Vardaxoglou presents "Stonehouse": A solo exhibition by Sebastian Lloyd Rees
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Vardaxoglou presents "Stonehouse": A solo exhibition by Sebastian Lloyd Rees
Sebastian Lloyd Rees, A hundred years slip by unnoticed 2, 2024–25. Graphite on Saunders Waterford paper. 140 x 100 x 4.5 cm (55 1/8 x 39 3/8 x 1 3/4 ins).



LONDON.- Vardaxoglou presents ‘Stonehouse’, a solo exhibition with Athens-based Sebastian Lloyd Rees (b. 1986, Stavanger, Norway). It is the artist’s second solo exhibition with the gallery. An extended essay by Sam Lincoln will accompany the exhibition.

Sebastian Lloyd Rees (b. 1986, Stavanger, Norway) is an artist based between Athens and London. With the artist Ali Eisa, he is part of an ongoing collaboration known as Lloyd Corporation. Since completing his BA at Goldsmiths in 2010, Lloyd Rees’s painting has evolved through several distinct stages; all of which interrogate the ways in which painting can articulate the subjective interactions between the artist and the ever-changing built and natural environments that he has called home. In his first major series, the Hoarding Works (2014–2018), Lloyd Rees worked with repurposed wooden boards that had been recovered from the hoarding around construction sites in London and New York. In 2020, after moving to Athens, Lloyd Rees developed a more lyrical visual language to reflect his emerging relationship with the Mediterranean, culminating in the Black Paintings (2021–2023) – the subject of a solo exhibition at Vardaxoglou in the Autumn of 2023. Lloyd Rees continues to chart this relationship with the Stonehouse series (2024–), which includes both paintings and works on paper and takes significant inspiration from the poetry of Shiwu, or Stonehouse, a 13th-century hermit who lived in the mountains of Yushan, China.

Sam Lincoln is an art writer and researcher from Boston, Massachusetts. He is a contributing editor to the Oxonian Review, and has written extensively on the reception of classical aesthetics in modern and contemporary art. His dissertation for Oxford's MSt in art history, "The White, White, White Sea: A Postclassical Account of Cy Twombly's Mediterranean Myth," won the Association for Art History's 2023 Postgraduate Dissertation Prize. He received his BA in classics and comparative literature from Harvard, where he won a Bowdoin Prize for an essay on Cy Twombly's poetic inscriptions.










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