School of Visual Arts honors Pulitzer Prize-Winning photographer Lynsey Addario

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School of Visual Arts honors Pulitzer Prize-Winning photographer Lynsey Addario
Ukrainians clean up debris after a residential building was hit by Russian missiles in south Kyiv, Ukraine, February 2022.

NEW YORK, NY.- This fall, School of Visual Arts honors Lynsey Addario, acclaimed photographer, MacArthur Genius Grant and Pulitzer Prize recipient, with the 32nd annual Masters Series Award and Exhibition, originally planned for Fall 2020. Curated by Maya Benton and Perri Hofmann, “The Masters Series: Lynsey Addario” is a comprehensive retrospective of her fearless, two-decade journey documenting humanitarian issues around the globe. The exhibition will be on view Friday, September 2 through Saturday, October 29, 2022, at the SVA Chelsea Gallery. Admission is free and open to the public. SVA will also host an artist talk with Addario on Friday, September 9, 2022, at the SVA Theatre. “The Masters Series: Lynsey Addario” is presented with support from Hahnemühle, Nikon and Verbatim Photo.

Lynsey Addario’s work has taken her all over the world in her more than 20-year career beginning in 1996, including the frontlines of conflict in Afghanistan, capturing the harsh realities of American troops and Afghan civilians. She covered life under the Taliban before 9/11, then the fall of the Taliban in 2001 and the fall of Saddam Hussein in Iraq from 2003 to 2004 for The New York Times. She eventually shifted her focus to Africa, documenting major conflicts in the Democratic Republic of Congo, Libya, Somalia, Yemen, Lebanon and South Sudan. Addario spent six years in Darfur and was one of the few able to photograph there in the weeks after International Criminal Court issued an arrest warrant for Sudanese President Omar al Bashir on charges of crimes against humanity and war crimes for his role in the genocide. Since the start of the war in Syria, Addario has documented the lives of Syrian refugees from the Middle East to Europe, with stints in Turkey, Lebanon, Germany and Greece.

In the two years since this exhibition was initially intended, Addario has been prolific in continuing to document the major news events of our time, from the war in Tigray to hospital wards during the pandemic, vaccination efforts in South Sudan, and women on the frontlines of climate change. Most recently, Addario’s photographs of the war being waged on Ukraine and its people have transfixed the world, particularly the heart-wrenching image of Tetiana Perebynis and her two children, who were killed as they tried to flee Irpin, near Ukraine’s capital, Kyiv.

Addario has brought a strong focus to women’s issues in her work, including gender-based violence and rape as a weapon of war—topics covered in a traveling exhibition she did with Columbia College of Chicago in 2008. She also began work on a long-term project on maternal mortality in 2009, documenting complications associated with women dying in childbirth in places including Sierra Leone, India, the Philippines and the United States.

Addario is the author of Of Love and War (2018, Penguin Press), her first solo collection of photography, and the New York Times best-selling memoir It’s What I Do: A Photographer’s Life of Love and War (2015, Penguin Press), which chronicles her personal and professional life as a photojournalist coming of age in the post-9/11 world and many near-death experiences, including two kidnappings and a Taliban ambush while with the 173rd Airborne in the Korengal Valley.

In 2015, American Photo Magazine named her one of the five most influential photographers of the past 25 years, saying she changed the way we saw the world's conflicts. Her work has also appeared in National Geographic Magazine and Time Magazine. She has received The Overseas Press Club's Olivier Rebbot Award, National Geographic Society’s Eliza Scidmore Award for Outstanding Storytelling, two Emmy Award nominations and three honorary doctorate degrees from University of Wisconsin-Madison, Bates College and University of York in the United Kingdom.

“It is an incredible honor to be selected for the SVA Masters Series. At a time when truth is being disputed and journalism is under attack, the visibility SVA brings to the content and issues in my photographs helps highlight the importance of photography in fostering a better understanding of the world around us,” says Addario. “I hope the exhibition will give people a greater perspective beyond the borders of the United States. I hope the images are educational and insightful and provide historical context to wars and humanitarian crises of the past two decades.”

In 1988, SVA founder Silas H. Rhodes instituted the Masters Series, an award and exhibition honoring great visual communicators of our time. Although the achievements of many groundbreaking designers, illustrators, art directors and photographers are known to and lauded by their colleagues, their names often go unrecognized by the general public. The Masters Series brings greater exposure to those whose influence has been felt strongly and by many, yet without widespread recognition.

Masters Series laureates are Marshall Arisman, Saul Bass, Michael Bierut, R.O. Blechman, Steve Brodner, Roz Chast, Ivan Chermayeff, Seymour Chwast, Paul Davis, Lou Dorfsman, Heinz Edelmann, Jules Feiffer, Louise Fili, Shigeo Fukuda, Tom Geismar, Milton Glaser, April Greiman, Steven Heller, George Lois, Mary Ellen Mark, Ed McCabe, James McMullan, Duane Michals, Christoph Niemann, Tony Palladino, Paula Scher, Edward Sorel, Deborah Sussman, George Tscherny, Paul Rand and Massimo Vignelli.

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