USF Contemporary Art Museum presents The Return of the Real: Robert Lazzarini and Rodrigo Valenzuela
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


USF Contemporary Art Museum presents The Return of the Real: Robert Lazzarini and Rodrigo Valenzuela
Robert Lazzarini, chain-link fence (torn), 2012.



TAMPA, FLA.- In an era increasingly dominated by fabricated fears, alternative facts and fake news, the artists Robert Lazzarini (U.S., b. 1965) and Rodrigo Valenzuela (Chile, b. 1982) rearrange, reconstruct and ultimately distort reality in order to question its most fundamental premises. Their two-person exhibition, The Return of the Real, illustrates, among other things, how the real is made up of more than just perception—its surfaces can, in fact, harbor fantastical possibilities. The Return of the Real is curated by Christian Viveros-Fauné and organized by USF Contemporary Art Museum.

Robert Lazzarini is known for confusing visual and haptic space, thereby complicating the space of pictures and the space of things. Based on appropriated subjects, his sculptures have the effect of interrupting one’s standard processes of visual recognition. His work continues the discourse of phenomenology in art, while touching on themes ranging from memory to optics to America’s mythology of violence. His work is featured in collections that include the Hirshhorn Museum and Sculpture Garden in Washington DC, the Whitney Museum of American Art in New York, the Virginia Museum of Fine Arts, the Newark Museum, and the Walker Art Center. He received a BFA from the School of Visual Arts in 1990 and lives and works in New York City.

Rodrigo Valenzuela constructs narratives, scenes, and stories that point to the tensions found between the individual and communities. He uses tableaux to explore how images are inhabited and the way spaces, people, and things are translated into images. General Song, his series of photographs titled after Pablo Neruda’s epic poem of Latin America, features ghostly barricades pictured in front of large-scale photographs of the same objects taken from different angles. The effect is of visual doubling, drawing the viewer into questioning the pictures’ artistic and political implications. Valenzuela is an assistant professor at the UCLA School of the Arts. He has had recent solo exhibitions at the Frye Art Museum, the Ulrich Museum of Art, the Portland Art Museum, the Jordan Schnitzer Museum of Art, and the Orange County Museum of Art.










Today's News

August 30, 2019

Archeologists find remains of 227 sacrificed children in Peru

New arts documentary on Tadao Ando launches today on iTunes

Exhibition at Kunsthaus Zurich presents Henri Matisse as sculptor

Gemeentemuseum acquires mysterious self-portrait by Paul Thek

Teresa Margolles opens first exhibition in Chile at the Museo de la Solidaridad Salvador Allende opens

Exhibition explores allegory and faith in Netherlandish prints from Lucas van Leyden to Rembrandt

Almodovar recognised with Venice film festival lifetime award

USF Contemporary Art Museum presents The Return of the Real: Robert Lazzarini and Rodrigo Valenzuela

Lucy McRae: Body Architect opens at National Gallery of Victoria Australia

Four winners of A.C. Houen Fund's Certificate for Outstanding Architecture 2019

'Wait it Out' by Northern Irish artist Sandra Johnston opens at Project Arts Centre

Migros Museum of Contemporary Art opens an exhibition about loss, remembrance, activism and art in response to HIV/AIDS

Casino Luxembourg opens two new exhibitions

Contemporary Istanbul announces galleries for 14th edition

Exhibition of Nova Scotia folk artist Maud Lewis debuts at the McMichael Canadian Art Collection

'Cosmological Arrows: Journeys Through Inner and Outer Space' opens at Bonniers Konsthall

Exhibition at the Kestner Gesellschaft focuses on the first ten years of CalArts

Lea Pinsky named as Art Encounter's inaugural Executive Director

Straight outta Karachi: Pakistan's surprise hip hop hub

Pioneering Saudi filmmaker vies for Venice glory amid gender row

American Folk Art Museum announces new curator of Folk Art Emelie Gevalt

Fondazione Giorgio Cini presents 'Marianna Kennedy: Invincible Truth'

Ylinka Barotto and Frauke V. Josenhans will oversee exhibitions for the Moody and Rice Public Art

ifa-Galerie Berlin opens an exhibition of works by Saba Innab

Hidden Phone Tracker App for Business Owners

6 Famous Creators of Weed Art Whose Passion for Bud Fueled Their Brilliance




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful