'Soulscapes', an ambitious exhibition of landscape art that will expand and redefine the genre
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


'Soulscapes', an ambitious exhibition of landscape art that will expand and redefine the genre
Hurvin Anderson, Limestone Wall, 2020. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey.



LONDON.- An ambitious exhibition, starting tomorrow, will explore new interpretations of landscape art, through some of the most essential voices working in contemporary art. Dulwich Picture Gallery will be presenting Soulscapes, a major exhibition of landscape art that will expand and redefine the genre. Featuring more than 30 contemporary works, it will span painting, photography, film, tapestry and collage from leading artists including Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important emerging voices working today.

Soulscapes will explore our connection with the world around us through the eyes of artists from the African Diaspora. It will consider the power of landscape art and reflect on themes of belonging, memory, joy and transformation.

The exhibition will open by examining the theme of belonging in relation to the natural world and consider the varied ways we experience the land and how this relates to our sense of identity, connection and safety. Limestone Wall (2020), a large-scale painting by Hurvin Anderson, depicts the tropical foliage of Jamaica and explores the artist’s relationship to his ancestral homeland. In the series A Pleasant Land. J. Samuel Johnson, & The Spectre of Unrecognised Black Figures (2023), photographer Jermaine Francis considers the issues that arise out of interactions with our everyday environments, positioning the Black figure in rural settings to instigate conversations around power, identity and the history of the English Landscape.

Reflecting on landscapes and memory, the exhibition will consider how artists have used the natural world to express personal histories. Njideka Akunyili Crosby’s lush multimedia piece, Cassava Garden (2015), layers images from fashion magazines, pictures of Nigerian pop stars, and samplings from family photo albums to represent a hybrid cultural identity. The Gallery’s mausoleum will be home to a site-specific installation of Phoebe Boswell’s I Dream of a Home I Cannot Know (2019), a meditative video work created over the course of six years that documents daily life in Zanzibar, a place of deep connection for the artist.

Soulscapes will celebrate the power of landscapes to evoke joy and pleasure, whether through the representation of personal experiences or through its expression in composition, colour and style. Paintings from Kimathi Donkor’s Idyl series (2016-2020) depict Black subjects free to be themselves within nature, hopeful visions that might be approached through the idea of Black Joy. Che Lovelace’s vibrant paintings, The Climber (2022) and Moonlight Searchers (2022), depict the flora, fauna, figures, landscapes and rituals of the Caribbean.

Finally, the exhibition will explore the transformative power of nature to stimulate healing, renewal and wellbeing. Works by Alberta Whittle manifest self-compassion and collective care as key methods in battling anti-Blackness; Whittle invites viewers to interact with her work, and to imagine different futures. In Unforseen Journey of Self-Discovery (2020), a tapestry by Kimathi Mafafo, a woman emerges from a cocooned veil of white muslin, finding her way into the vibrant, colourful and healing space of the natural world.

The exhibition is curated by Lisa Anderson, Managing Director of the Black Cultural Archives and founder of Black British Art. Anderson said:

“Soulscapes grew from the periods of enforced ‘lockdown’ that millions experienced during the Covid-19 pandemic. During the same period, the question of racial equality in the wake of George Floyd’s murder and the resurgence of the Black Lives Matter movement helped ignite conversation about inclusion and social justice. These historical moments gave way to new possibilities for landscape art, which is being interrogated by artists in new and expansive ways. At a time when global consciousness has been profoundly attuned to the precariousness and power of the natural world in our lives, I hope this exhibition will challenge perceptions of our relationship with nature.”

Jennifer Scott, Director of Dulwich Picture Gallery, said:

“Soulscapes marks a new approach to landscape art. Featuring some of the greatest artists of our day, it’s an exciting opportunity to re-present the genre within Dulwich Picture Gallery, the home of the celebrated European landscape masters of the past. This visually stunning exhibition highlights the contemporary relevance of nature in art and its universal possibilities of healing, reflection and belonging.”

Artist Alberta Whittle said:

“Within my practice, thinking about the land and the natural world as sources of indigenous, pre-colonial knowledge(s) has become a pathway to explore different ways of dreaming new ways of being. Landscape art can gather together less recognised or forgotten relationships between humanity and the land as well as become a lightning rod for galvanising conservation, especially with devastation from climate colonialism looming against the horizon.”

Artist Kimathi Donkor, said:

“My ‘Idyl’ paintings celebrate tender and contemplative moments shared by families and friends as they enjoy serene meadows, lakes, mountains, forests, rivers and beaches together. As an artist who has often focussed on ‘the struggle’, these works represent hopeful visions that honour what the fulfilment of black liberation might sometimes feel like -- even if only fleetingly.”

Dulwich Picture Gallery, founded in 1811, is the world’s first purpose-built public art gallery. It cares for and displays an outstanding collection of Old Master paintings within Sir John Soane’s pioneering architecture. As an independent gallery, which receives no regular public funding, it pursues its founders’ purpose of presenting art ‘for the inspection of the publick’ while engaging as many people as possible, of all ages and backgrounds, through a creative programme. Entering the gallery space visitors discover a surprising and contemplative experience that encourages the discovery of personal connections with historic works of art – a place to Find Yourself in Art.

Dulwich Picture Gallery
Soulscapes
February 14th - June 2nd, 2024










Today's News

February 13, 2024

The European premiere of Sharon Stone's paintings at Galerie Deschler in Berlin

Asia Week New York zooms in on 'Kondō Takahiro: The Thinking Hand'

The most powerful person in publishing doesn't like to talk about himself

Baryshnikov Arts announces 2024 Spring Residency Artists

Sarah Entwistle showing all new works in main gallery at Galerie Barbara Thumm

Impressionism's rebellious origins and legacy at DMA, 'The Impressionist Revolution from Monet to Matisse'

Holabird's 'Marvels of the West auction', January 25-28, announces sales results

"Reflections": An exhibition of paintings by Timothy J. Clark opens at Moulton Museum

'Alberto Giacometti: What Meets the Eye', iconic depictions of long-limbed human figures, at SMK

When the voice you hear is not the actor you see

Stefan Kürten has tenth solo exhibition at Hosfelt Gallery

'Soulscapes', an ambitious exhibition of landscape art that will expand and redefine the genre

White Cube opens an exhibition of sculpture, installation and painting by Tiona Nekkia McClodden

Institute of Contemporary Art, Boston, to initiate the exhibition 'Lynloop' by Igshaan Adams

'Crowning the North: Silver Treasures from Bergen' Norway opens at the Museum of Fine Arts, Houston

An exploration of evolving concepts through historic, modern, and contemporary at at the Montclair Art Museum

Hammer Museum presents premiere of 'Only the Young: Experimental Art in Korea, 1960s –1970s'

'Kill B.' review: Dances of dominance

At 73, Australia's most important Aboriginal writer is making her mark

How do you get acoustic instruments to play electronic music?

Exhibition brings to light the core motifs of Jim Shaw's practice

What to expect from a lawyer when you're filing for bankruptcy and starting afresh

Types of Search Engine Marketing in Digital MArketing USA

Ultimate Guide to Downloading Instagram Content: Videos, Photos, IGTV & Reels

Harnessing the Power of Store Fixtures: Key to Success in Retail Display

Simplifying Your Divorce Process: How to File for Divorce Online in Utah

Grant Tartan l A Comprehensive Guide to Scotland's Rich Heritage




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful