SÃO PAULO.- Galeria Jaqueline Martins is presenting Robert Barry, the first solo exhibition by the renowned North-American conceptual artist to be ever organized by a Brazilian gallery.
The show presents installations composed by paintings, 8mm films, texts and works on paper, all never shown before and developed specially for the gallery.
After beginning his career with works that presented groups of monochromatic paintings in such a way that they could enhance the exhibition spaces characteristics, Robert Barry completely abandoned conventional painting by 1967 and started a brief series of installations made of transparent nylon cords, inert gases, radiation and electromagnetic energy. All invisible materials through which the artist aligned himself with the quest for the dematerialization of the art object, one of the main ideas that drove the development of 1960s conceptual art.
In 1969, in another radical change, Berry abandoned his series of invisible works (convinced that they were still related to a physical and measurable dimension) and begun to incorporate texts into his art, aiming to connect more directly with the spectators and to create a dynamic in which every though or reaction coming from the public in relation to the artists texts would became part of the work. Since then, it was through this textual language, its graphic and communicative power that Barrys work developed and made him (along with names like Lawrence Weiner, Ed Ruscha, John Baldessari and Mel Bochner) one of the great North-American conceptual artists to work with the many potentialities inside written text.
In his 50-year career, Robert Barry has participated in exhibitions inside galleries and institutions across Europe, United States and Asia. His work is in renowned collections, including the Guggenheim Museum (New York), MoMA (New York), Stedelijk Museum (Amsterdam), Kunstmuseum Basel (Switzerland), Center Georges Pompidou (Paris), Sammlung Ludwig Collection (Cologne), Museum of Contemporary Art (Los Angeles), among others.