The First Art Newspaper on the Net   Established in 1996 Friday, January 22, 2021


Claudia Comte creates an immersive installation for Copenhagen Contemporary's largest hall
Claudia Comte, I Have Grown Taller from Standing with Trees (2019). Installation view at Copenhagen Contemporary. Photo: Roman März.



COPENHAGEN.- For her first exhibition in Denmark, the Swiss artist Claudia Comte has created an immersive installation for Copenhagen Contemporary’s largest hall.

The presentation brings together sculpture, sound and 3D prototyping with the artist’s interest in archaeology, biodiversity and forestry.

Inside the hall, rows of six-metre-tall debarked spruce trees are positioned along a grid of millimetric precision that directly corresponds to a digitally printed graphic carpet. A large ceramic sculpture sits at the centre of this seemingly peaceful forest, which is enveloped by filtered light, sound and the mild scent of resin released by the pale spruces.

Moving through the exhibition, however, a collapse of order becomes apparent. The trunks have been struck by a powerful force and are suspended in a state of disorder. The geometrical grid of the carpet evokes the root system of the trees, which, via underground fungi networks, communicate with other trees along the forest floor. The grid – a structure which relays order and clarity – is also distorted, visualising the effects of this large-scale disturbance upon the forest ecosystem, above and below ground.

Comte’s particular interest in the forest stems from her childhood spent in the Swiss countryside. In a period when many traditional methods are being replaced by automated technologies, the artist highlights the virtues of traditional craftsmanship by prompting a dynamic conversation between organic forms, new media and rendering software. The spruce trees of I Have Grown Taller from S tanding with Trees may be viewed as time capsules in the way the trunks’ annual rings grow at different rates depending on climate conditions. This is worth bearing in mind when walking among the spruces, all approximately one hundred years old.

A soundscape by composer and longtime collaborator Egon Elliut accompanies the exhibition. Composed to reflect the life and movements of the forest ecology in real time, visitors will hear an acoustic spectrum of past and present denizens, from dinosaurs to ants, as they inhabit the forest at different times of the day. A new seasonal soundscape will be devised in the spring to reflect the sounds of the forest in warmer months.

As a totalising experience of light, scent and sound, I Have Grown Taller from S tanding with Trees embraces the full force of nature. At the same time, it is nature’s cemetery of felled trees, mirroring the effects of our current era in which human activity directly impacts Earth’s biological systems. The installation reminds us that we are part of a greater whole where strong cooperative networks are as vital for trees as they are for humans.

Visitors are invited to walk amongst the trees, climb the fallen trunks and take in the views of the collapsed forest. Evoking childhood memories of visiting the woods, visitors may carve their names or leave messages on the trunks. The artist also invites visitors to participate in a number of performances scheduled during the exhibition period.

Comte was personally involved in the entire process of sourcing the trees, felling, cutting and sanding the trunks. Importantly, for every tree felled the artist has planted two new trees.

The Swiss artist Claudia Comte is known for her site-specific installations that bring together handmade sculptures, graphic works, digital technologies and interactive installations that invite the audience to participate in activities such as arm-wrestling and dancing. Comte studied at the Ecole Cantonale d'Art de Lausanne (ECAL) and the Haute Ecole Pédagogique, Visual Arts. Recent exhibitions include: The Morphing Scallops , Gladstone Gallery, New York (2019), Electric Burst (Lines and Zigzags), Contemporary Art Museum, St Louis (2018), When Dinosaurs Ruled the Earth , König Galerie, Berlin (2018), Zigzags and Diagonals , MOCA Cleveland (2018), Swiss Performance Now , Kunsthalle Basel (2018), KölnSkulpture #9 , Cologne (2017), La Ligne Claire , Basement Roma (2017), NOW I WON , Messeplatz, Art Basel (2017), Desert X , Palm Springs (2017) and 10 Rooms, 40 Walls, 1059 m2 , Kunstmuseum Luzern (2017).










Today's News

February 18, 2019

New York museum says ancient coffin was looted, will go back to Egypt

Monet - Reinventions of Impressionism in a new large-scale exhibition

Hayward Gallery presents nearly 100 photographs by Diane Arbus

Exhibition offers comprehensive insights into the artistic and thematic breadth of the Renaissance in Venice

With 'Roma,' Alfonso Cuaron reinvents how he makes films

The Museo del Prado is making more than 400 audiovisual archives available, spanning 100 years of its history

Bauhaus at 100: Celebrating the artists & their legacy at Sotheby's

Glenn Murcutt announced MPavilion 2019 architect

Claudia Comte creates an immersive installation for Copenhagen Contemporary's largest hall

Mudam Luxembourg opens the most significant retrospective to date dedicated to the paintings of Jutta Koether

Paul Pretzer returns to portraiture with his signature dark humor in new exhibition at MARC STRAUS

Bertoia's announces its 700-lot Spring Signature Sale

Kewenig opens the exhibition "The Palace of Perfect" with works by James Lee Byars

Rockwell's 'Four Freedoms' paintings on display in Washington

Le Board and the Untitled Space gallery open "Indira Cesarine x Neon" solo exhibition

Exhibition of paintings by Abstract Expressionist painter Judith Godwin opens at Berry Campbell Gallery

Crocker Art Museum opens exhibition of international street photography

Firstsite, Colchester, opens an interactive installation by the New York-based artist Zoe Beloff

"The Weather Garden: Anne Hardy curates the Arts Council Collection" opens at Towner Art Gallery

Exhibition is first to focus specifically on the role of drawing in the life and work of Lina Bo Bardi

Waverly's Feb. 28 auction shines spotlight on U.S. presidential material, rare first-edition books

Sprüth Magers opens exhibition of works by Sterling Ruby

H&H Classics to offer favourite cars of film stars & movie moguls

What You Need to Know about Oscillating Tool and a Jigsaw

The Many Benefits of Lavender Oil

3 Easy To Play Online Casino Games

Choosing the Right Casino Games to Play




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful