LE CATEAU-CAMBRESIS, FRANCE.- The Musée Matisse presents Claude Viallat - Hommage(s) to Matisse, on view through June 12, 2005, curated by Dominique Szymusiak and Emilie Ovaere. The Musée Matisse retrospective exhibition dedicated to Claude Viallat offers a hundred of the artist’s works, both well known and more recent one - coming from the artist’s workshop, private collections and various museums - from the first canvases to the more recent monumental works which use a wide range of supports, as well as drawings inspired by the universe of bullfighting and illustrated books.

Another look - These works were not created to be a tribute. The figure of Matisse, present during the making but unconsciously so, is revealed by a title given a posteriori. The permanent influence of Matisse emerges clearly. Yet this is not a constraining factor but rather one of the sources, enriching the artist’s view of his world. Claude Viallat tackles the issues of the decorative, abstraction, the use of colour and space. Coming as he did from Nîmes, he was influenced like Matisse by southern light. He manipulates pure colours, his contrasts can be said to be almost violent, motifs are dissonant, while succeeding in reaching a surprising harmony.

Around Matisse - The exhibition is laid out chronologically and defines the various periods of Claude Viallat’s life. The first oils on wood: semi-figurative, they were made during his military service, and inspired by Matisse’s Danse. The Wave painted in 1952, was the starting point for the artist’s first abstract works on frames in the years 60-65. In 1976, Viallat defined his abstract language - after debates with others in the Supports/Surfaces group of which he was a founding member. It is the year when the series of French Windows was started, inspired by Fenêtre à Tahiti and French window at Collioure by Matisse. Around Interior with Aubergines, Viallat made a series of works on large market-sellers’awnings.

The diversity of supports - In his later works, Viallat uses the structure of the support to build space. "Matisse’s ideas are present in my work but with a difference. I do not observe reality. He created theatres with fabrics. I leave the reality of my support, its original colour, its materials". The exhibition shows the extreme diversity of materials he used: parasols, curtains, lace, embroidery, market traders’ awnings and boats' nets, joined up supports, tent materials... The fabric is not dyed, or glossy: the artist makes use of its natural characteristics. Each part of the fabric functions both individually and in relation to its adjoining piece.

The exhibition is also the occasion to present some figurative drawings and small gouaches in bright colours of spontaneous characters on bullfighting scenes. Drawn from memory after the event, they enable Viallat to escape the abstract system which he has imposed upon himself for the rest of his work. He also illustrated many books which made it possible for him to approach smaller, more limited formats. Seeing the work of Viallat in relation to that of Matisse or through his passion for bullfighting, enables us to widen the range for possible readings of them and to try to apprehend his universe in a more intimate manner.