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Wednesday, July 16, 2025 |
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Lanscape Painter Neil Welliver, 75, Dies |
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Neil Welliver, Stumps and Allagash, 1998. oil on canvas, 36 x 36 inches.
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BELFAST, MAINE.- Lanscape painter Neil Welliver, 75, died. While well known for his monumentally scaled—often 84 or 96 inches square— depictions of the Maine woods, Welliver began each large picture with easel sized works painted on site in all seasons and conditions, each usually completed in a few days. Constructed with marks of pure color against color, painted wet on wet, Welliver captured his varied subjects with fluid strokes, vivid immediacy and intricate detail. Frank Goodyear wrote: “Welliver’s perpetual genius is a balance between the objective and the non-objective, between the particular and the general, and between images and materials . . . the subject of landscape becomes a vehicle of expression for his deep commitment to the ideals of contemporary painting.” (1985).
Subjects included: snow covered fallen fir trees, rushing icy water in thawing spring streams, boulder strewn hills, dense groves of birch and old growth spruce, verdant leaves of early spring, and vibrant autumn foliage.
Welliver once said that he “looks very hard at his subject, and then makes it up.” This method contributes to a strong play between illusionism and abstraction, especially in the pictures after 1980. This relationship between the materiality of the paint surface and the illusionistic space is often created by the interplay of light on surface and space. Welliver acknowledged that the vitality of his own art comes from Abstract Expression-ism, and that he has a natural affinity for pure abstraction.
Welliver was born in 1929 in rural Pennsylvania. He attended the Philadelphia Museum College of Art and the Yale School of Art. At Yale he studied with and taught for Josef Albers, whom he considers his most important influence. In 1966 he founded the Graduate School of Fine Arts at the University of Pennsylvania where he remains a Professor Emeritus. Welliver’s work has been the subject of over seventy one-person exhibitions. His work is included in numerous private and public collections including the Hirshhorn Museum and Sculpture Garden; The Metropolitan Museum of Art; Museum of Fine Arts, Boston; The Museum of Fine Arts, Houston; Museum of Modern Art, New York; Philadelphia Museum of Art; San Francisco Museum of Modern Art, and the Whitney Museum of American Art.
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