KARLSRUHE.- With his installation "Black Flags" (2014), U.S. choreographer William Forsythe, whose archive has been housed at ZKM since 2023, has programmed a complex, contrapuntal choreography for two large black flags mounted on industrial robots. The capacity of the machines to provide limitless executions with no spatial or temporal deviation whatsoever, transfers their analog choreographic task into the exceptional territory of the absolute, situating the choreography in ideal, but machinic isolation.

The immersive photographic and sound installation "Black Flag" (2015) by Spanish concept and performance artist Santiago Sierra documents the raising of the black flag — the iconic and universal symbol of the anarchist movement — at the two most extreme points on Earth, the geographic North and South Poles. With this action, Sierra distances himself from national signs of colonization and colonialism. For the artist, raising the black flag stands for the anti-national aspiration of political anarchism and its skepticism towards state structures.

The video "Ombre indigène, part 2, Martinique" (2014) by Brussels-based artist Edith Dekyndt shows a flag made of black hair. In the spirit of Édouard Glissant (1928–2011), the influential pioneer of postcolonial cultural theory who developed the concept of creolization and the term “archipelagic thinking,” Dekyndt's work addresses the mutual permeability and permanent development of cultures, languages, and things. This image of strands of hair blowing in the wind was recorded in Martinique not far from the grave of the Caribbean writer, philosopher, and essayist. Eight years after it had been created, in September 2022 it became known worldwide. The Iranian protest movement seized on the image as a symbol against the country’s mandatory headscarf, or hijab, and the video went viral on social media.

The exhibition "BLACK FLAGS" engages with the motif of the black flag through three selected works, which are both aesthetically and politically interpretable in multiple ways. The semantic ambiguity of the three artistic gestures, associatively linked in the atriums of ZKM, prompts a shift in perspectives, urging us to reconsider the unifying elements within our society, considering the manifold challenges of the present dividing our society. With the power of iconic gestures, "BLACK FLAGS" invites us to envision a future where we act with deliberate ethical consideration embedded within a complex ecological system. -- (BLACK FLAGS. Edith Dekyndt, William Forsythe, Santiago Sierra, 22.6.–6.10.2024)

The exhibition is a collaboration project with the A/POLITICAL Foundation and the Foundation Forsythe.