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Tate Modern opens the first UK retrospective of the work of Dora Maar
Dora Maar at Tate Modern, 2019. Photo: Tate (Andrew Dunkley).



LONDON.- Tate Modern presents the first UK retrospective of the work of Dora Maar (1907–97) whose provocative photographs and photomontages became celebrated icons of surrealism. Featuring over 200 works from a career spanning more than six decades, this exhibition shows how Maar’s eye for the unusual also translated to her commercial commissions, social documentary photographs, and paintings – key aspects of her practice which have, until now, remained little known.

Born Henriette Théodora Markovitch, Dora Maar grew up between Argentina and Paris and studied decorative arts and painting before switching her focus to photography. In doing so, Maar became part of a generation of women who seized the new professional opportunities offered by advertising and the illustrated press. Tate Modern’s exhibition opens with the most important examples of these commissioned works. Around 1931, Maar set up a studio with film set designer Pierre Kéfer specialising in portraiture, fashion photography and advertising. Works such as The years lie in wait for you c.1935 – believed to be an advertising project for face cream that Maar made by overlaying two negatives – reveal Maar’s innovative approach to constructing images through staging, photomontage and collage. Striking nude studies such as that of famed model Assia Granatouroff also reveal how women photographers like Maar were beginning to infiltrate relatively taboo genres such as erotica and nude photography.

During the 1930s, Maar was active in left-wing revolutionary groups led by artists and intellectuals. Her street photography from this time shot in Barcelona, Paris and London captured the reality of life during Europe’s economic depression. Maar shared these politics with the surrealists, becoming one of the few photographers to be included in the movement’s exhibitions and publications. A major highlight of the show are the outstanding examples of this area of Maar’s practice, including Portrait of Ubu 1936, an enigmatic image thought to be an armadillo foetus, and the renowned photomontages 29, rue d’Astorg c.1936 and The Pretender 1935. Collages and publications by André Breton, Georges Hugnet, Paul and Nusch Eluard, and Jacqueline Lamba place Maar’s work in context with that of her inner circle.

In the winter of 1935–6 Maar met Pablo Picasso and their relationship of around eight years had a profound effect on both their careers. She documented the creation of his most political work Guernica 1937, offering unprecedented insight into his working process. He in turn immortalised her in the motif of the ‘weeping woman’. Together they made a series of portraits that combined experimental photographic and printmaking techniques, anticipating her energetic return to painting in 1936. Featuring rarely seen, privately-owned canvases such as The Conversation 1937 and The Cage 1943, and never-before exhibited negatives from the Dora Maar collection at the Musée National d’art Moderne, the exhibition sheds new light on the dynamic between these two artists during the turbulent wartime years.

After the Second World War, Maar divided her time between Paris and the South of France. She explored diverse subject matter and styles before focusing on gestural, abstract paintings of the landscape surrounding her home. Though these works were exhibited to acclaim in London and Paris into the 1950s, Maar gradually withdrew from artistic circles. As a result, the second half of her life became shrouded in mystery and speculation. The exhibition reunites over 20 works from this little-known – yet remarkably prolific – period. Dora Maar concludes with a substantial group of camera-less photographs that she made in the 1980s when, four decades after all but abandoning the medium, Maar returned to her darkroom.

Dora Maar is curated by Karolina Ziebinska-Lewandowska, Curator, Centre Pompidou, Paris, Damarice Amao, Assistant Curator, Centre Pompidou, Paris and Amanda Maddox, Associate Curator, the J. Paul Getty Museum, Los Angeles with Emma Lewis, Assistant Curator, Tate Modern. The Tate Modern presentation is curated by Emma Lewis, Assistant Curator with Emma Jones, Curatorial Assistant, Tate Modern.










Today's News

November 21, 2019

Tate Modern opens the first UK retrospective of the work of Dora Maar

Lisson Gallery announes worldwide representation of the Estate of Hélio Oiticica

Hitler birth house in Austria to become police station

French museum has 'probably' found remains of philosopher Montaigne

Cortez "New York Stories" exhibition pays homage to the Big Apple

Noguchi Museum announces digital launch of Isamu Noguchi archive and expanded catalogue raisonné

Mrs. Nancy Sr. and Frank Sinatra's grand piano and other items from their marriage head to Julien's Auctions

Christie's to offer the Private Collection of Jayne Wrightsman

Sotheby's to present inaugural online-only auction dedicated to space photography

Hamiltons opens an exhibition of new photography by Mario Testino

Ramsay Fairs appoints Kamiar Maleki as Fair Director VOLTA and PULSE

"Material Georgia" celebrates two centuries of craft

The Ukrainian Museum opens 'The Impact of Modernity: Late 19th and Early 20th Century Ukrainian Art'

Artist Robert Swain creates permanent color installation for One South First in Williamsburg

James Watt bicentennial display opens at Riverside Museum

North Carolina Museum of Art welcomes nine new board members

Obsession: Sir William Van Horne's Japanese ceramics on view at Montreal Museum of Fine Arts

The Institut pour la photographie presents seven exhibitions as part of its inaugural programme

Mustapha Matura, Caribbean playwright in London, dies at 79

Finn Juhl for Niels Vodder chair soars to $80,000 at Clars

Alexander the Great set to conquer Bonhams Antiquities sale

Exhibition presents significant research projects dealing with investigative form of architecture

Philip Glass, at 82, unveils his first piano sonata

Exhibition of new works by Hongtong-born and Beijing-based artist Chen Fei on view at Perrotin





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