Crocfisso di Luce: Sculpture by Filippo Biagioli
The First Art Newspaper on the Net    Established in 1996 Thursday, January 30, 2025


Crocfisso di Luce: Sculpture by Filippo Biagioli
Opere di Filippo Biagioli Crocifisso di Luce. Photo: Stefano Di Cecio.



NEW YORK, NY.- Crocifisso di Luce, is a full-scale Crucifix realized by the italian Artist Filippo Biagioli in December 2024. It is a message from God, the Artist says, that tells him to realize a Rood and to carry it on his back to the Church of Santo Stefano in Serravalle (a small town in Tuscany, Italy). For this reason, Biagioli transported the sculpture from Chiesina di Ponte di Serravalle to Serravalle Pistoiese.

The Artist is used to doing things like this one. After he has received various miracles, the Artist has produced and has donated what he "heard coming from the High”. Many are the important works realized by Filippo Biagioli such as Chanukkyah of 2017, Chanukkhià of 2019, Illibro dei Nomi Significati of 2019, Libri d’Oro ebraici of 2019, Trattato di Demonologia, summa verborum, numeri, temporis et spatii of 2024, Ziqquratu della Terra Santa of 2024, Spada degli Angeli of 2024, Crocifisso di Luce of 2024.

The Cross is realized in recycled wood which has been cleaned, restored and chiselled by the Artist. The color used are gold and white. Biagioli chose them both for their harmony and their esoteric meaning.

The Artist goes against one of the most classic interpretations which sees white as the color of purity and divinity and gold as the divine symbol of value and preciousness. Biagioli explained that these are not the true meanings of the two colors, the true ones are those used in this model.

On the top of the Crucifix there is the jewish writing “אור” which means Light. At the base of the Rood is situated a Jerusalem Cross. Biagioli dedicated the sculpture to the Light of Christ because this is what the Artist mainly felt during his “Epiphany”. “It was something wonderful. The physical effort transformed in pure spiritual essence, giving me emotions that are impossible to describe” (F. Biagioli)

Carrying the work was physically a hard moment and, in spite of starting the trail alone, slowly many people accompanied the Artist during his route. Between the love given him by the people that followed him and the weird gazes of car drivers passing by, Biagioli finally arrived at the Church of Santo Stefano in Serravalle.

“We live in the paradox that if you see someone being beaten up on the road you do not mind, but if you see a person carrying a Crucifix during Christmas time it seems insane.” (F. Biagioli)

In spite of the effort, the joy felt by the Artist for managing to complete the work is great but it is even greater the joy given him by being able to accomplish the will of God.

“I did what I was asked for. It made me happy, it made us happy.” (F. Biagioli)

by Bianca Di Cecio










Today's News

January 30, 2025

Sonia Delaunay celebrated in new exhibition at Jill Newhouse Gallery

Cape Ann Museum welcomes two new board members

Exhibition at Xavier Hufkens explores Lynda Benglis's dynamic interplay of materials and forms

Highlights of Slovenian painting from the era of national emancipation at the Lower Belvedere

Luisa Gardini's first institutional solo exhibition in Italy opens at Palazzo Paltroni

powerHouse Books announces the release of Larry Fink: Hands On / A Passionate Life of Looking

Fondazione Prada explores the art of storyboarding in "A Kind of Language" exhibition

RM Sotheby's kicks off 2025 auction season with $31.6 million in sales and a 95% sell-through rate

Crocfisso di Luce: Sculpture by Filippo Biagioli

Carpenters Workshop Gallery's "Living Now" exhibition showcases 20 years of cutting-edge design

Haus der Kunst explores digital & bodily interfaces through performance

Bo Bartlett's "Home" and "Summer" series explore themes of nostalgia and belonging at Miles McEnery Gallery

Artist Xinchen Li explores nostalgia and identity through immersive installations

Lindy Lee transforms the National Gallery after dark for Enlighten Festival

From DIY machines to frozen tableaux: Matthias Groebel's art explores the power of images

Exhibition reimagines Caucasus wedding rituals through a queer lens at CUE Art Foundation

INAH appoints seasoned archaeologist Francisco Mendiola Galván to lead national archeology efforts

Quick action saves ancient Xochitécatl site from grass fire

Deutsche Borse Photography Foundation and German Photographic Society award prizes for academic writing on photography

HAM Helsinki Art Museum presents its 2025 exhibitions

Kohunlich Archaeological Zone in Quintana Roo set to reopen after extensive improvements

Hirshhorn acquires 175 artworks, expanding the full breadth of Modern and Contemporary Art in its 50th year




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful