Spanish Ministry of Culture acquires Casa Gomis in El Prat de Llobregat
The First Art Newspaper on the Net    Established in 1996 Saturday, January 11, 2025


Spanish Ministry of Culture acquires Casa Gomis in El Prat de Llobregat
Ernest Urtasum, Minister of Culture, photo Lavanguardia.



BARCELONA.- The Ministry of Culture has acquired the so-called Casa Gomis, located in the municipality of El Prat de Llobregat (Barcelona), for an amount of 7,249,077.26 euros. It is a house of great historical-artistic value, a key piece in the history of 20th century rationalist architecture in Catalonia, located on the seafront within the natural area of La Ricarda, in the Llobregat Delta, an environment of high ecological value protected by the European Union.


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According to the Minister of Culture, Ernest Urtasun, "this treasure of 20th century rationalist architecture will form part, from today, of the public heritage with the aim of protecting it, conserving it and turning it into a great cultural centre 100% open to the public."

This was announced today at a press conference held at Casa Gomis, together with members of the Gomis Bertrand family, owners of the house, and accompanied by the Minister of Culture of the Generalitat de Catalunya, Sònia Hernández, and the Mayor of El Prat de Llobregat, Lluís Mijoler, "two institutions closely linked to the history and protection of this building with which we want to collaborate in the use and management of Casa Gomis," he stressed.

According to the minister, "our intention is for the theme of this new Casa Gomis Cultural Centre to revolve around the dialogue between art and nature, as Casa Gomis is one of the great architectural examples we have in Catalonia of perfect symbiosis with the natural environment."

In this sense, Urtasun explained that "in the same way that Casa Gomis was a space for avant-garde debates in the 1960s, now in 2025 we want to put it at the service of the great avant-garde debate that currently exists, which is the relationship between art and climate."

Historical and artistic values

With the purchase of this property, the Ministry of Culture guarantees the preservation of the historical and artistic values of the complex and its maintenance. Until now, the house could be visited occasionally and recently it has been part of the cultural offer of Manifesta 15, the European biennial of nomadic art that was held in Barcelona and its metropolitan area in 2024. After its acquisition, the space will become a cultural center open to all citizens, where meetings and guided tours will be held, among other activities. In addition, efforts will be made to ensure that it plays a prominent role in the programming of Barcelona as the World Capital of Architecture in 2026 and in the World Congress of Architecture of the International Union of Architects (UIA), which will also be held in Barcelona next year.

The Gomis House is a clear example of the adaptation of an abstract architectural concept to a very specific place and landscape. The symbiosis of the house and the environment is developed through a single-storey construction under the canopy of the pine trees. The transition between the natural landscape of the rest of the property and the central area appropriated by the house is achieved through a large horizontal platform that houses the garden, treated with great sobriety by means of grass meadows, paths and paved areas with orthogonal lines that extend the structure of the building and a pool that reflects its image.

Another of the unique features is that, after six decades of use, the building remains practically intact, preserving its original features, having undergone a careful restoration of the roofs and exterior carpentry in 1997. It also preserves its furniture, largely designed by the architect himself, which is included in the declaration file as part of its history.

The house was a project by the Barcelona architect Antoni Bonet Castellana for the couple formed by Ricardo Gomis and Inés Bertrand between 1949 and 1956 and was built between 1957 and 1963.

In addition, it was declared a Cultural Asset of National Interest (BCIN) in the category of Historical Monument by the Generalitat of Catalonia on March 23, 2021, the highest protection figure in the current legislation on historical heritage in Catalonia.

Unique building

Casa Gomis is a typical suburban villa, common on the Catalan coast as a first or second residence for the upper bourgeoisie, but in this case, it has unique characteristics due to its scale, architectural concept and construction system. It represents an almost unique example of a home for the Catalan upper bourgeoisie in the mid-20th century and a meeting place for intellectuals and artists.

Its structure and organisation, the result of the collaboration between architect Antoni Bonet and his client Ricardo Gomis, a figure committed to Catalan cultural avant-garde as a member of Club 49, incorporates spaces for the daily life of the family and service staff, together with other multipurpose spaces for holding meetings or small cultural events. In this regard, in addition to its architectural values, it must be recognised that the house was one of the meeting places for Barcelona culture during the 1960s. Casa Gomis thus became not only a unique, singular building, but also a place that allows us to understand the evolution of avant-garde cultures in Catalonia during the second half of the 20th century.

Antoni Bonet Castellana

Antoni Bonet Castellana was one of the most prominent architects of rationalism in Catalonia, a member of GATCPAC (Group of Catalan Architects and Technicians for the Progress of Contemporary Architecture) and GATEPAC (Group of Spanish Artists and Technicians for the Progress of Contemporary Architecture).

Settled in Buenos Aires after the Civil War, he developed his career mainly in Uruguay and Argentina, although he also designed important works in several Spanish cities. Like other architects of his generation, he combined the development of the postulates of European rationalist architecture with the exploration of his roots in the native language of the Mediterranean area. Proof of this is, in some of his works, the combination of abstract forms and modern materials with references to traditional construction systems.










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