Exhibition explores photography's complicated relationship to the places it represents

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Exhibition explores photography's complicated relationship to the places it represents
Unidentified Photographer, Untitled (portrait of a family in a studio prop boat), ca. 1885 Hand-colored tintype, 12.7 x 17.8 cm. Gift of an Anonymous Donor, 2012.80.



NEW ORLEANS, LA.- The New Orleans Museum of Art presents You Are Here: A Brief History of Photography and Place, on view April 26 - July 28, 2019. The exhibition explores photography’s complicated relationship to the places it represents, the places in which it is created, and the places in which we experience it. You Are Here both embraces and challenges the photograph’s role as a faithful record of place, examining photography’s successes and failures in rendering and sharing fragments of the world. Drawn almost exclusively from NOMA’s permanent collection, the exhibition traces a history of photography and place from the origins of the medium to the present.

“From early photographs of the Arch of Titus in Rome to our own travel snapshots, photographs have had a profound effect on the way we experience the world,” said Susan Taylor, NOMA’s Montine McDaniel Freeman Director. “You Are Here asks us to consider how photographs can remind us of the places we’ve been and provide new experiences of places we may never be. We are delighted to share this thoughtful and thought-provoking exhibition with our public.”

Photographs included in the exhibition range from some of the earliest salted paper prints of Jerusalem to mammoth images made using contemporary digital technology, tracing how photography’s evolving visual and material characteristics have influenced our understanding of place in different ways. Featuring works by a wide range of artists, including Lola Alvarez-Bravo, Anna Atkins, Eugene Atget, John Divola, Peter Henry Emerson, Gordon Parks, Edward Steichen, Carrie Mae Weems, and many more, You Are Here: A Brief History of Photography and Place celebrates photography’s influence on real world place-making, while questioning how something as reproducible, two-dimensional, and mobile as a photograph can continue to stand in for something as singular, experiential, and fixed in location as the place that it seems to represent.

“You Are Here demonstrates how photography can be both facilitate and impede our understanding of the world, inviting us to think more deeply about how photography affects our experience of the world and other people in it,” said Brian Piper, Andrew W. Mellon Curatorial Fellow for Photography.

You Are Here: A Brief History of Photography and Place is organized by the New Orleans Museum of Art










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