The First Art Newspaper on the Net    Established in 1996 Saturday, July 2, 2022

How much would you pay for Karl Lagerfeld's gloves?
Rolls Royce Phantom Drophead, 2017.

by Tina Isaac-Goizé

PARIS.- Karl Lagerfeld, a charismatic designer who died in 2019 and was as much a pop culture figure as a fashion superstar, would have been amused by what has been going on at Sotheby’s here and in Monaco this month.

“Karl felt that objects are there to serve, and people shouldn’t be enslaved by them,” said Pierre Mothes, vice president of Sotheby’s France.

“He never wanted to be shut in a mausoleum, like a pharaoh. Twenty years ago, he told me: ‘I don’t want to be the conservator of my own collection.’”

But a series of three auctions of 1,200 lots from that collection, assembled from Lagerfeld’s five residences in and around Paris and in Monaco, has demonstrated that his fans have no such qualms.

“Karl’s taste and his photographic eye inspired affection and positive feelings for a lot of people, which makes them want to own part of his personal universe,” said Mothes, who is also the sale’s curator and head auctioneer, likening the sales to “a luxurious yet streamlined photograph of Mr. Lagerfeld’s universe at the end of his life.”

Earlier this month, 1,400 bidders registered for the first sale: 582 lots including sketches, memorabilia and personal objects, as well as art deco furniture and contemporary works by artists such as Takashi Murakami, Joana Vasconcelos and Jeff Koons. Plus, a Rolls-Royce Phantom.

Originally estimated at 2 million to 3 million euros ($2.3 million to $3.4 million), the auction closed at 12 million euros. At one point, a set of five pairs of Chanel fingerless leather gloves reached a hammer price of 48,260 euros.

“Those are really an emblematic accessory, part of a mangalike image that has passed into posterity,” Mothes said.

For Lagerfeld, the curator continued, “wearing them was a culture of courtesy inherited from the 18th century, where you don’t inflict your age on others. It’s also a way of keeping your fingers free so you can draw. And at the same time, everyone on the planet recognized those as part of his persona, along with the sunglasses and the slim-cut jackets.”

In Paris, the next act of the auction series was meant to kick off with a public showing followed by an invitation-only cocktail and after-party at Sotheby’s headquarters on the Rue du Faubourg-Saint Honoré. Because of concerns about the omicron variant, however, it was downsized and took place earlier in the day.

Even so, there was music. A celebratory yet subdued party featured composer Thomas Roussel orchestrating “The Frozen Garden,” an original soundtrack composed for the Chanel fall 2011 show held at the Grand Palais. Dancers performed choreography by Sidi Larbi Cherkaoui to Claude Debussy’s “Prelude to the Afternoon of a Faun.”

In between, Michel Gaubert, who for many years compiled the soundtracks for Lagerfeld’s Chanel shows, DJ’d for a steady stream of visitors meandering through the more than 200 lots arranged over three floors, including contemporary furniture from Lagerfeld’s estate, plus the occasional sartorial oddity (for example, a stack of Emgès shirt collars showcased under a glass globe on a base with electric lighting).

Bidding opened Dec. 14. Some in the audience dressed up in furs and high heels or formal business attire, but most wore jeans. Although several of the widely spaced seats in the room remained empty, in an hour and a half, the Paris sale already had brought in $2 million on only 37 lots. The most popular item of the evening was a Soleil Noir mirror by Martin Szekely, one of many pieces Lagerfeld bought from the Galerie Kreo in Paris, which sold for 375,500 euros, a record for the artist and 25 times the estimated price.

Minutes later, a cutout of Lagerfeld’s profile on paper fetched 32,760 euros, only marginally less than a monumental, 44-arm Louis XV-style chandelier in cut crystal and gilded bronze dating to around 1800.

Meanwhile, a Dior Homme jacket from winter 2008, in black wool embellished with a broken glass motif in PVC, which carried a high estimate of 1,000 euros, sold for 35,280 euros. A Chanel tote in black croc-embossed lambskin with a photo ID pass for the 2011 FIAC contemporary art show and a runway tag from Chanel’s Paris-Bombay Métiers d’Art show went for 94,500 euros, a record for a Chanel bag at auction, said Sophie Dufresne, communications director of Sotheby’s Paris.

“Karl’s universe is a luxurious one, but it’s filled with everyday objects,” Mothes said. “People identify with that, and they’re snatching up pieces as if he were a rock star.”

“Karl was the last monstre sacre of his generation,” he added. “There is no equivalent.”

The Paris auction ended Dec. 16 with sales of 6.2 million euros. The third and final sale in the series will take place in Cologne, Germany, in March. Proceeds will go to Lagerfeld’s estate, which is being managed from Monaco. Although there were rumors that his cat, Choupette, was one of the main beneficiaries, the actual names remain confidential.

This article originally appeared in The New York Times.

Today's News

January 1, 2022

Doris Lee, unjustly forgotten, gets a belated but full blown tribute

Eli Wilner & Company offers partial funding to museums for frame restoration projects

The Broad presents special exhibition 'Since Unveiling: Selected Acquisitions of a Decade'

The Met exhibits more than 100 Modernist British prints created between 1913 and 1939

How we make sense of time

When a master printer picks up the camera

How much would you pay for Karl Lagerfeld's gloves?

Is that a burning bush? Is this Mount Sinai? Solstice bolsters a claim

High Museum of Art presents KAWS prints exhibition

Betty White, a TV fixture for seven decades, is dead at 99

Pipilotti Rist's first West Coast survey on view at the Museum of Contemporary Art

First comprehensive survey of the work of Hildegard Heise on view at the Museum für Kunst und Gewerbe Hamburg

Once a janitor, now the bar mitzvah photography king of Montreal

Sam Fender, a songwriter caught between stardom and his hometown

On Broadway stages, the beautiful rooms are empty

Ben McFall, 'the Heart of the Strand,' is dead at 73

Maggie Gyllenhaal has dangerous ideas about directing

A story of love and obsession

In Mexico, women directors take the lead

Sneaker sellers wrestle with price spikes after Virgil Abloh's death

British Museum and Shropshire Museums to develop new Partnership Gallery

'Emily in Paris' and the city I thought was mine

The Hamburger Kunsthalle presents the first solo exhibition in Germany of the work of Toyen

William Morris' beloved country home Kelmscott Manor to reopen after major refurbishment programme

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful