RIGA.- Riga International Biennial of Contemporary Art
announced the appointment of RenÚ Block as chief curator for the third edition, RIBOCA3, running from 15 July - 2 October 2022 in Riga, Latvia.
One of Germany's leading art world figures, Block has worked as an independent curator for over fifty years. His established career includes holding the positions of director of the Kunsthalle Fridericianum in Kassel, and curator for numerous international biennials, including Belgrade October Salon (2006), Gwangju (2000), Istanbul (1995) and Sydney (1990). In 2008 he co-founded the Kunsthalle 44 M°en in Denmark and continues to operate as its artistic director. RIBOCA3 will be his most ambitious project of the last fifteen years. Block emphasizes the significance of the city of Riga where the biennial will take place:
I simply could not resist the call to Riga. The area around the Andrejsala exhibition venue is an invitation to turn the Biennial into an artistic workshop. A place where the ideas and experiences of many excellent artists from Latvia will share a space with many international guests. In harmony and respect: RIBOCA3 will create a feast for all senses.
Working alongside Block, Nico Anklam will act as associate curator for RIBOCA3. Anklam was recently appointed as director of the Kunsthalle Recklinghausen and Recklingausens museums in Germany and has previously curated at Blocks Kunsthal 44 M°en. Nico Anklam will also develop the public programme for RIBOCA3.
The third edition follows RIBOCA2, which was realized as both a physical exhibition and a feature film - premiering in Autumn 2021. The latter was produced as a direct response to, and product of, the global pandemic. RIBOCA3 expands on this global perspective; taking the rich history of the Baltic states as its foundation, it highlights artists from the wider region, whilst inviting international artists to engage with its cultural, historical and socio-political context.
The founder of the Riga Biennial Foundation Agniya Mirgorodskaya elaborates: We are thrilled to have RenÚ Block join us as chief curator of RIBOCA3. Having played such an integral role in the international art scene through recent generations, we eagerly anticipate the perspectives, insights and, perhaps most importantly, the artistic opportunities he will bring. Historically, RenÚ has made significant contributions to the exposure of art scenes and artists from Europes Eastern regions, and so we are delighted that he will build upon this for RIBOCA3.
RenÚ Block started working as an independent curator after overseeing exhibitions at his own galleries Galerie RenÚ Block in Berlin (1964-1979) and RenÚ Block Gallery Ltd. in New York (1974-1977). During this period he worked closely with emerging artists of the time, including Gerhard Richter, Sigmar Polke, KP Brehmer, KH H÷dicke, Wolf Vostell, Joseph Beuys and Nam June Paik.
In 1972 Block began work as a curator for the Neuer Berliner Kunstverein, the Berliner Festwochen as well as the Academy of the Arts. From 1982 to 1992, he was in charge of the visual artists and composers at the Berlin Artist in Residence Program, where he organised a number of international projects, performance and music festivals, as well as exhibitions for the Daadgalerie. In the following years, up until 1995, he was responsible for the programming of the IFA (the Institute for Foreign Relations) Exhibition Service, representing German art in foreign countries. During this period he began a career-long venture as curator for a number of biennials, including: Hamburg 1985, Towards an Art of Peace Biennial; Sydney 1990, The Readymade Boomerang; Istanbul 1995, Orient/ation; Gwangju (Korea) 2000, Eurafrica; Cetinje (Montenegro) 2004, Love it or leave it (with Natasa Ilic); and Belgrade 2006, the October Salons Art, Life & Confusion (with Barbara Heinrich).
From 1997 to 2006 Block tenured as the director of the Kunsthalle Fridericianum in Kassel where he curated a number of notable exhibitions. Among them was the "Balkan Trilogy" series with the exhibition In den Schluchten des Balkan (2003) exhibiting 88 artists from twelve countries in the wider Balkan region, and a number of other satellite projects in the Balkans including the Biennial of Cetinje in 2004. During this time, he also instituted a new programme called the Kuratorenwerkstatt (curatorial workshop) Fridericianum which permitted five young curators to gain experience by working with him to develop their first major projects.
He concluded his work on major art projects by curating the Nordic Pavilion (Welfare- Fare Wel) at the 52th Biennale di Venezia (2007). In 2008 he established the artspace TANAS, which acted as a platform for Turkish artists in Berlin and ran until 2013. At the same time, he co-founded the Kunsthal 44 M°en in Denmark, where he continues to operate as its artistic director.
Nico Anklam was recently appointed as director of the Kunsthalle Recklinghausen in Germany, as well as head of the city of Recklinghausens museums. As a writer, he has published widely on conceptual and Fluxus-related art practices, and has lectured at the Berlin University of the Arts, Humboldt University, Troms° Academy of Contemporary Art in Norway and the Estonian Academy of Arts in Tallinn. Anklam holds a PhD that discusses the visual invention of the Northern landscape during the 1800s and has curated for RenÚ Blocks Kunsthal 44 M°en in Denmark. He has realized further exhibition projects at institutions and spaces like the Rietveld Pavilion in Amsterdam, YEARS in Copenhagen and the Malm÷ Art Academy.