VENICE.- Hong Kong is a city far more fascinating—and with much more to teach the world—than its popular image suggests.

This more fascinating Hong Kong is not found in its dazzling skyscrapers that overlook old junk boats crossing Victoria Harbour, in its open-air dai pai dong where global financiers in bespoke suits eat lunch at plastic tables, or in the nostalgic images of neon-drenched streets in Kowloon side of Hong Kong.

Rather, this city is found in places the world does not often look: in the extraordinary but unsung public infrastructures that make Hong Kong the singular urban miracle that it is. ‘Projecting Future Heritage: A Hong Kong Archive’, Hong Kong’s official exhibition at the Biennale Architettura 2025, which opened on 10 May and runs until 23 November 2025, showcases these infrastructures that have shaped the city in the early postwar decades. The exhibition reveals how the city’s often-overlooked architectural and urban achievements have for decades fulfilled the pressing mandates that cities around the world now face, like combatting climate change, managing extreme density, and maintaining a cultural life for citizens in shared public spaces.

Responding the theme of the Biennale Architettura 2025, curated by Carlo Ratti, ‘Intelligens. Natural. Artificial. Collective’, the Hong Kong exhibition’s curators Fai Au, Ying Zhou, and Sunnie S.Y. Lau highlight the collective intelligens of Hong Kong’s public infrastructures that represents the city’s shifting paradigm. The 33 selected projects include composite buildings, estate centres, market complexes, and public housing—structures designed by local architects that are little documented, studied, or shared internationally. Many of these, including vernacular villages, are on the brink of redevelopment or already closed down, making them the sole specimens of Hong Kong’s future heritage.

The exhibition is jointly organised by The Hong Kong Institute of Architects Biennale Foundation (HKIABF) and Hong Kong Arts Development Council (HKADC), with The Hong Kong Institute of Architects (HKIA) as partner. The HKIABF is seeking funding support from the Cultural and Creative Industries Development Agency (CCIDA) for the exhibition.

With the premise of cataloguing these representations of the recent past, the exhibition is designed in two distinct portions of the Campo della Tana in Venice: the outdoor courtyard and the former warehouses. Inside the warehouse spaces, visitors will engage with archaeological documentation of an urban cosmology: measured drawings, scaled models, photographs, diagrams, texts, artefacts, and ephemera. On opening the sets of archival drawers, they will discover academic research on the future heritage of Hong Kong.

The site itself is reminiscent of the ancient production of ship’s elbows and ropes, made within the Venetian Arsenale—the world’s largest pre-modern industrial complex. To underline this connection, the exhibition brings the shifu, or Hong Kong’s bamboo masters, to construct a bamboo scaffold in the outdoor courtyard. Bamboo scaffolding is a ubiquitous—though now embattled—part of Hong Kong and its circular economy, where some built between the post-war era to the turn of the millennium are already slated for replacement. Choreographing the courtyard as a space for a projective future, the temporary scaffold frames the rich history of Campo della Tana, as well as serves as a backdrop to juxtapose the entrepot cities of Hong Kong and Venice in their shared precarity between the natural and artificial.

‘Projecting Future Heritage: A Hong Kong Archive’ will return to Hong Kong in the fourth quarter of 2026.