A new exhibition explores another side of Maurice Sendak through his set designs

The First Art Newspaper on the Net    Established in 1996 Friday, April 19, 2024


A new exhibition explores another side of Maurice Sendak through his set designs
Installation view.



NEW YORK, NY.- A summer exhibition at the Morgan Library & Museum celebrates an extraordinary bequest from acclaimed author and illustrator of children’s books Maurice Sendak (1928–2012). Best known for his 1963 picture book Where the Wild Things Are, Sendak was an avid music and opera lover. Beginning in the late 1970s, he embarked on a second career as a designer for opera and ballet. Drawing the Curtain brings together nearly one hundred and fifty drawings from more than 900 by Sendak in the Morgan’s collection, including preliminary sketches, storyboards, finished watercolors, and painted dioramas. Also included are earlier works by Sendak on loan from The Maurice Sendak Foundation, and a number of props and costumes. This is the first museum exhibition dedicated to Sendak’s set and costume designs, offering new insights into the artist’s inspirations and creative process.

Like his children’s book illustrations, Sendak’s designs for the stage embody his singular hand, his fantastical mode of storytelling, and his keen—sometimes bawdy—sense of humor. Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet presents a wide selection of works from five of his most important productions: Mozart’s Magic Flute, Janáček's Cunning Little Vixen, Prokofiev’s Love for Three Oranges, Tchaikovsky’s Nutcracker, and an opera based on Where the Wild Things Are. These inventive designs demonstrate his exceptional skill as a visual storyteller.

A selection of eighteenth and nineteenth-century works from the Morgan’s collection by artists who influenced Sendak are being displayed alongside his designs. Throughout his career, Sendak drew inspiration from his visits to the Morgan, particularly his encounters with the compositions of Mozart, and the drawings of William Blake and Giambattista and Domenico Tiepolo. The Morgan’s diverse holdings of music manuscripts, autograph letters, printed books, and Old Master drawings mirrored Sendak’s own wide-ranging passion for music, art, and literature.

This is the fourth and most comprehensive exhibition of Sendak’s work at the Morgan. The first took place in 1981, with drawings for Sendak’s deeply personal picture book Outside Over There and from his recent work on The Magic Flute. Both had been inspired by a visit Sendak made to the Morgan in 1977 to view drawings by Blake. This was followed by exhibitions of his illustrations for the Grimm tale Dear Mili in 1986 and drawings for the book Where the Wild Things Are in 2009, on the occasion of the release of a major motion picture adaptation. Sendak made use of the Morgan’s collections on at least two other occasions, including in 1987, when he leafed through Mozart manuscripts during the filming of the PBS documentary American Masters.

“Few people know that Maurice Sendak had a long and productive relationship with the Morgan. It is exciting to focus on his work as a theater designer, which is an often overlooked but important aspect of his career as an artist,” said Director of the museum, Colin B. Bailey. “We are deeply grateful to The Maurice Sendak Foundation for their support in the planning of this exhibition and for lending several key works, including examples of Sendak’s charming Fantasy Sketches.”

“This exhibition will be a wonderful surprise to those who are familiar with Sendak primarily through his beloved books,” said Rachel Federman, Assistant Curator in the Modern and Contemporary Drawings Department and the curator of the exhibition. “His designs for opera and ballet have all the beauty, humor, and complexity of his picture books and illustrations, but they also put on full display his passion for art, art history, and music.”










Today's News

August 16, 2019

Newly restored Titian's Rape of Europa set to be reunited with accompanying works

Wallach Art Gallery, Columbia University presents "After the End: Timing Socialism in Contemporary African Art"

James Economos: A life remembered

Bonhams to offer the collection of Drs. Edmund and Julie Lewis

Record prices and market debuts abound in Summer Sale of Vintage Posters at Swann

Contemporary Arts Museum Houston opens the first museum survey in Texas of the work of artist Nari Ward

Charlotte Jackson Fine Art announces the passing of Paul Sarkisian

Kuwait's largest museum complex has launches its first international visual arts programme in Venice

The Jeu de Paume exhibits fifteen photographic series by Marc Pataut

"Clapping with Stones: Art and Acts of Resistance" opens at the Rubin Museum

DC Landmarks and Civil War era music explored in exhibitions at the George Washington University Museum

Exhibition of batiks celebrates the genesis of Indigenous women's art practice

Only contemporary art centre dedicated to the promotion of Aboriginal art in Europe opens exhibition

The Drawing Center appoints Allison Underwood as Director of Communications

Second Home designed by Selgascano to open its first U.S. creative workspace in Los Angeles

Design to meet architecture at Lake Como Design Fair 2019

The best international motion design for 24 hours at Amsterdam Central Station

The Fundació Joan Miró presents 'Different Trains', a video installation by Beatriz Caravaggio

Major Margaret Olley exhibition opens at Brisbane's Gallery of Modern Art

The Baltimore Museum of Art presents a multimedia installation by Oletha DeVane

Eden Project unveils 2019 art programme

A new exhibition explores another side of Maurice Sendak through his set designs

Kelly Akashi opens an exhibition and artist residency at ARCH's Athens

The Haggerty Museum of Art opens two new exhibitions




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful