How car collecting powered through the pandemic
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


How car collecting powered through the pandemic
Phil Linhares with his 1949 MG TC, which he bought online in November, in Oakland, Calif., Feb. 2, 2021. The company’s online sales rose 60 percent in 2020, to $398 million. The virus hastened the rise of online sales, as connoisseurs of vintage vehicles found more time to spend with their socially distanced hobby. Kelsey McClellan/The New York Times.

by Robert C. Yeager



NEW YORK (NYT NEWS SERVICE).- Joe Boyd, a civil litigation lawyer in Macon, Georgia, had been scouting for a 1970s Toyota Land Cruiser for some time. Last May, in the thick of the pandemic, he pounced.

“I’d just started my own solo practice, but all the courts were closed because of COVID-19,” said Boyd, 49, who spotted a fully restored 1975 model in an online ad. “So it turned out to be a great time for me to do this.”

Grabbing a buddy, he flew some 900 miles to Garage Kept Motors in Grand Rapids, Michigan, and drove away with his dream car — which came with a refinished matching trailer and its own roof-mounted surfboard — for $27,000.

Rather than back away from classic automobiles because of the pandemic, buyers flocked to them, sometimes in stunning numbers. Online auto sales and auctions, starting to gain acceptance among collectors before the virus, took off, and some tent-pole auctions with limited attendance claimed new records.

“Collectors tell me, ‘There are a lot of things I can’t do right now because of COVID, but driving my classic car isn’t one of them,’” said Spencer Trenery, president of Fantasy Junction, a longtime classic-car broker in Emeryville, California.

“We feel really sorry for the many businesses that are suffering,” he added, “but that just hasn’t been our experience.” While foot traffic in Fantasy Junction’s showroom plunged 90% or more, gross sales — many from online international buyers — were higher in 2020 than in 2019, Trenery said.

Many collectors who could work remotely or were independently employed found more time to pursue their vehicular interests, choosing to quarantine themselves in what some might consider the ultimate safe distancing bubble — the cockpit of a classic car.

“They weren’t burning up 10 or 15 hours a week in commute traffic,” said Ian Kelleher, chief marketing officer for RM Sotheby’s.

In October, Sotheby’s easily sold three ultrarare Alfa Romeos for $14.8 million, with spirited bidding from four countries. Earlier that month, in a two-day auction that combined online buyers with a limited audience in Elkhart, Indiana, the firm sold 240 cars for some $44.4 million, drawing 2,500 bidders from 53 nations.

An eight-day Mecum auction in July in Indianapolis — previously postponed by the pandemic — notched record sales of $74 million. That figure included a highest-ever price of $3.85 million for a Mustang. The auctioneer billed the car, a 1965 Shelby prototype once driven by Ken Miles of “Ford v. Ferrari” fame, as “the most important in the history of the marque.”

Perhaps the most singularly impressive results came Sept. 5 at another of the year’s few live auctions. The event, at the historic Hampton Court in London, featured 15 superlative classics in Gooding & Co.’s first international sale. The auction had been canceled in April, but “we saw a window of opportunity and seized it,” said David Gooding, the company’s president.

As it turned out, proceeds topped $44 million, with a 93% sell-through rate. Records were reported for a highest average price per car, $3.1 million, and for the highest auction amount yet for a Bugatti: $12.7 million for a 1934 Type 59 sports car. The Bugatti also drew the highest price for a publicly sold collector car in 2020, Gooding & Co. said.

Even so, “2020 was rough — the whole live auction industry was down,” David Gooding said. His firm, based in Santa Monica, California, grossed some $125 million, well below its best years, he said, “but we feel grateful for what we still managed to accomplish and for what we learned.” For example, the pandemic prompted the company to hasten its introduction of Geared Online, a web platform featuring both vintage cars and automotive memorabilia.

Hagerty, a firm in Traverse City, Michigan, that insures collector cars and specialty vehicles and tracks market data, believes the volume of collectible automobiles that changed hands in 2020 rose as much as 14%, with most sales online and in personal “private treaty” transactions.

“The necessity to be alone or in small groups pushed people outdoors,” said McKeel Hagerty, the firm’s chair. “More people got out to drive — to go camping, hiking or just for pleasure driving. Plus, gasoline was really cheap.

“The Great Recession years of 2008 to 2011 gave us our first understanding of just how resilient the collector car market has become,” Hagerty continued. “We saw very little panic. People held on to cars until they were ready to sell.”




Hagerty views the pandemic as an “accelerant” for the trend toward internet sales by traditional auction houses, storefront dealers and sites like Bring a Trailer.

“It’s not a complete substitute,” he said, “but live auctions are expensive, involving transportation, even overseas shipping, high commissions and many employees. It’s also an intensely personal contact business, where owners of especially desirable cars may need years of coaxing before opting to sell.”

Still, David Gooding insisted, “the tent-pole setting will always be more productive for low-volume, high-value cars.”

In 2018, Gooding & Co. sold a 1935 SSJ Duesenberg — one of two in existence — for $22 million at Pebble Beach, California. Once owned by actor Gary Cooper, the light-gray roadster became the most valuable American car ever auctioned.

“I can’t picture that vehicle in an online format,” David Gooding said. “Such a car does its best being seen live in a live bidding atmosphere.”

Nonetheless, for reasons few could have anticipated, 2020 was huge for online sales. And Bring a Trailer, an upstart in San Francisco, became a breakout star.

“We were already on our way to a great year,” said Randy Nonnenberg, a co-founder and the site’s president. It was coming off a torrid 2019, with roughly $240 million in sales, a high point. Then, in the middle of a pandemic, the firm experienced a gold rush.

Bring a Trailer’s 2020 sales climbed more than 60%, to some $398 million. In all, the site was selling nearly 1,000 cars a month.

“Nobody knew what would happen in March or April,” Nonnenberg said, “but in the past nine months many people tasted and tested what it was like to transact online in a socially restricted environment. They now see this as a useful and effective way to pursue their interests, including collectible cars.”

Nonnenberg also noted that Bring a Trailer had benefited from its acquisition in June by Hearst. “Supporting buyers and sellers is still a human process,” he said of its online bidding and sales operation. The larger company helped recruit and hire staff that doubled his site, based in a brick warehouse in the Potrero Hill district, to 60 employees.

It also didn’t hurt that, according to Hagerty, roughly half of classic-car owners have six-figure incomes, with a median of $125,000 for buyers of post-1980 cars such as Ford Mustangs, Chevrolet Corvettes and Ferrari 360s.

The hobby appears to have legs. Millennials and collectors in Generation X requested 53% of Hagerty’s insurance quotes in 2020. And well-heeled millennials were behind only baby boomers in mulling coverage of vehicles priced at $10 million and up, Hagerty said.

Last year prompted important shifts in psychology among buyers and sellers, said Trenery, of Fantasy Junction. “It created an increase in liquidity on both sides,” he said. “When COVID came along, so much of life moving forward became unknown. People looking at a car they’d wanted for years asked, ‘If not now, when?’”

For Phil Linhares, 81, of Oakland, California, that moment came in November when he spotted an online ad by Classic Promenade Motors in Phoenix for a 1949 MG TC.

“I’d seen one when I was a boy living in Modesto,” said Linhares, a retired curator at the Oakland Museum. “It was bright red, sitting in the Tucker dealer’s showroom window. I thought it was the most beautiful car I’d ever seen.”

Linhares’ pulse quickened when he read the Arizona car’s original “build sheet.” Its English maker had completed the cream-colored TC 71 years before, on Aug. 8, his birthday.

© 2021 The New York Times Company










Today's News

February 19, 2021

Move over, Honus: A new era of million-dollar cards is here

Longwood Gardens to expand and transform its renowned conservatory grounds

Barbara Thumm Gallery and Alexander Gray Associates announce the passing of Teresa Burga

Egypt autopsy offers new clues 3,600 years after murder

Hauser & Wirth Menorca to open 17 July 2021 with an inaugural exhibition by Mark Bradford

Miles McEnery Gallery opens an exhibition of new paintings by Pia Fries

MoMA announces transformative gift of photographs by women artists from the Helen Kornblum Collection

Bonhams announces New York Asia Week sale highlights for March 2021

Bertoia's to auction magnificent Schroeder antique bank & toy collection

Jonathan Trayte's second solo exhibition at Friedman Benda opens in New York

How car collecting powered through the pandemic

Galerie Guido W. Baudach announces new exhibition format: BACKSTAGE

Matthew Wong landscape to lead Phillips' New Now auction on 3 March

Dix Noonan Webb sells three 'secret' C.I.A. medals for £22,000

Soviet star and New Year's icon Andrei Myagkov dies at 82

Boston Symphony Orchestra names first woman chief executive

Museum welcomes Miranda Aisling as new Education Manager

Two new exhibitions at the Vancouver Art Gallery explore the power of storytelling

Sharif Bey presents work from four ongoing series at albertz benda

How a scrappy arts group survived the '90s

Billie Holiday's story depends on who's telling it

One album released by 44 labels. Is this the new global jukebox?

The Paul Guaraglia Collection of Model Trains goes up for bid at Turner Auctions + Appraisals

Discover what's new in art when The Other Art Fair returns to Sydney next month

4 Must-Know Facts About Hemp, Marijuana, And Vaping

Backup Your Home Power with Tesla Powerwall




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful