LECHLADE.- The doors of Kelmscott Manor, Oxfordshire the beloved country home of William Morris, the internationally-renowned craftsman, designer, author, poet, pioneer socialist, widely regarded as the father of the Arts & Crafts Movement, will finally reopen its doors to the public on Friday 1 April 2022, having been closed since 2019.

During the past 30 months a major conservation and refurbishment programme has been achieved. Practical completion of the capital phase was made possible by a £4.3 million grant from the National Lottery Heritage Fund and £1.3 million raised to date from the still on-going Kelmscott Manor: Past Present & Future Campaign, which continues to actively raise additional necessary funds. (*Please see notes to editors).

Aside from vital structural repairs to the 17th century manor house and its historic farm outbuildings, a new learning and activity studio has been built on the footprint of a pre-existing byre; visitor facilities have been upgraded and improved including new exhibition and research spaces created from rooms previously not open to the public; and significant furniture and artworks conserved.

Moreover by using the wealth of vivid first-hand contemporary accounts and photographs, the interior rooms of the Manor have been redisplayed and reinterpreted to provide the visitor with a more authentic impression of how they would have been in the Morris family’s day.

Consequently wallpaper has been reinstated to several rooms with each design individually printed by hand using the original blocks from the Morris & Co archives. Analysis of long hidden paint layers has provided clues to several of Morris’s different colour schemes. These have since been carefully re-mixed and the spaces repainted.

The rich variety of furniture, objects and paintings have also been redistributed in the period spaces, and placed back into positions they would have had during the Morris family’s time. These include pieces made or collected by the Morris family, as well as the Pre-Raphaelite artist Dante Gabriel Rossetti. Some 17th century furniture, from the previous owners, was already in the house when Morris first rented the property and remains in the house to this day.

Wherever possible during the recent refurbishment programme every effort has been taken to maintain and safeguard the unique character and essence of the Manor, the original farm buildings and their natural environment. All the work has been sympathetically undertaken using the finest appropriate materials and with an eye to detail. There has been no over-enthusiastic restoration of these historic buildings - a practice, which Morris abhorred and led to his founding the Society for the Protection of Ancient Buildings in 1877.




Situated in the charming village of Kelmscott located on the river Thames, near Lechlade, Kelmscott Manor was built around 1600 by Thomas Turner, a local farmer, using mellow Cotswold stone. A new wing was added later in the century and the Turner family inhabited the Manor until 1870.

When William Morris first viewed Kelmscott Manor in 1871 he fell instantly in love with its unpretentiousness architecture, together with the history and landscape of its gentle rural environment. It encapsulated all his passions – history, nature, archaeology and romantic medievalism. The Manor was duly rented, initially together with Dante Gabriel Rossetti as co-tenant, although Rossetti left in 1874. From the outset it became the Morris family’s (William, Jane and their two daughters, Jenny and May) much loved country retreat.

Kelmscott played a huge part in Morris’s life. It provided him endless creative inspiration and had a profound influence on his thinking and designs. It was at Kelmscott that Morris formulated his views on wide-ranging subjects, not just interior-design but also craft-based work, building conservation, social democracy and environmental issues.

Many of his most popular designs such as Strawberry Thief were directly inspired by the garden at Kelmscott, whilst his seminal literary work News from Nowhere, published in 1890, includes beautiful, perceptive descriptions of the house and its surroundings. The Kelmscott Press edition (1893), features the most famous illustration of the Manor as its frontispiece.

Even after Morris’s death in 1896, his widow Jane and his daughters May continued to rent the Manor House, which was subsequently purchased together with its estate and additional land by Jane in 1913, shortly before her death in 1914. May Morris moved to Kelmscott permanently in 1923 and devoted the rest of her life to the village and the Manor.

On May’s death in 1938 Kelmscott Manor was left to Oxford University. In 1962 Oxford University gave up the bequest and ownership passed to the Society of Antiquaries of London, which undertook specialist repairs on the building to save it from collapse, before opening it to visitors for the first time. Since then many thousands of people from all over the world have annually flocked to Kelmscott Manor, fascinated by the enduring legacy of William Morris.

Fifty years on, the recently completed, far more extensive refurbishment programme is evidence of the Society’s continued commitment to maintaining the fabric of Kelmscott’s historic buildings and collections, whilst keeping alive the conservation ethos pioneered by Morris.

John Lewis, General Secretary of the Society of Antiquaries of London, said: “William Morris’ love of history and the physical remains of the past profoundly influenced his creativity. Our revitalised Kelmscott will explore and share the history of the estate and house through the core disciplines of the Society and through the eyes of William Morris as an Antiquary and Fellow of our Society.

“The recent major refurbishment project and the on-going Kelmscott Manor: Past Present & Future Campaign has ensured that William Morris’s beloved “heaven on earth” is preserved for the benefit and enjoyment of future generations.”