'Legendary' Notre-Dame roof astounded Middle Ages: carpenter
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


'Legendary' Notre-Dame roof astounded Middle Ages: carpenter
This photo shows the damaged roof of Notre-Dame-de Paris Cathedral in Paris on April 16, 2019, a day after a fire that devastated the building in the centre of the French capital. French President Emmanuel Macron vowed on April 16 to rebuild Notre-Dame cathedral "within five years", after a fire which caused major damage to the 850-year-old Paris landmark. Amaury BLIN / AFP.

by Marie Wolfrom



PARIS (AFP).- The charred roof of the Notre-Dame Cathedral in Paris was once a legend that "astounded the Middle Ages" and still fascinates master carpenters, Thomas Buechi of the Charpente Concept group told AFP.

What does the roof represent for master carpenters?
It is possibly one of the greatest masterpieces for French master carpenters. For a painter it would have been a bit as if the Mona Lisa went up in smoke.

The framework (known as "the forest") was mythical, it was a legend for several reasons. It was so complex that it astounded the Middle Ages.

First of all, it took 50 years to prepare the timber. They began cutting the trees, around 1,500, sometime around the year 1200.

These were laid for a year with the top turned to the North to align them with the energy of the earth.

The bark was then removed and they were immersed in a swamp for 25 years to preserve the wood from fungus and insects.

Around 1225, the wood was removed from the water and the trunks were sawed into beams and allowed to dry for another 25 years.

Given average lifespans at the time, it meant that most of those who cut down the trees never saw the roof structure.

Who erected the more recent spire that collapsed?
The French revolution left the cathedral in ruins. In the middle of the 19th century the decision to redo the spire was made.

In addition to the architect, Eugene Viollet-Le-Duc, there was a key figure who has been forgotten, Henri Georges, a master carpenter.

He was a master of "operative geometry" and his nickname was "Angevin, the child genius".

When I saw the spire burn and fall yesterday, he was the one I thought of.

Which challenges face those charged with the reconstruction?
We do not know yet how much the stone has suffered. That everything is still standing is a miracle.

For the roof structure, either they will reconstruct it like before, or do something completely different.

Rebuilding this masterpiece would involve all professionals in the wood sector. I think there will be a massive mobilisation.

They should not do as they did for the Chartres Cathedral, where the roof burned in the 19th century and was replaced by a metal framework.

In France there are plenty of oaks, the wood will not be a problem. They could use old trees and leave more space for young ones to grow.

In the Troncais forest (in central France) there are oak trees that are several hundred years old.

They could never prepare the wood the way it was done in 1200. But today's technology would allow work to proceed faster. You could foresee starting to receive beams two years from now, and replace the roof structure in the next five years.


© Agence France-Presse










Today's News

April 17, 2019

Boca Raton Museum of Art opens exhibition of comics and contemporary art

'Like a bombing': Daylight reveals extent of Notre-Dame damage

Counting the losses: what we know about Notre-Dame's treasures

Firefighters form human chain to rescue priceless treasures

Noguchi Museum announces plans to create unified campus

'Legendary' Notre-Dame roof astounded Middle Ages: carpenter

The V&A announces new collaboration with The Sir Elton John Photography Collection including major donation

Apollo 15 flown Command Module Rescue arrow up for auction

Ancient art collection goes to Emory

Export Bar placed on Renaissance casket in a bid to keep it in UK

New-York Historical Society shocases early American Bibles

Artcurial auction pays tribute to the greatest names in comic strips

MFA Boston appoints Michelle Millar Fisher as Curator of Contemporary Decorative Arts

Vienna's Secession opens an exhibition of works by Fernanda Gomes

Improper Walls opens an exhibition of works by Lithuanian artist Akvile Magicdust

Sabrina Amrani presents 'A Rhythm For Falling', Alexandra Karakashian's first solo exhibition in Spain

Royal Ontario Museum records another banner year in attendance

Burlesque Hall of Fame exhibits work of midcentury photojournalist F. Roy Kemp

Simon Hanselmann's Megg, Mogg & Owl come to life at Bellevue Arts Museum

MAXXI dedicates a major exhibition to Paolo Di Paolo and his extraordinary life

Christie's Magnificent Jewels totals $30.3 million

Robert E. Lee, George Washington, Albert Einstein and more going public in Americana & Political Auction

DC Moore Gallery opens exhibition by legendary African American artist David Driskell

Garage Museum of Contemporary Art announces its new Endowment Fund




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful