NEW YORK, NY.- Pace has opened an exhibition of work by Kiki Smith at its arts complex in Seoul. On view since May 17 to June 24, the presentation, titled Spring Light, will bring together new and recent sculptures, drawings, and prints that explore the phenomenological qualities of water, the sky, and the cosmos. This exhibition—which follows Smith’s recent solo exhibition at the Seoul Museum of Art and marks her first solo show at Pace’s Seoul gallery—will reflect the artist’s longstanding artistic exploration of the relationships between humans and the natural world.

Since the 1980s, Smith has nurtured a multidisciplinary practice spanning sculpture, printmaking, photography, drawing, and textile work. As part of her experimentations across mediums and materials, the artist has drawn inspiration from a wide range of histories, visual cultures, and mythologies to meditate on embodied experiences of nature. Smith’s upcoming exhibition with Pace in Seoul will focus on the ecstatic energy and illimitable power of nature in full bloom.

The show will begin on the second floor of the gallery, where works examining the makeup of the cosmos will be on view. In this gallery, moons, constellations, and nebulae will abound, creating otherworldly visions that transcend the boundaries of the space-time continuum. Smith’s works on paper feature lyrical, poetic depictions of far-away stars, gaseous bodies, and galaxies. Her aluminium sculpture Starlight (2022)—along with her large-scale 2011 bronze work The Owls—will also figure prominently in this space. Together, these works on paper and various sculptures invite viewers into Smith’s mystical world.

On the gallery’s third floor, the exhibition will bring visitors back to Earth with works centered on water. The pieces presented in this space will highlight Smith’s ability to work across different media, from silver sculpture to drawing and cyanotype printing. Water has been an enduring interest and subject for Smith, who recently unveiled an 80-foot-long mosaic titled River Light, one of several works commissioned for the new Grand Central Madison station in New York. Her work on paper River (2020), included in her upcoming show in Seoul, emulates water’s flowing, undulating movements and abstract plays of light on its surface. Also among the artworks on this floor will be the new bronze sculpture Dark Water (2023), in which the vitality of water is represented as a divine presence.