First exhibition in North America to examine Seifū Yohei Ceramic Studio's output over four generations
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


First exhibition in North America to examine Seifū Yohei Ceramic Studio's output over four generations
Bowl with Numinous Fungi and Kirin, 1893–1900. Seifū Yohei III (Japanese, 1851–1914). Porcelain with blue glaze, overglaze color enamels, and silver painting overlay; h. 8.3 cm, diam. 18.3 cm. The Cleveland Museum of Art, Gift of James and Christine Heusinger.



CLEVELAND, OHIO.- One of the Cleveland Museum of Art's newest exhibitions, Colors of Kyoto: The Seifū Yohei Ceramic Studio, is on view in the Julia and Larry Pollock Focus Gallery until next spring. Showcasing works in porcelain and stoneware made by the Kyoto-based studio of Seifū Yohei from the late 19th to the mid-20th century, the exhibition debuts extraordinary gifts to the museum’s collection from the James and Christine Heusinger Collection. The assemblage was strategically acquired over the past three decades with the goal of representing the full range of forms and styles produced under the Seifū Yohei name and showcasing the work of Seifū Yohei III (1851–1914), the first ceramist to be selected as an Imperial Household Artist, in 1893.

Colors of Kyoto: The Seifū Yohei Ceramic Studio features works by members of the Seifū family that reflect the ceramics culture of Kyoto, an ancient city and former capital of Japan. The artists’ engagement with Chinese forms and techniques showcased an alternative way to bring Japanese porcelain into the modern era at a time when Western cultures were leaving a major mark in Japan. The exhibition is the first in North America to comprehensively examine the studio’s output from the time of its founder, Seifū Yohei I (1801–1861), through that of its fourth-generation head, Seifū Yohei IV (1871–1951).

“Colors of Kyoto: The Seifū Yohei Ceramic Studio inspires visitors to discover the relevance of ceramics in Japanese art through a historical framework evocative of contemporary events and issues that impact people’s lives,” said Sinéad Vilbar, Janice Hammond and Edward Hemmelgarn Curator of Japanese Art. “These intricate pieces demonstrate how social, economic, and cultural factors can affect an artist’s work, as well has how governments can use art to communicate cultural values and inspire national identity.”

More than 400 years ago, ceramists in Japan first successfully fired porcelain, and from the mid-1600s, Japan took advantage of a gap in the global porcelain trade left by the temporary exit of China from the market, following the demise of the Ming dynasty (1368–1644) and the maritime prohibitions of the early Qing dynasty (1644–1912), to secure orders for its porcelains in Europe.

From the late 1800s, participation of Japanese ceramists in international expositions also became a forum for constructing national identity. While it has garnered less attention in exhibitions and publications outside Japan, there was a robust domestic market for Japanese porcelains as well, including vessels for use in sencha, or Chinese-style tea, gatherings.

The show and its catalogue also use the collection as a lens through which to analyze aspects of the modernization of Japan and to consider the history of international trade.

Exhibition Catalogue

A beautifully illustrated 200-page catalogue accompanies the exhibition, detailing the history of ceramics in Kyoto, providing biographies of artists and discussing ceramics as soft power and its role in sencha and literati culture.

Colors of Kyoto: The Seifū Yohei Ceramic Studio is funded in part with a generous award from the Japan Foundation 2023 Exhibitions Abroad Support Program.

All exhibitions at the Cleveland Museum of Art are underwritten by the CMA Fund for Exhibitions. Principal annual support is provided by the John and Jeanette Walton Exhibition Fund and by the late Roy L. Williams. Generous annual support is provided by an anonymous supporter, the late Dick Blum and Harriet Warm, Gary and Katy Brahler, Cynthia and Dale Brogan, Dr. Ben and Julia Brouhard, Brenda and Marshall Brown, Richard and Dian Disantis, the Jeffery Wallace Ellis Trust in memory of Lloyd H. Ellis Jr., Leigh and Andy Fabens, the Frankino-Dodero Family Fund for Exhibitions Endowment, Janice Hammond and Edward Hemmelgarn, Carl T. Jagatich, Cathy Lincoln, Eva and Rudolf Linnebach, William S. and Margaret F. Lipscomb, Bill and Joyce Litzler, Carl and Lu Anne Morrison, Jeffrey Mostade and Eric Nilson and Varun Shetty, Tim O’Brien and Breck Platner, William J. and Katherine T. O’Neill, Betty T. and David M. Schneider, the Kelvin and Eleanor Smith Foundation, Margaret and Loyal Wilson, and the Womens Council of the Cleveland Museum of Art.

The Cleveland Museum of Art
Colors of Kyoto: The Seifū Yohei Ceramic Studio
August 19th, 2023 - March 10th, 2024










Today's News

September 6, 2023

Undying dread: A 400-year-old corpse, locked to its grave

Man Ray exhibition in New York, the first of its kind

Brendan Lynch appointed new Chairman of Asia Week New York

A painting looted at least once, from Hitler, is on the block

First exhibition in North America to examine Seifū Yohei Ceramic Studio's output over four generations

Hans Josephsohn sculptures show featuring 13 works ranging from 1950-2004 at Skarstedt

Groundbreaking exhibition at Cantor Arts Center repositions the self-taught Modern Art artist Morris Hirshfield

Have you seen Paul McCartney's lost bass guitar? Tips welcome.

'Superunknown' an exhibition of new work by Henry Mandell opening at Anita Rogers Gallery

A new energy is vibrating at this house

Brandi Twilley's 'Crest Foods' opens at Sargent's Daughters

The Rockwell Museum welcomes Amanda Lett as Curator of Collections and Exhibitions

19th edition of Edinburgh Art Festival draws to a close after first year under direction of Kim McAleese

Hannah Traore Gallery presents "Quil Lemons: Quiladelphia"

Dovecot's major exhibition Scottish Women Artists features new commissions and contemporary works

Jim Nutt, represented by David Nolan Gallery, to show for first time in decade in New York

Jordan Ann Craig's debut show with the gallery, sharp tongue soft skin, at Hales

David Krut Projects first solo exhibition with Raquel van Haver opening today

Edith Grossman, who elevated the art of translation, dies at 87

In the Faeroe Islands, art, food and fashion take a cue from nature

Gallery Wendi Norris appoints Leslie Rothenberg as director based in New York

A $700 million bonanza for the winners of crypto's collapse: Lawyers

Can shrinking be good for Japan? A Marxist bestseller makes the case.

Painting by Atsuko Tanaka headlines MBA Seattle Auction Houses Modernism sale

The Intersection of Famous Art and Online Slots

Reddit Anime: A Community for Anime Enthusiasts

Unlocking the World of Option Trading: What Is Option Trading?

Is It Safe to Buy Targeted Instagram Followers?

"Embrace Peacefulness: The Nursery Tranquility Package"




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful