Painting as elastic language: Rosy Keyser's second solo exhibition opens in LA
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Painting as elastic language: Rosy Keyser's second solo exhibition opens in LA
Rosy Keyser, Eternal Current, 2024. Oil, resin, and wooden embroidery hoop in custom steel and wood frame, 54 x 52-1/2 x 3-1/2 inches.



LOS ANGELES, CA.- parrasch heijnen presents Rosy Keyser: ultraUMWELT, the gallery’s second solo exhibition with New York-based artist Rosy Keyser (b.1974, Baltimore, MD).

The works of ultraUMWELT explore the synthesis of time and form as Keyser asks how we can propagate new beauty, new language, new structures, and new tools using the elastic language of painting. She negotiates the shifting relationships of creation and destruction simultaneous to the attendant sensuality and brutality that characterize nature.

Keyser engages Umwelt - the phenomenon in which the experience of reality is shaped by the differences in sensory and perceptual systems between organisms—within her material and conceptual process. As writer Mary Blair Taylor wrote about the work in this show, “Keyser imagined [and created] a machine that would act upon her works-in-progress, like an in-house contractor of sorts. Keyser designed [and developed in her studio] this contraption to sit on the floor like a giant printing cartridge or press, through which she could push the paintings. The machine both heats and applies pressure to the support surface, like a rotating doorway whose threshold imprints (or mono-prints) on everything that passes through. Despite inventing and building this mechanism herself, Keyser cannot control the manipulation, but over time she has come to understand certain likely operations.”

As Keyser describes, "In the context of [Italian physicist and writer] Carlo Rovelli, 'heat is the arrow of time'. I dreamt up the machine because I wanted to work into a ‘live surface.’ There is an ‘all-at-onceness’, an embrace of chance image-making, and a fostering of conditions that are unpredictably beautiful and impossible to fully control. The intentions that I bring to the process are very much embodied as there is no time to overdetermine. Additionally, the materials (oils, wax, resins) respond with their own wills. The canvas is rendered more transparent, more responsive, more synthesized and its edges or Umwelt more diffuse.”

Rosy Keyser earned her BFA at Cornell University in 1997 and her MFA from The School of the Art Institute of Chicago in 2003. Keyser has shown extensively throughout the United States and internationally, with the solo exhibitions: Arp 273, parrasch heijnen (Los Angeles, CA); I’ll Fly Away, Nunu Fine Art (Taipei, Taiwan); The OtherOther, Maccarone (New York and Los Angeles); Medusa Pie Country, Peter Blum Gallery (New York); and We Sing Sin, Contemporary Fine Arts (Berlin, Germany). Group exhibitions include: Rosy Keyser & Eleanor Mikus, Parts & Labor, Beacon, NY; Painter Painter at Walker Art Center, Minneapolis, MN, and Pink Caviar at Louisiana Museum of Modern Art, Humlebaek, Denmark. Keyser’s work is held in the permanent collections of: the Louisiana Museum of Modern Art, Humlebaek, Denmark; the Maxine and Stuart Frankel Foundation, Bloomfield Hills, MI; Portland Museum of Art, Portland, ME; Walker Art Center, Minneapolis, MN; and the Zabludowicz Collection, London, UK. Rosy Keyser was a Fall 2017 artist in residence at the Chinati Foundation (Marfa, TX) and a 2022 artist in residence at the Læsø AiR, Denmark. Rosy Keyser is represented by parrasch heijnen, Los Angeles; Contemporary Fine Arts, Berlin, Germany; Nunu Fine Art, Taipei, Taiwan; and Sevil Dolmaci, Dubai, UAE.










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