'Pay what you wish' all day every Friday to see 'José Maria Velasco: A View of Mexico'
The First Art Newspaper on the Net    Established in 1996 Saturday, April 26, 2025


'Pay what you wish' all day every Friday to see 'José Maria Velasco: A View of Mexico'
José María Velasco, 'The Valley of Mexico from the Hill of Santa Isabel', 1877. Oil on canvas, 161 × 228.5 cm. Museo Nacional de Arte, INBAL, Mexico City © Reproducción autorizada por el Instituto Nacional de Bellas Artes y Literatura, 2024.



LONDON.- For the first time, and as part of its NG200 celebrations, the National Gallery will invite visitors all day every Friday to pay what they like for one of its ticketed exhibitions.

From 10am to 9pm on any Friday until 17 August, you can pay as little as £1 or as much as you’d like to enjoy the critically acclaimed exhibition José María Velasco: A View of Mexico, a celebration of Mexico’s most famous 19th-century painter.

Pay What You Wish tickets can be booked online, on the phone or in person and are available on a first come, first served basis. The Gallery first introduced the scheme for Friday evening openings during the Lucian Freud exhibition, followed by the Frans Hals and After Impressionism exhibitions. This is the first time it has operated throughout the day on Fridays.

'José María Velasco: A View of Mexico' is the first monographic exhibition in the UK devoted to José María Velasco (1840–1912) and presents a unique opportunity to discover this artist. It’s the first-ever exhibition that the National Gallery has dedicated to a historical Latin American artist, and it coincides with the 200th anniversary of the establishment of diplomatic relations between the UK and Mexico.

The exhibition presents around thirty paintings and drawings, with most from private and public Mexican collections, including 17 from the Museo Nacional de Arte (MUNAL, Mexico City), Mexico’s leading public museum.

José María Velasco is famed for his monumental paintings of the Valley of Mexico, the area surrounding Mexico City. Painted during decades of tremendous social change, his precise yet lyrical works depict Mexico’s magnificent scenery and rapid industrialisation.

While Velasco, one of Mexico’s most eminent artists, showed work in Europe and the United States during his lifetime and still enjoys great prominence in his home country, he is no longer as well-known abroad. There is no painting by Velasco in a UK public collection and the last large-scale exhibition devoted to him outside Mexico was held almost 50 years ago in San Antonio and Austin, Texas in 1976.

Spanning over 50 years of the artist’s career, 'José María Velasco: A View of Mexico' is divided into six thematic sections that present the artist’s wide-ranging interests and their influence on his art.
Visitors are invited to make links between Velasco’s work and paintings in the Gallery’s collection outside the exhibition, particularly Édouard Manet’s The Execution of Maximilian (1867–8), which depicts the demise of the Austrian emperor, Maximilian I, imposed on Mexico by the French ruler Napoleon III. These will encourage visitors to consider how 19th-century painters outside Europe explored colonialism, industrialisation and the effects of modernity on the natural world.

The exhibition also touches on broader concerns about the relationship between human beings and the environment, seen through the lens of late 19th-century painters who addressed extraordinary ecological change, a theme that still resonates today.

As well as providing a comprehensive introduction to Velasco’s art, the exhibition builds on the National Gallery’s successful strategy over the last 10 years of introducing British audiences to art from beyond Europe and follows exhibitions on Winslow Homer (1836–1910), George Bellows (1882–1925) and the Ashcan painters, Thomas Cole (1801–1848) and Australia’s Impressionists.

The exhibition is curated by artist and independent curator Dexter Dalwood and Daniel Sobrino Ralston, the National Gallery’s CEEH (Centro de Estudios Europa Hispánica) Associate Curator of Spanish Paintings, from an initial concept by Dexter Dalwood.

Exhibition organised by the National Gallery, London, and the Minneapolis Institute of Art.










Today's News

April 26, 2025

Landmark exhibition in Seoul presents Ron Mueck's hyperreal sculptures

Bowman Sculpture commemorates 80th anniversary of VE Day with Rufus Martin's Bust of Sir Winston Churchill

Ahlers & Ogletree announces Spring Estates & Collections Auction, May 8th

Shannon's announces Spring Fine Art Auction, May 8th

Christie's New York presents 20/21 Spring Marquee Week

Baselitz in Paris: Monumental canvases and wheel-marked portraits unveiled

Dresden and Essen will honour William Kentridge with a double exhibition in September 2025

SB Museum of Natural History celebrates 30 years of antique print gallery

MoMA PS1 opens first US exhibition of artist Sandra Poulson

UB Art Galleries celebrates 25 years with gift of 25 masterworks from Gerald Mead Collection

Erica Mahinay unveils fluid abstract works in UK solo debut at Josh Lilley

Thomas Struth explores humanity, technology, and nature in Berlin retrospective

Kayode Ojo's glamorous fragility arrives at Maureen Paley Gallery

The Design Museum celebrates 15 years of enriching children's creativity in their 2025 edition of Design Ventura

Painting as elastic language: Rosy Keyser's second solo exhibition opens in LA

'Pay what you wish' all day every Friday to see 'José Maria Velasco: A View of Mexico'

Vancouver Art Gallery debuts Lucy Raven's first major West Coast exhibition

The Virginia Museum of Fine Arts launches immersive art installation series

Galerie Jeanne Bucher Jaeger opens an exhibition of works by Guillaume Barth

Third edition of Tasweer Photo Festival Qatar opens in Doha

New York Academy of Art welcomes new President Paul R. Provost

MoMI presents Portals of Solitude: Virtual Experiences from Taiwan, featuring four recent virtual reality works




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful