he encounters in Harlem. Culling from a wide range of art historical sources, Wiley captures these young African American men assuming poses that connote the canonical works of Holbein, Titian, Velázquez, David, and Ingres. Wiley inserts these brilliantly rendered compositions within a lineage of traditional portraiture while also drawing attention to the absence of African Americans from cultural and historical narratives. The present lot exemplifies Wiley’s unmatched compositional instinct and ability to deliver layers of visual and conceptual gravity that simultaneously coalesce and collide.










Today's News

February 13, 2019

Myers Fine Art to host Feb. 17 auction of 20th century decorative arts

Dulwich Picture Gallery opens the first major UK show of the work of Harald Sohlberg

Eli Wilner & Company reframes Thomas Cole's Genesee Scenery for the RISD Museum

Historical poster returns to Rotterdam

Phillips announces highlights from the first New York auction of 2019

Drawings Week at Christie's France to include works from the collection of Jean Bonna

PROYECTOSMONCLOVA opens 'Helen Escobedo: The Potential of Sculpture'

New Museum opens the first New York survey by Nari Ward

James Cohan now represents Teresa Margolles

Freeman's to offer the Jeff Hunter Collection of Antiquities & Tribal Art

The Phillips Collection opens the first museum retrospective of Cuban artist Zilia Sánchez

Pace/MacGill Gallery opens an exhibition by renowned fashion photographer Paolo Roversi

Hayward Gallery opens the first major survey in the United Kingdom of Kader Attia's work

Landmarks names Kathleen Brady Stimpert as Deputy Director

Boulder Museum of Contemporary Art opens exhibitions of works by Don Coen and Karen Kitchel

Huxley-Parlour Gallery opens exhibition of new work from British landscape photographer Jem Southam

University of Richmond Museums opens African wax print exhibition

PHOTO L.A. draws a crowd of over 10,000 at its 27th edition

Jeu de Paume announces newly commissioned works by Julie Béna, Ben Thorp Brown and Daisuke Kosugi

New Director of Liverpool Biennial appointed

Melanie Sheffield appointed Chief Development Officer at the Harvard Art Museums

Sprüth Magers opens exhibition of works by Otto Piene

Iconic Victorian masterpiece by William Powell Frith offered for sale the first time in 135 years

Exhibition presents works selected from Kiki Smith's exceptional donation to the Pinakothek der Moderne

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