Fondazione Prada explores the art of storyboarding in "A Kind of Language" exhibition
The First Art Newspaper on the Net    Established in 1996 Thursday, January 30, 2025


Fondazione Prada explores the art of storyboarding in "A Kind of Language" exhibition
Installation view of "A Kind of Language: Storyboards and Other Renderings for Cinema". Curated by Melissa Harris. Photo: Piercarlo Quecchia - DSL Studio. Courtesy Fondazione Prada.



MILAN.- Fondazione Prada opens the exhibition “A Kind of Language: Storyboards and Other Renderings for Cinema” from tomorrow, 30 January, to 8 September 2025 at the Osservatorio, located at Galleria Vittorio Emanuele II in Milan.


Level up your storyboarding skills! Whether you're a beginner or a seasoned artist, this book offers invaluable advice and illustrative examples to refine your technique. Check it out on Amazon


Curated by Melissa Harris, the exhibition sheds light on the complex creative process behind filmmaking by exploring storyboards and other materials intrinsic to this process such as mood boards, drawings and sketches, scrapbooks and notebooks, and photographs. “A Kind of Language” comprises more than 800 items created from the late 1920s to 2024 by over 50 authors among film directors, cinematographers, visual artists, graphic designers, animators, choreographers, and other collaborators on film and video production.

As explained by Melissa Harris, “For many, storyboarding is an integral part of the process: visually setting a scene and then plotting out its ebbs and flows may help the film team consider relationships between characters, figure out how to advance the narrative, or realize how to convey the essence of a particular segment. It may also help to troubleshoot, say, when something does not seem quite convincing in a character or a physical interaction, or even provide visual references for the actors. More technically (and as deployed early on by Méliès), storyboards can help the filmmaker to determine the most effective angles for lighting and shooting, or the best use of dissolves and other potential special effects.”

Storyboards have a dual purpose as they embody the director’s creative vision as interpreted by the storyboard artist (when not the director), as well as addressing, at times, the technical realization of the film. Storyboards may be considered a language on its own, complementing and elaborating on a concept or script. They represent one of the first visualizations of a director’s idea and vision before the film is actually shot, whether the director himself is the author of the storyboard or another artist is involved in its creation. They are a flexible and evolving tool for sharing a working outline that helps coordinate the activities of many professional figures on and off the set. These materials serve a pragmatic and communicative purpose in that they are meant to be circulated, copied, consulted, and modified and, thus, are rarely considered unique pieces. Storyboards play a crucial role in different stages of film production: from pre-production, where they help visualize the director’s thoughts, to production, where they guide the filming process, and even in post-production, where they assist in editing and special effects.

The set design of this exhibition, conceived by Andrea Faraguna of the Berlin-based architecture office Sub, takes inspiration from the storyboard, a cornerstone of cinematic creation and a physical tool for composing and communicating the filmmaking process. By focusing on its role in filmmaking, the exhibition reinterprets the working environment of storyboard artists, transforming it into a spatial experience. At the heart of the design are tables inspired by classic drafting desks. Each table is dedicated to a specific movie, presenting its visual narrative as a sequence of scenes visitors can explore up close. Each table is paired with an inverted counterpart suspended from the ceiling to enhance the spatial experience. Together, they form an optical funnel, creating a continuous 40 cm wide horizon line that leads visitors along the exhibition path. On the side facing the windows, this funnel frames striking views of the iconic dome of Galleria Vittorio Emanuele II, connecting the interior narrative to the historic architecture of Milan.

From February to September 2025, the Cinema Godard at Fondazione Prada dedicates one of its screening sections to “A Kind of Language”, presenting a selection of films connected to the project. The exhibition is accompanied by an illustrated publication in the Quaderni series, published by Fondazione Prada. It includes a text by the exhibition curator, Melissa Harris, and a visual essay by Sub.

The second chapter of “A Kind of Language: Storyboards and Other Renderings for Cinema” will be held at Prada Rong Zhai in Shanghai from 4 November 2025 to 2 February 2026.


Artdaily participates in the Amazon Associates Program, an affiliate advertising program designed to provide a means for us to earn commissions by linking to Amazon.com and affiliated sites. When you purchase through our links, we may earn a small commission at no additional cost to you. These commissions help us continue curating and sharing the art world’s latest news, stories, and resources with our readers.










Today's News

January 30, 2025

Sonia Delaunay celebrated in new exhibition at Jill Newhouse Gallery

Cape Ann Museum welcomes two new board members

Exhibition at Xavier Hufkens explores Lynda Benglis's dynamic interplay of materials and forms

Highlights of Slovenian painting from the era of national emancipation at the Lower Belvedere

Luisa Gardini's first institutional solo exhibition in Italy opens at Palazzo Paltroni

powerHouse Books announces the release of Larry Fink: Hands On / A Passionate Life of Looking

Fondazione Prada explores the art of storyboarding in "A Kind of Language" exhibition

RM Sotheby's kicks off 2025 auction season with $31.6 million in sales and a 95% sell-through rate

Crocfisso di Luce: Sculpture by Filippo Biagioli

Carpenters Workshop Gallery's "Living Now" exhibition showcases 20 years of cutting-edge design

Haus der Kunst explores digital & bodily interfaces through performance

Bo Bartlett's "Home" and "Summer" series explore themes of nostalgia and belonging at Miles McEnery Gallery

Artist Xinchen Li explores nostalgia and identity through immersive installations

Lindy Lee transforms the National Gallery after dark for Enlighten Festival

From DIY machines to frozen tableaux: Matthias Groebel's art explores the power of images

Exhibition reimagines Caucasus wedding rituals through a queer lens at CUE Art Foundation

INAH appoints seasoned archaeologist Francisco Mendiola Galván to lead national archeology efforts

Quick action saves ancient Xochitécatl site from grass fire

Deutsche Borse Photography Foundation and German Photographic Society award prizes for academic writing on photography

HAM Helsinki Art Museum presents its 2025 exhibitions

Kohunlich Archaeological Zone in Quintana Roo set to reopen after extensive improvements

Hirshhorn acquires 175 artworks, expanding the full breadth of Modern and Contemporary Art in its 50th year




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful