Exhibition presents significant research projects dealing with investigative form of architecture
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


Exhibition presents significant research projects dealing with investigative form of architecture
Killing in Umm al-Hiran (video still). Forensic Architecture used a 3D model to examine whether Abu al-Qi‘an’s car could have rolled downhill of its own accord toward Israeli policemen when the driver was injured. Image: Forensic Architecture, 2018.



BASEL.- The ‘architecture’ of territory is largely designed without architects. Nevertheless, or precisely for this reason, architects today are increasingly investigating the processes that define these territorial spaces. In the exhibition ‘Under the Radar’ (16/11/2019 – 15/3/2020), the S AM Swiss Architecture Museum explores this theme and presents the following research projects, which deal with investigative architecture: ‘Handbook of Tyranny’ by Theo Deutinger (AT), ‘The Murder of Halit Yozgat’ and other investigations by Forensic Architecture (UK), ‘Italian Limes’ by Studio Folder (IT), ‘Smuggling Architecture’ by Kwong Von Glinow (USA), ‘Swiss Lessons’ by EPF Lausanne’s Laboratoire Bâle (CH), ‘Sand and Labour’ by Architecture of Territory at ETH Zurich (CH), ‘Parallel Sprawl’ by Kunik de Morsier (CH) and ‘Meteorological Architecture’ by Philippe Rahm (FR).

Architecture is usually thought of as synonymous with building, and this notion strongly informs both how architects perceive themselves and how they are perceived by others. However, much of the work of architecture takes place before and after the actual act of construction: As architects probe the conditions governing the territories in which they are intervening, they observe, ask questions and venture into realms beyond that of the construction site. In a process similar to that of investigative journalism, they collect pieces of evidence, analyse them and synthesise them into a narrative. Thus, architects also reveal the mechanisms that tend to remain in the background: They use their spatial analyses to visualise the exploitation, management and control of their respective territories, such that certain conditions, which otherwise would remain under the radar, become apparent.

A contribution to spatial literacy
The exhibition ‘Under the Radar’ at the S AM Swiss Architecture Museum (16/11/2019 – 15/3/2020) presents major international research projects dealing with this investigative architecture: ‘Handbook of Tyranny’ by Theo Deutinger (AT), ‘The Murder of Halit Yozgat’ and other investigations by Forensic Architecture (UK), ‘Italian Limes’ by Studio Folder (IT), ‘Smuggling Architecture’ by Kwong Von Glinow (USA), ‘Swiss Lessons’ by EPF Lausanne’s Laboratoire Bâle (CH), ‘Sand and Labour’ by Architecture of Territory at ETH Zurich (CH), ‘Parallel Sprawl’ by Kunik de Morsier (CH) and ‘Meteorological Architecture’ by Philippe Rahm (FR). The focus is on the methods, content and conclusions of these spatial analyses of territory. The studies render global themes such as borders, legal norms and conflicts visible on a local scale, thus contributing to spatial literacy. Ultimately, the exhibition conveys an expanded understanding of architecture, one that sees the design of spaces as inextricable from the analysis, design and interpretation of territory.

‘Handbook of Tyranny’
In the first room, Theo Deutinger’s ‘Handbook of Tyranny’ is presented. With this handbook, he aims to lay bare the relationships between political power, territoriality and systematic restrictions. His contribution to the exhibition presents these connections using detailed, non-fictional illustrations: of walls, fences, prison cells, drones, police tactics and so on. These matter-of-fact technical drawings foreground the mechanisms of control that affect humans and animals in equal measure.

‘Forensic Architecture’
The second room features projects by the research agency Forensic Architecture, founded in 2010 by Professor Eyal Weizman. This group investigates cases involving human rights violations, political violence and environmental destruction. Working with or on behalf of victims, human rights organisations, environmental justice groups, media organisations or international criminal investigators, the agency applies state-of-the-art methods of forensic and spatial analysis in order to examine architectural, urban and territorial spaces. For instance, it assessed the racist murder of Halit Yozgat in an internet café in Kassel, Germany, using a 1:1 model and re-enactments, which enabled the agency to disprove the contradictory claims of a key witness. In addition, the investigations ‘The Killing of Tahir Elçi’, ‘Killing in Umm al-Hiran’ and ‘Sea Watch vs. the Libyan Coastguard’ are presented in the form of films.

‘Italian Limes’
The third room features projects by Studio Folder and Kwong Von Glinow. The former’s research project ‘Italian Limes’ investigates Italy’s Alpine border, which follows the watershed that separates the drainage basins of Northern and Southern Europe. Running mostly at high altitudes, it crosses snowfields and glaciers that are currently melting as a result of climate change. As the watershed shifts, so too does the frontier. Due to this phenomenon, Italy, Austria and Switzerland signed two bilateral agreements in 2008 and 2009, introducing the legal concept of a ‘moving border’. The exhibition installation ‘Italian Limes’ shows the effects of climate change on geopolitical concepts: Borders have both a material and imagined form, and ecological processes can call the very idea of territory into question.

‘Smuggling Architecture’
With its research project ‘Smuggling Architecture’, the office Kwong Von Glinow investigates the catalogue homes that are typical of American suburbia. The focus of this project is on the interior layout of these model houses, which the architects transform in a subversive manner. In the exhibition module ‘Smuggling Architecture’, visitors can walk down a suburban street with three models of modified catalogue homes that have been opened up so that the ‘smuggled’ elements are easily recognisable. Kwong Von Glinow understands these designs as psychograms of a society that refuses to do without the technological advances of modernity, yet insists on hiding these behind a shell of obsolete aesthetic notions.

‘Swiss Lessons’
The final room presents studies by Laboratoire Bâle (Prof. Harry Gugger, EPF Lausanne), Kunik de Morsier, Architecture of Territory (Prof. Milica Topalović, ETH Zurich) and Philippe Rahm. With its study ‘Swiss Lessons’, EPF Lausanne’s Laboratoire Bâle (laba) speculates about what Switzerland will look like in the year 2048, the year in which the first Swiss Constitution of 1848 will be celebrating its bicentennial. With a statistically well-established rise in population from 8.5 to 14 million by that year as a base assumption, the study analyses the possible effects of this population increase on the territory and on the people. This growth will have a major impact on Switzerland: Pressure on both urban and rural areas will rise, while the country’s infrastructure will change dramatically. The results of the study, as well as student projects from the laba, are shown here in the form of graphics, maps, a publication and a sectional representation of Switzerland.

‘Parallel Sprawl’
‘Parallel Sprawl’ is an investigation into suburban landscapes in Kosovo and Switzerland. In both countries, low-density sprawl has been the dominant form of urban growth for decades. In Switzerland, this form of development already began in the 1950s. In Kosovo, on the other hand, the phenomenon saw a boom in the immediate aftermath of the war (1999). In both cases, it has led to an increase in traffic and energy consumption. Today, in both countries, there is concern about the consequences of urban sprawl and how it will continue to evolve. The Lausannebased office Kunik de Morsier has been working with the architecture and urbanplanning critic Ibai Rigby and the researcher Rozafa Basha to investigate these developments in the two regions, to collect material and ideas, and to share them.

Their goal is to provide a platform on which practitioners and academics in both countries can reflect on the future of the suburbs together.

‘Sand and Labour – Hinterlands of the Production of Architecture’
The case of Singapore sheds light on the role played by hinterlands in contemporary cities. In this island-state metropolis, it has long been the case that vital resources, including food and water, are found only in neighbouring Malaysia and Indonesia. However, the same also applies to essential building resources: sand and labour. The land reclamation and building construction industries are major consumers of imported sand in Singapore. Foreign workers are engaged on temporary permits to construct both land and buildings. Accordingly, the hinterlands are characterised by workers’ dormitories, sand quarries and sand depots. The ETH Zurich Architecture of Territory chair’s contribution to this exhibition problematizes these exploitative practices, which ignore a considered development of the territory. In turn, it provides insights that enable architects to critically engage with urban transformations in the hinterlands.

‘Meteorological Architecture’
Climate change necessitates a radical rethinking of the very act of construction. It is no longer enough to think of architecture in aesthetic or functional terms alone; rather, the aspects of space that are relevant to the climate must also be considered. With his ‘meteorological architecture’, Philippe Rahm investigates not only the atmospheric potential inherent in novel construction techniques for ventilation, heating and thermal insulation, but also the poetic possibilities that these technologies offer. Working on a microscopic level, he plumbs new fields of perception, such as those offered by skin contact, smells or hormones. Rahm sees architecture as a three-dimensional meteorology of the everyday, slipping from mass to void, from visible to invisible, from metric composition to thermal composition.










Today's News

November 21, 2019

Tate Modern opens the first UK retrospective of the work of Dora Maar

Lisson Gallery announes worldwide representation of the Estate of Hélio Oiticica

Hitler birth house in Austria to become police station

French museum has 'probably' found remains of philosopher Montaigne

Cortez "New York Stories" exhibition pays homage to the Big Apple

Noguchi Museum announces digital launch of Isamu Noguchi archive and expanded catalogue raisonné

Mrs. Nancy Sr. and Frank Sinatra's grand piano and other items from their marriage head to Julien's Auctions

Christie's to offer the Private Collection of Jayne Wrightsman

Sotheby's to present inaugural online-only auction dedicated to space photography

Hamiltons opens an exhibition of new photography by Mario Testino

Ramsay Fairs appoints Kamiar Maleki as Fair Director VOLTA and PULSE

"Material Georgia" celebrates two centuries of craft

The Ukrainian Museum opens 'The Impact of Modernity: Late 19th and Early 20th Century Ukrainian Art'

Artist Robert Swain creates permanent color installation for One South First in Williamsburg

Philip Glass, at 82, unveils his first piano sonata

Exhibition of new works by Hongtong-born and Beijing-based artist Chen Fei on view at Perrotin

North Carolina Museum of Art welcomes nine new board members

Obsession: Sir William Van Horne's Japanese ceramics on view at Montreal Museum of Fine Arts

The Institut pour la photographie presents seven exhibitions as part of its inaugural programme

Finn Juhl for Niels Vodder chair soars to $80,000 at Clars

Alexander the Great set to conquer Bonhams Antiquities sale

Exhibition presents significant research projects dealing with investigative form of architecture

James Watt bicentennial display opens at Riverside Museum

Mustapha Matura, Caribbean playwright in London, dies at 79




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful