OBERLIN.- The Allen Memorial Art Museum at Oberlin College is pleased to announce the appointment of Dr. Andria Derstine as its new Curator of Western Art. Dr. Derstine, who will take up her post July 10, 2006, is currently Assistant Curator of European Art at the Detroit Institute of Arts, home to one of the world's finest collections of European art.

“We are delighted to welcome Andria Derstine to the Allen,” said Stephanie Wiles, the John G.W. Cowles Director of the Allen. “Andria has a wide range of interests and skills both in museum work and teaching, and her energetic enthusiasm for the field is evident in her scholarship. We’re very excited about the ideas and expertise in 17th- and 18th–century art that she will bring to the Allen.”

At the Detroit Institute of Arts, Dr. Derstine was involved in the 2002 exhibition Degas and the Dance, the 2005 exhibition Gerard Ter Borch, and the 2005-06 exhibition Camille Claudel and Rodin: Fateful Encounter. She planned for the reinstallation of the European collections and prepared two successful Kress grant applications for the reinstallation of the Sassetta, Piazzetta and Tiepolo altarpieces. She also co-authored, with R. Ward Bissell and Dwight Miller, Masters of Italian Baroque Painting: The Detroit Institute Of Arts in 2005.

"I am thrilled to join the staff of the Allen Art Museum as they prepare for a number of exciting upcoming exhibitions and initiatives,” Dr. Derstine said. “The Museum's collection of painting, graphic arts, and sculpture and decorative arts is very impressive, and I am honored to have the opportunity to work with it. The strength of the collection is a testament to the foresight and vision of all who have been involved in building it over the past decades, and I look forward to researching it and to continuing to develop it. I am equally delighted to become a part of the Oberlin College community, working closely with the students, faculty and public."

Prior to her appointment as Assistant Curator, Dr. Derstine held the position of Andrew W. Mellon Curatorial Fellow in the European Paintings Department at the Detroit Institute of Arts.

Previously, Dr. Derstine spent four summers in Samothrace, Greece as a researcher and trench supervisor with the Institute of Fine Arts Archaeological Excavations. She also worked as a research assistant in the Department of European Paintings at the Metropolitan Museum of Art, researching 17th– and 18th–century paintings and conducting research into the provenance of paintings during the Nazi era. She additionally was a Lecturer in art history at New York University’s undergraduate Department of Fine Arts.

A graduate of New York University’s Institute of Fine Arts, Dr. Derstine earned her M.A. in 1996 and her Ph.D. in 2004. Her dissertation, The French Academy in Rome, 1666-1737: Art, Society, Politics and Relations with the Accademia di San Luca, was advised by the late Professor Donald Posner. Dr. Derstine graduated magna cum laude in History and Literature from Harvard University in 1991, and her honors thesis on language and marginality in Beckett’s Murphy and Céline’s Voyage au bout de la nuit was awarded summa cum laude.

Dr. Derstine was awarded numerous graduate fellowships, including a Theodore Rousseau Fellowship from the Metropolitan Museum of Art.

Dr. Derstine’s paper “Statutes and Stature: The Accademia di San Luca, 1675-1725,” delivered at the College Art Association’s annual meeting in 2002, was awarded the Historians of Eighteenth-Century Art and Architecture’s 2003 Dora Wiebenson Graduate Student Prize, given for the best graduate student paper presented during the previous calendar year at a scholarly conference or as a sponsored lecture.

Her article “Views of Dolo by Canaletto, Bellotto, Cimaroli and Guardi” appeared in the October 2004 issue of The Burlington Magazine.