NEW YORK, NY.- James Cohan is presenting There is another sky, a new exhibition by the Scottish artist Katie Paterson, on view from January 10 through February 22, 2025, at the gallery’s 52 Walker Street location. This is Paterson’s third solo exhibition with James Cohan and marks her first major presentation in New York in nearly a decade.
Explore the thought-provoking work of Katie Paterson through this stunning monograph.
Katie Paterson is renowned for her multi-disciplinary, conceptually-driven artwork that explores themes of nature, ecology, geology, and deep time. Through collaborations with scientists and researchers worldwide, her ambitious projects delve into humanity’s place on Earth within the vast framework of geological time and transformation. Employing advanced technologies and specialized knowledge, Paterson creates intimate, poetic, and thought-provoking works that challenge our perceptions of the world. Blending a Romantic sensibility with a rigorous, research-based approach and minimalist aesthetics, her art bridges the gap between the viewer and the farthest reaches of time.
Paterson frequently works serially, starting with a single, seemingly impossible Idea—represented in this exhibition and throughout her body of work as short, haiku-like sentences crafted in sterling silver. These sentences pose questions about deep time and the boundaries between reality and imagination. The works, which may or may not materialize, take form in the minds of those who engage with them, becoming an expression of the idea itself. Often, these initial concepts expand into a range of interlinked inquiries, both material and philosophical.
This exhibition brings together a body of new interconnected works that mark a significant expansion of Paterson’s studio practice. The artist has created paintings, sculptures, and works on paper with materials that embody the physicality of our world and its origins. Delicately marbled watercolors are made with water drawn from ancient ice cores. Minimalist geometric forms are painted with pigment ground from fossilized forms of the first life on this planet. Glass is fired with sands gathered from all the deserts on Earth. Black lacquer is infused with the ashes from over 10,000 unique species of trees. An hourglass is filled with stardust. An exquisitely hand-stitched embroidery brings extinct flowers back to life. Incense infuses the galleries with the scent of the first and last forests. The resulting objects distill vast, seemingly impossible distances into elegant forms, bringing our attention to an immense and tangible reality that lies beyond the limits of ordinary perception.
New works in this exhibition expand on Mirage, 2023, the monumental glass artwork first developed by Paterson and longtime collaborators, architectural studio Zeller & Moye, for a major public sculpture for Apple Park in Cupertino. Mirage comprises over four hundred glass columns made with sand collected from deserts across the Earth. Together the columns combine the world’s deserts, transforming them into walls of glass flowing like dunes shaped by the wind.
Spanning the entire floor of the back gallery, Circe, 2024, features a minimalist arrangement of glass slices, transitioning in a gradient from clear to pale blue, aquamarine and green hues. The artwork fuses together sand from a diverse range of deserts, including mountainous, subtropical, coastal, rain-shadow, volcanic, and polar deserts, as well as fossilized deserts that date back millions of years. Shifting layers of translucency and color within the glass create illusionary effects. The artwork appears like an apparition: blurring the visible and invisible, inside and outside, near and far. Like Mirage, Circe has a strong material presence, reflecting its immediate environment even as it contains an enormity of distant landscapes. Spectre, 2024, produced in collaboration with The Studio of the Corning Museum of Glass, uses the same transportive material to stage a more intimate encounter. The viewer is invited to gaze through a window created from the sands of all the Earth’s deserts combined. Visitors see into the depths of time and space where millions of years merge. These works offer a deep and immersive connection to landscape, and a moment of reflection, encouraging visitors to pause, and attune themselves to the vastness and fragility of our planet. In this stillness, one encounters a collection of geological times and a plurality of states of being.
A unifying theme that emerges from these works is the exploration of time and transformation through materiality. “Paterson looks to the stars, the seas, the earth and, with an ethical generosity, invites consideration of how we might attempt to understand these limits,” Lisa Le Feuvre, Director of the Holt/Smithson Foundation, writes. Paterson draws deep connections between natural materials and their origins, spanning from ancient ice cores to the earliest life forms and matter predating the Sun. In doing so, she creates objects that reflect the continuity and interrelation of the Earth’s history, urging viewers to contemplate the intricate web of life and time that binds our existence to the natural world while creating space for transcendence and wonder.
Katie Paterson (born 1981, Glasgow, Scotland) has had multiple solo exhibitions at prominent institutions, including the Scottish National Gallery of Modern Art, Edinburgh, Scotland; Turner Contemporary, Margate, UK; Utah Museum of Fine Art, Salt Lake City, UT; FRAC Frache Comté, Besancon, France; Kettle’s Yard Cambridge UK; the Modern Art Museum of Fort Worth, Texas; and Modern Art Oxford, Oxford, UK. Paterson has participated in numerous group exhibitions such as ARoS, Aarus, Denmark; Museum of Art Pudong, Shanghai, China; Kunsthaus Zurich, Switzerland; ArtScience Museum, Singapore; Queensland Art Gallery, GOMA, South Brisbane, Australia; Hayward Gallery, Southbank Centre, London, UK; the Columbus Museum of Art, Columbus, OH; the Louisiana Museum of Modern Art, Humlebaek, Denmark; the Wexner Center for the Arts, Columbus, OH; the Henry Moore Institute, Leeds, UK; OCAT, Shanghai, China; the Guggenheim Museum, New York, NY; among many others. Her work has also been featured in the Yokohama Triennale, Japan; 11th Gwangju Biennale, Gwangju, South Korea; Whitstable Biennial, UK; PERFORMA 09, New York, NY; and Altermodern: Tate Triennial, Tate Britain, London, UK. She is an Honorary Fellow of Edinburgh University.
Paterson’s work can be found in public collections including the Art Institute of Chicago, Chicago, IL; the Art Gallery of New South Wales, Australia; Berkeley Art Museum, Berkeley, CA; FRAC Bretagne, France; FRAC, Franche-Comté, France; Musee D’Art Classique de Mougins, France; Philadelphia Museum of Art, Philadelphia, PA; Princeton University Art Museum, Princeton, NJ; Redtory Museum of Contemporary Art, Guanghzhou, China; Solomon R. Guggenheim Museum, New York, NY; Utah Museum of Fine Arts, Salt Lake City, UT; and the National Galleries of Scotland, Edinburgh, UK. Katie Paterson lives and works in Fife, Scotland.
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