WINCHESTER.- Constable: The Dark Side, a selection of iconic masterpieces by the profound Romantic painter, John Constable, including Weymouth Bay (1816) and A sluice, perhaps on the Stour watercolour (1830-6) are on display at The Gallery at The Arc since Friday 26 May to Wednesday until 16 August in the brand-new exhibition.

This new and unique exhibition from Hampshire Cultural Trust is curated by art historian Nicola Moorby and explores Constable’s on-going obsession with the contrast between light and dark in nature and the way he placed that at the heart of his exploration of landscape.

‘I live by shadows, to me shadows are realities’, wrote John Constable. If he’d had a motto, it was the Latin phrase that appears within his print publication, English Landscape Scenery, ‘Ut umbra sic vita’ - ‘Life is as a shadow’. As an artist, Constable has a reputation for being a painter of traditional ‘chocolate box’ English scenery; safe, unchallenging and sentimental. But, there was a darker side to the Suffolk master.

This unique exhibition explores Constable’s on-going obsession with the ‘chiaroscuro’ of nature – the contrast between light and dark and the way he placed that at the heart of his exploration of landscape. It was through the interplay of light and shadow that Constable believed he could capture the movement, vitality and variety of the natural world, and also, importantly, to convey and evoke emotion. Constable was always an emotional artist and the exhibition examines some of his personal and human ‘chiaroscuro’: the challenges and tragedies present within his private life, his love for his wife and children, his professional struggles, his periodic battles with anxiety and depression, and the way the intensity of his feelings coloured and informed his work.

The exhibition has been specially curated for The Arc by art historian Nicola Moorby and will include examples of Constable’s work across a range of media – oil, watercolour, pencil and ink – as well as an in-depth look at mezzotint, a technique reliant on the emergence of light from dark. 

The exhibition is being drawn from a small number of institutions; Gainsborough’s House, the Royal Academy, Tate and the Victoria and Albert Museum.

An events programme accompanies the exhibition, including a talk by curator Nicola Moorby.