Kiang Malingue shared Wong Ping's solo exhibition ༼;´༎ຶ ༎ຶ༽ ~♡ at Kunsthall Stavanger
. The exhibition features Wong Pings latest video animation Sorry for the late reply (2021), commissioned by New Museum, New York; the renowned series Wong Pings Fables (2018-2019); and two earlier works An Emo Nose (2015) and The Other Side (2015).
Through animations, sculptures and installations, Wong Ping tells stories that challenge our habitual ideas of human desire, loneliness, shame and repressed sexuality.
Wongs animations are rendered in a bright aesthetic reminiscent of early video games. This light-hearted, humorous, and accessible visual language helps to diffuse lewd and offbeat stories that explore dark corners of human nature, in which protagonists often experience deep psychological issues, as well as simultaneously disguising meditations on larger societal structures such as immigration, social relations, economic anxieties, and morality.
As a Hong Kong native, Wongs observations of the citys residents daily lives and mindsets are a central element in his works, where he presents reflections on the changing social and economic environment in the region, with emphasis on Hong Kongs tense relations with mainland China. In the context of a community under siege, specifically wherein political dissent has become tantamount to criminal behavior, the artists playfully subversive practice is as important, powerful and progressive as any.
Wongs work creates a hallucinatory, surreal, and frightening image of contemporary life. In describing his practice, he points to his favorite song by The Velvet Underground and its lines, Ill be your mirror/Reflect what you are, in case you dont know.