NYU names new performance space after nation's first Black theater

The First Art Newspaper on the Net    Established in 1996 Thursday, April 25, 2024


NYU names new performance space after nation's first Black theater
Hewlett, James as Richard the third in imitation of Mr. Kean.Collection of Houghton Library, Harvard University.

by Rachel Sherman



NEW YORK, NY.- A new performance space at New York University will be named “The African Grove Theater” in honor of the African Theater, a historic New York production company and venue widely considered to be the first Black theater in the United States, the university announced Wednesday.

Supported by a $1 million donation, the theater is on the fourth floor of a new multipurpose educational building at 181 Mercer St. that will open in spring 2023. It also will house the graduate acting and design programs for stage and film of the university’s Tisch School of the Arts.

Where there was once merely a plaque with a brief history of the theater, there will be space to host theatrical performances, lobby displays, educational seminars and an annual symposium on the history of Black theater and culture.

“This theater wasn’t ‘somewhere downtown’; it was on our campus,” said Laurence Maslon, an arts professor at NYU Tisch School of the Arts who is also a theater historian and co-chair of a university Committee to Commemorate the African Grove. “It has been part of our DNA for over 200 years.”

“Felicitous is the word I keep coming back to,” he added.

The original African Theater was started in 1816 by William Alexander Brown, a retired ship steward who started hosting music, poetry and short plays for Black New Yorkers in his backyard at 38 Thomas St. The entertainment “tea garden” became known as the African Grove, one of the few spaces where Black patrons could enjoy leisure arts.

In 1821, the theater moved to Bleecker and Mercer Streets — where the new performance space will stand next spring — expanding to a 300-seat venue known for staging operas, ballets and Shakespearean classics alongside original work, initially performed by Black performers for Black audiences and, later, integrated audiences.

The original venture was not entirely peaceful. The theater faced harassment from white rivals and police raids. A yellow fever epidemic further ravaged the theater, which closed two years later. The last known playbill for an African Theater production was dated June 1823.

The new theater will be a “space where we celebrate another tradition in the culture of New York City that has often been disregarded and overlooked and not understood,” said Michael Dinwiddie, an associate professor at NYU’s Gallatin School of Individualized Study, who is also a theater historian and co-chair of the Committee to Commemorate the African Grove. “This was a theater that in its early time, was really creating a model for what the American theater could be. And that’s what we want the modern African Grove Theater to be.”

Dinwiddie said he was excited “to see what happens culturally” for students who learn about the theater and understand that they are performing in a place that is “historic and sacred and new, at the same time.”

This article originally appeared in The New York Times.










Today's News

June 10, 2022

A Chicago roofer's legacy finds a home in the Serpentine Pavilion

Shakespeare First Folio to be offered at Sotheby's New York in July

Galerie Gmurzynska exhibits a selection of masterpieces by Roberto Matta

Werner Herzog's fever dreams

Solo exhibition of work by Tony Feher opens at Sikkema Jenkins & Co.

Nils Stærk opens 'Eduardo Terrazas: Languages for Navigating Structures'

Exhibition brings together drawings by Georges Seurat in dialogue with the drawings of Richard Serra

NYU names new performance space after nation's first Black theater

Matthew Angelo Harrison now represented by Galerie Eva Presenhuber

Mónica Ramírez-Montagut announced as new Director of Parrish Art Museum

Prospect New Orleans announces next artistic director Miranda Lash

Christie's announces First Editions, Second Thoughts: An Auction to Benefit English PEN

Public Art Fund presents "Wyatt Kahn: Life in the Abstract" now on view in City Hall Park

Rare Dam Busters film poster set to take up to £8,000 at Ewbank's auction

Freeman's sets new world auction records for American women artists

Fabergé Mayflower egg to debut aboard Mayflower II

'Come From Away' to close, the latest Broadway show to end run

The Tribeca Festival returns in full bloom

Watches by world-classmakers to be sold by Noonans

Naomi Milgrom Foundation announces architect of MPavilion 2022

Neue Auctions announces results of May Modern Auction

Ingram Marshall, minimalist composer of mystical sounds, dies at 80

Kavi Gupta opens a solo retrospective of paintings by Sherman Beck

Getty Foundation awards over $1 million to fund curatorial innovation at 15 art institutions




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful