Two monumental outdoor installations comprise part of exhibition by Alicia Kwade at the Museum Voorlinden
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Two monumental outdoor installations comprise part of exhibition by Alicia Kwade at the Museum Voorlinden
Alicja Kwade, WeltenLinie, 2019 – Collection museum Voorlinden.



WASSENAAR.- Alicja Kwade doesn’t take anything for granted. She approaches her work with a relentless curiosity to challenge conventional understandings of the world around us. Through her diverse artistic practice, she delves into the essence of reality and examines social constructs. Her sculptures and installations, some of which is shown for the first time at Voorlinden, create immersive experiences that will challenge your perception and make you reflect on the nature of reality as you know it.

Asking questions is at the forefront of Alicja Kwade’s work. Indeed, her work begins where she no longer understands. Her work investigates scientific and philosophical concepts, challenging the very foundations of our comprehension of reality. Often veering towards the absurd and transforming commonly accepted assumptions into open-ended questions, she challenges the established norms and models that shape our daily lives, prompting a reevaluation of our understanding of existence.

Alicja Kwade: ‘As human beings, we need objects, ideas, political systems and social structures to grasp our world, to live in society, to make our lives possible. We create things, define them, agree on them to make our lives possible. But they are not a given; it’s not a fact that a day has 24 hours, it’s something we agreed upon. In my work, I look into why things are the way they are, to really understand as much as I can.’

Doubting your perception

In her solo exhibition Die Notwendigkeit der Dinge (The Necessity of Things), Alicja explores the essence of things by questioning them in her sculptures and installations and placing them in novel contexts. Her skeptical approach towards objects and social constructs serves as a poignant reminder that everything manifests through random processes and specific moments in time. As such, Kwade questions the existence of a fundamental, evident truth, as well as the pathways to attaining objective insights and the extent to which consensus can be achieved on these matters — all of which remain open for exploration.

Director Suzanne Swarts: ‘With her immersive installations and poetic sculptures, Alicja Kwade shows how you important it is to occasionally change perspective, to look at our constructed reality in a different way.’

Inside and outside

The exhibition occupies both the museum and the estate. Two monumental outdoor installations that were specifically created for this exhibition, comprising of interlocking bent steel frames supporting substantial boulders that appear to defy gravity, stand as a highlight. An arrangement of cast bronze chairs and stones, engaged in what seems like a confrontation, leads visitors into the museum, where the exhibition commences with a cascade of clock weights. To accentuate Alicja’s awe-inspiring creations, the museum floors have been rendered in white, lending a dimension of alienation to the overall experience.

Head of exhibitions Barbara Bos: ‘The exhibition will be visually very exciting. Really a physical and intellectual experience. The white floors will make it seem as if you are floating through the space. Meanwhile, Alicja Kwade makes your head spin by making you aware of all the assumptions and presumptions you make.’

Close bond with Voorlinden

Alicja Kwade was born in 1979 in Katowice, Poland and lives and works in Berlin, Germany. Over the past 20 years, she has generated a broad oeuvre of sculptures, photographs, videos, and installations. Alicja’s work has been shown extensively, with notable exhibitions at prestigious venues such as the Venice Biennale and the rooftop of the Metropolitan Museum of Art in New York. Her works are part of many important museum collections around the world and Voorlinden has several works in its collection, some of them specially commissioned.

Voorlinden
Alicja Kwade: Invite someone along
March 9th, 2024 - June 9th, 2024










Today's News

March 9, 2024

Landscape architect Sara Zewde sows, and a museum reaps

'Constanza Giuliani: Was steckt im Körper der Poetin?' now on view at the Kunstmuseum

From gallery walls to museum halls, Asia Week New York fosters collaboration between galleries and museums

Two monumental outdoor installations comprise part of exhibition by Alicia Kwade at the Museum Voorlinden

Antoine Predock, architect who channeled the Southwest, dies at 87

'Chelsea Hotel Portraits' by Tony Notarberardino opens at ACA Galleries

Hauser & Wirth is now representing artist William Kentridge

Lichtenstein, Rauschenberg, Hockney, and Johns highlight 'The Marmor Family Collection' up for auction

Never before seen in the US Lucian Freud work is currently on view at the UBS Art Gallery

The Biennale of Sydney announces further artists and artworks for its 24th edition titled Ten Thousand Suns

'Between the Lines' opening reception opens today at Craft in America Center

Britta Marakatt-Labba artwork joins Nationalmuseum collection

Connections between the language of geometry and ideas of our very existence according to Donna Gough

Artist Tatiana Wolska's first UK solo institutional exhibition in the UK at Midlands Arts Centre

A French star brings her career-saving play to New York

Melissa Benoist hits the campaign trail in 'The Girls on the Bus'

Review: In 'Doubt,' what he knows, she knows, God knows

'Poor Things,' the weird movie, was a weird novel first

Charges dismissed in 'Hotel California' theft conspiracy case

'As living as opera can get': John Cage's anarchic anti-canon

The very busy writer telling everyone to slow down

If you see only one beaver movie this year...

Why is there no Oscar for best choreography?

'A Revolution on Canvas' review: The personal, the political and the painting

She boxes. She conducts. She delights in defying stereotypes.

Jiayin Wang Joins Blue13 Dance Company's Playdate Residency, Igniting Multicultural Artistic Sparks

What glasses frames to choose if you have a big face?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful