Stonehenge is sprayed with orange powder in climate protest
The First Art Newspaper on the Net    Established in 1996 Tuesday, July 16, 2024

Stonehenge is sprayed with orange powder in climate protest
Stonehenge, the still-mysterious circle of stones and burial mounds just outside Salisbury, England, on Aug. 6, 2014. (Andrew Testa/The New York Times)

by Ali Watkins and Claire Moses

NEW YORK, NY.- Two climate activists were arrested in England after they sprayed an orange powder on the monoliths at Stonehenge in what they said was an attempt to bring attention to the climate impact of fossil fuels. The attack on the prehistoric site came Wednesday as the stones would draw the attention of people marking the arrival of the summer solstice in the Northern Hemisphere.

The organization that oversees the Stonehenge prehistoric site in England said Thursday that it had removed the bright orange powder before preparations for the important day at the site.

There appeared to be no visible damage to the stones, according to Nick Merriman, the CEO of English Heritage, a charity that manages Stonehenge. But, he said in a statement, “that’s in no way saying there hasn’t been harm, from the very act of having to clean the stones to the distress caused to those for whom Stonehenge holds a spiritual significance.”

The powder was removed quickly out of fear that it could damage the rare lichen that grows on the ancient stones, or that exposure to water could turn the colored powder into streaks, potentially causing permanent damage, English Heritage said.

Police in Wiltshire, England, said that officers had arrested two people who used fire extinguishers to spray the orange powder at Stonehenge on Wednesday.

In a statement, Just Stop Oil, a British group that wants to prevent new oil and gas licensing, said it had “decorated” Stonehenge with powder paint and demanded that the next British government work with other governments “to end the extraction and burning of oil, gas and coal by 2030.”

The site was chosen to draw as much attention as possible, said Ben Larsen, a Just Stop Oil protester and a supporter of the organization. “Look what our ancestors left us 5,000 years ago: this beautiful monument,” he said in a phone interview. “What are we leaving to our descendants?”

The summer solstice, which was taking place Thursday, is the longest day of the year in the Northern Hemisphere, and one when most of Britain sees about 17 hours of daylight. It is also an important day in the religious calendar of the spiritual movement known as druidry.

Every year, thousands of people flock to Stonehenge to watch the short night turn into day. It is one of the few days when the roped barriers that traditionally keep people from the almost 5,000-year-old stones are removed.

Adrian Rooke, a practicing druid, said the act of vandalism was a disruption in the otherwise joyous celebrations this year. “Some people found it very personally upsetting,” Rooke, 66, said in a phone interview. “It’s a bit like somebody spray-painting St. Paul’s Cathedral. It means so much to so many people.”

(Rooke added that he understood the spirit of the protest, if not the method.)

Britain’s top politicians were quick to condemn the climate protesters. Prime Minister Rishi Sunak called the group “a disgrace.” Keir Starmer, the Labour Party’s leader and Sunak’s opponent in next month’s elections, called Just Stop Oil “pathetic.”

The two protesters arrested Wednesday, a woman in her 20s and a man in his 70s, were facing charges of criminal damage, deterring a person from engaging in a lawful activity and damaging an ancient monument, which could lead to up to two years of imprisonment. They were released on bail Thursday, according to the Wiltshire police.

Protesters and activists have periodically used the Stonehenge site for demonstrations, though few have received as much media coverage as Just Stop Oil’s protest.

In recent years, the group has made headlines with acts of vandalism in museums.

At the National Gallery in London, protesters with the group have wielded hammers on Diego Velázquez’s “Rokeby Venus” and splashed cans of tomato soup on “Sunflowers” by Vincent van Gogh.

And on Thursday, Just Stop Oil also took its protests to another part of Britain, saying that two other protesters had covered Taylor Swift’s private jet in orange paint at a London airport.

Rooke said he would be celebrating the solstice at a local stone circle in Somerset with a smaller group of friends, a tradition that they started once Stonehenge became too busy.

At Stonehenge, there is music, drumming and partying, he said. “That’s fine, but my intention is to witness the sunrise.”

This article originally appeared in The New York Times.

Today's News

June 21, 2024

Albion Vu's Exhibition at ARTNET with a private art dealer Donna Leatherman: A Bold Exploration of Color and Form

Blek le Rat unveils a major solo exhibition featuring new paintings and prints at Woodbury House in Mayfair

Barbara Gladstone, an art dealer with a personal touch and global reach, dies at 89

Art Institute of Chicago announces "Ellsworth Kelly: Spectrum Colors Arranged by Chance"

Stonehenge is sprayed with orange powder in climate protest

Phoenix Art Museum receives major gift to expand dedicated fashion galleries

Donald Sutherland, shape-shifting movie star, dies at 88

Hauser & Wirth presents "Angel Otero. That First Rain in May"

Land art in Malibu gets a second chance

National Portrait Gallery opens first historical exhibition since reopening

FAMM, the first private museum in Europe dedicated to female artists, opens its doors in Mougins

Gaza's historic heart, now in ruins

The Schirn presents two new works by Selma Selman in a major solo exhibition

Hiền Hoàng wins Foam Paul Huf Award 2024

'Cats' returns, ditching the junkyard for queer ballroom

Centro Botín presents "Partitura" a solo exhibition dedicated to artist Silvia Bächli

The careful crafting of Austin Butler

After 40 years of dance, what happens to a dream fulfilled?

Exposing the designer behind the curtain

How Cage the Elephant's frontman nearly lost it all

Berlinische Galerie presents works by the recipient of the Förderpreis 2024: Hannah Höch

"Hannah Höch: Montierte Welten" opens at the Lower Belvedere

The Baltimore Museum of Art appoints new leaders for External Affairs and Education

The Brooklyn Academy of Music announces its next wave, and next steps

Michael Mikulec Discusses Creative Mastery and Philanthropy: From ESPN to Independent Art

How to get slim with a healthy routine l Lifestyle Tips

Parktown Residences: Urban Luxury Meets Community Living

The Benefits of Using YouTube to MP3 Converters for Offline Listening

Elevate Your Brand with Stunning Corporate Headshots NYC

Explore 6 Saudi Arabia UNESCO World Heritage Sites

Revolutionizing Digital Advertising: The Rise of AdTech Services

AI Development Company: Pioneering the Future of Technology

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful