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Major UK sculpture project launches online
Eduardo Luigi Paolozzi (1924–2005), Nairn Elephant © trustees of the Paolozzi Foundation, licensed by DACS 2019. Photo: Towner.



LONDON.- Today sees the launch of Art UK’s unique sculpture project. The first thousand sculptures are now available online, free of charge, to people in the UK and all over the globe via www.artuk.org. An estimated 150,000 more will follow by the end of 2020.

These first images, and their associated digital records, form part of the largest sculpture cataloguing project ever undertaken in the UK. Most sculptures in the national collection have never been photographed before. By the project’s conclusion, the UK will become the first country in the world to create a free-to-access online photographic showcase of its publicly owned sculpture, for everyone’s enjoyment, learning and research.

Seeing the nation’s sculpture collection online will prompt a re-examination of some of the burning issues affecting society today, raising complex questions. Why are there so few sculptures of women, and what is being done to redress the balance? Is it time to rethink how we display female nude sculptures in the post-#MeToo era? How do we talk about the difficult legacies of slavery and colonialism in Britain when sculptures commemorate those who profited from them? With the backdrop of Brexit, what does our sculpture say about us as a nation?

The first records include a sublime statue of Eve by Auguste Rodin outside Nando’s in Harlow, a sculpture of the head of the Italian heiress and legendary patron of the arts, Marchesa Luisa Casati Stampa di Soncino, created by Sir Jacob Epstein, and a sculpture by Robert Baden-Powell, the founder of the Scout Movement.

The new sculpture records will join the 200,000 oil paintings already digitised by Art UK, and a growing number of works on paper. The sculpture project is part of Art UK’s ambitious drive to democratise access to the nation’s public art collection, much of which is in store, and is often not easy for people to find and see.

Sculpture is often seen as the poor relation of ‘flat’ art – the American artist Ad Reinhardt famously teased that ‘Sculpture is something you bump into when you back up to look at a painting.’ Art UK's sculpture project will give this underappreciated medium the same status as the oil paintings already on the site. This will change people's perceptions and allow sculpture to take its rightful place at the centre of the art world.

A diverse, global collection
The UK’s national collection of sculpture is drawn from across the globe, comprising works from almost every country and era over the last thousand years. The sculptures represent a wide range of diverse cultures, from fifteenth-century Nigeria and Buddhist sculpture from south-east Asia to Italian Neoclassicism and twentieth-century America. The collection reflects a strong global influence compared to the oil paintings in the national collection, which are primarily part of a European tradition.

Transforming access to sculpture
Many sculptures in the national collection have not been catalogued or photographed before. Currently, only an estimated 1% of public collections have their full sculpture collection online, while many public monuments are not fully recorded and are at risk. The project will throw into sharp relief questions about how we care for our public art.

Opportunities to engage with sculpture are also scarce. Art UK’s ambitious project will transform the way people discover and learn about their sculptural heritage. It will allow audiences to share knowledge, exchange opinions and visit sculptures – both in person and online.

An ongoing digitisation project Art UK began photographing sculpture in April 2018 and new sculptures are being added to the website all the time. The sculptures that are being digitised are located inside galleries, museums and public buildings, as well as outdoors – in parks, streets and squares across the UK. A large team is travelling across the country to complete the project – dedicated and enthusiastic project staff, photographers and hundreds of volunteers.

On the Art UK website, people can see records of the sculptures in public ownership across the country and photographs of many of the key works. The site also includes additional information about the artists, the objects and subject matter. A range of writers will continue to tell the stories behind the works through online articles.

The project brings together sculptures from the length and breadth of the UK, from Shetland to the Channel Islands, from Northern Ireland to the Isle of Man. Art UK is collaborating with national collections including the V&A Museum, Tate, National Trust, Amgueddfa Cymru – National Museum Wales and National Galleries of Scotland, as well as thousands of regional and local institutions.

Learning and engagement
The sculpture project’s extensive and ongoing learning and engagement programme is taking place across the country. Sixty sculpture-related films are being made with and by young people, linked to the National Curriculum. The Masterpieces in Schools initiative is taking 125 sculptures into primary and secondary schools for the day, inspiring a passion for art from a young age.










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