Exhibition of new works by the Austrian artist Josef Fischnaller opens at Cadogan Contemporary

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Exhibition of new works by the Austrian artist Josef Fischnaller opens at Cadogan Contemporary
Josef Fischnaller, Pink Cascade, 2018, C-Print, aluminium dibond and acrylic, 90x120cm © the artist, courtesy of Cadogan Contemporary.



LONDON.- Cadogan Contemporary is presenting an exhibition of new works by the Austrian artist Josef Fischnaller. Fischnaller’s artfully constructed photographs are inspired by the compositional styles of Old Master and Renaissance painters; to these, he incorporates modern clothes, products and affectations, such as playmobil models and body piercings, to give them a wry, contemporary twist.

Past works by the artist have included Blumenkaiser (2009), which he based on Friedrich von Amerling’s Portrait of Francis II, Holy Roman Emperor (c. 1832). For this, Fischnaller updated the work by having the subject seated on a 1970’s shag pile carpet with a copy of the German lifestyle magazine, Quality, placed satirically at his feet.

Entitled, Prächtig – a German word meaning magnificent – Cadogan Contemporary’s exhibition features two series, Renaissance and Flowers, both created between 2009 and 2019, in which Fischnaller exhibits other works inspired by Renaissance paintings such as, Bacchus (2009), a take on Caravaggio’s self-portrait Young Sick Bacchus (c. 1593). In Fischnaller’s his model adopts a similar pose as the original whilst locking her eyes on the viewer with the same lugubrious insolence, and yet he has chosen to depict the Roman god as a woman. Bambino Curioso (2015) where a toy crocodile bites the model’s finger instead of a lizard in Caravaggio’s Boy bitten by a Lizard (c. 1594-5), works in a similar way.

For these works, Fischnaller collaborates with stylists who produce the costumes out of contemporary materials, in which they are rearranged or broken by the artist to add a twist to the staging of the image. An example of this is in Ricarda (2013-16) – a work inspired by the Early Netherlandish painter Petrus Christus’ Portrait of a Young Girl (c. 1470) - in which the model is dressed in a neckpiece of buttons held together with wire, whilst wrapped in blue paper rather than cloth and featuring a tall headpiece decorated in paperclips and brightly coloured pins.

For Flowers, Fischnaller transforms classic floral still life arrangements by mischievously concealing small contemporary objects in their compositions. For example, in Lillies & Roses (2019), the artist disguises pieces of plastic, tissue paper and a handful of flying saucer sweets as flowers in the arrangement alongside tiger lilies and roses. Another work, Flowerpeople (2013-16), includes many unconventional objects such as miniature painted figures, an upturned shuttlecock, a toy helicopter and a flamingo drinking straw, all hidden amongst lilies, blackberries and other flora.

Influenced by his artist father – Josef Fischnaller, a well-known painter from Linz – Fischnaller discovered his own interest in art at a young age and began an apprenticeship in photography in 1982 which led him to open his first studio in Vienna in 1987. Following numerous exhibitions in Berlin, Vienna, Miami and New York, he moved to Berlin, where he still lives and works today.

Says Freddie Burness, Director of Cadogan Contemporary: ‘It is a great privilege to be showing these incredible large-scale photographic works by Josef Fischnaller. Following critical acclaim and success in exhibitions in Germany, Austria, Italy and the United States, we are delighted to be hosting his first solo show in London.’

Josef Fischnaller was born in Grieskirchen, Austria in 1964. From his early apprenticeship in Photography in Vienna, he moved directly into photography for high-end fashion, opera and movie stars. Since his first solo exhibition at Steins, Wien, Austria in 1988, Fischnaller's work has been exhibited throughout Austria and Germany as well as in Miami and New York, including venues such as the U-Hof Linz, Germany (1996); the Galerie Ernst Hilger, Wien, Austria (2011); the Galerie Stux, New York, United States (2015) and most recently Galerie Friedmann-Hahn, Berlin, Germany (2018). Fischnaller received the CCA Venus Gold and Silver awards, the International Andy Award of Montreux Public Interest and the Cresta Awards for Unicef in 2006. Fischnaller currently lives and works in Berlin.










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